Ottoman historical writing of the 15th and 16th centuries played a significant role in fashioning Ottoman identity and institutionalizing the dynastic state structure during this period of rapid imperial expansion. This volume shows how the writing of history achieved these effects by examining the implicit messages conveyed by the texts and illustrations of key manuscripts. It answers such questions as how the Ottomans understood themselves within their court and in relation to non-Ottoman others; how they visualized the ideal ruler; how they defined their culture and place in the world; and what the significance of Islam was in their self-definition.

Traces the simultaneous crafting of political power, the codification of a historical record, and the unfolding of cultural change

Histories of the Turks were a central means through which English authors engaged in intellectual and cultural terms with the Ottoman Empire, its advance into Europe following the capture of Constantinople (1454), and its continuing central European power up to the treaty of Karlowitz (1699). Writing the Ottomans examines historical writing on the Turks in England from 1480-1700. It explores the evolution of this discourse from its continental roots, and its development in response to moments of military crisis such as the Long War of 1593-1606 and the War of the Holy League 1683-1699, as well as Anglo-Ottoman trade and diplomacy throughout the seventeenth century. From the writing of central authors such as Richard Knolles and Paul Rycaut, to lesser known names, it reads English histories of the Turks in their intellectual, religious, political, economic and print contexts, and analyses their influence on English perceptions of the Ottoman world.

Looking East explores early modern English attitudes toward the Ottoman Empire in the seventeenth century. To a nation just arriving on the international scene, the Ottoman Empire was at once the great enemy and scourge of Christendom, and at the same time the fabulously wealthy and magnificent court from which the sultan ruled over three continents with his great and powerful army. By taking the imaginative, literary and poetic writing about the Ottoman Turks and putting it alongside contemporary historical documents, the book shows that fascination with the Ottoman Empire shaped how the English thought about and represented their own place within the world as a nation with increasing imperial ambitions of its own.

The Ottoman court of the late 16th century produced an unprecedented number of sumptuously illustrated chronicles. While usually dismissed as imperial eulogies, Emine Fetvacı demonstrates that these books commented on contemporary events, promoted the political agendas of courtiers as well as the sultan, and presented their patrons and creators in ways that helped shape the perspectives of their elite audience. Picturing History at the Ottoman Court traces the simultaneous crafting of political power, the codification of a historical record, and the unfolding of cultural change.

The father of the legendary Ottoman sultan Suleyman the Magnificent, Selim I ("The Grim") set the stage for centuries of Ottoman supremacy by doubling the size of the empire. Conquering Eastern Anatolia, Syria, and Egypt, Selim promoted a politicized Sunni Ottoman* identity against the Shiite Safavids of Iran, thus shaping the early modern Middle East. Analyzing a wide array of sources in Ottoman-Turkish, Persian, and Arabic, H. Erdem Cipa offers a fascinating revisionist reading of Selim's rise to power and the subsequent reworking and mythologizing of his persona in 16th- and 17th-century Ottoman historiography. In death, Selim continued to serve the empire, becoming represented in ways that reinforced an idealized image of Muslim sovereignty in the early modern Eurasian world.

In Making Sense of History: Narrativity and Literariness in the Ottoman Chronicle of Naʿīmā, Gül Şen offers the first comprehensive analysis of narrativity in the most prominent official Ottoman court chronicle