Stafford's advice to beginning poets has become a favorite text in writing programs

Essays, interviews, and poetry by revered poet and teacher William Stafford

Writing development is currently the focus of substantial international debate because it is the aspect of literacy education that has been least responsive to central government and state reforms. Teaching approaches in writing have been slower to change than those in teaching reading and pupil attainment in writing has increased at a much more modest rate than pupil attainment in reading. This handbook critically examines research and theoretical issues that impact on writing development from the early years through to adulthood. It provides those researching or teaching literacy with one of the most academically authoritative and comprehensive works in the field. With expert contributors from across the world, the book represents a detailed and valuable overview of a complex area of study.

"Included in the book are a selection of Stafford's poetry on the subject of writing, and an essay on the origins and influences of his art."--Page 4 of cover.

Introduces different kinds of poems, including headline, letter, recipe, list, and monologue, and provides exercises in writing poems based on both memory and imagination.

In an illuminating collection of selected poems over thirty-five years, one of our most essential American poets casts a clear eye on our politics, our places, and our heart’s hidden stories. D. Nurkse’s immigrant parents met on a boat out of Europe in 1940; he was a child of the generation whose anxieties were forged in the shadow of Hiroshima and the aftermath of WWII. His poems extend that child’s dignified ignorance into an open encounter with the cataclysms of the latter twentieth century and with family structures. Whispers of the old country of Estonia provide the backdrop for the boy’s baseballs, thrown in the fading twilight of the 1950s (“Secretly, I was proudest of my skill / at standing alone in the darkness”). The young man explores sexual passion and the arrival of a child in a young marriage (“We showed her daylight in our cupped hands”), while the mature poet writes of loneliness and community in our cities (“but on the streets / there was no one”), and the urgent need for us to keep expressing our will as citizens. Throughout this matchless career, over eleven books, Nurkse has crafted visceral lines that celebrate the fragility of what simply exists—birdsong, moonrise, illness, water towers—and the complexity of human perception, our stumble forward through it toward understanding.