Writing Grandmothers, Africa Vs Latin America Vol 2 is a continuation of the cross-continental anthologies series, particularly focussing on African and Latin American writers. It continues on from where Experimental Writing, Africa Vs Latin America, Vol 1. The anthology has 6 nonfiction pieces, 10 fiction pieces, and 67 poems and translations of poems in the two dominant languages of the two continents, English and Spanish. There is work from poets and writers from Honduras, Mexico, USA, UK, Cuba, Costa Rica, El Salvador, Peru, Argentina, Brazil, Chile Puerto Rico, Spain, Nigeria, South Africa, Malawi, Zimbabwe, Kenya, Equatorial Guinea, and Ghana all collaborating on the theme of using the folktale or oral African story telling traditions and finding solutions to problems bedeviling the two continents, which were felt as a result of colonialism and or post colonialism.

This project comes from our need to harness voices in Africa and Latin America, giving these voices an opportunity to converse, argue, synthesize, agree, and share ideas on the craft of writing, on life, on being, on thinking, so that we will all benefit. Sixty-two writers and poets are included, of which 19 were purely fiction writers, six were mixed genres writers, one a non-fiction writer, one a playwright, and 35 are poets. Altogether there are 92 pieces in two languages: English and Spanish.

Writing Robotics, Africa Vs Asia Vol 2 follows Writing Language, Culture and Development, Africa vs Asia, Vol 1. Writing Robotics features 18 writers and poets from the two regions, Asia and Africa collaborating around the issue of Robots, in whatever form. From the traditional African robotics science, to the latest robots and the imagined robots of tomorrow, how the two regions Africa and Asia are coming to terms with the oncoming Robotics revolution, the so-called 4th industrial revolution. The book serves to encourage rather than to scare the inhabitants of these regions to embrace the revolution, and to show them robots are already a part of us as we are a part of them.

In Nationalism: (Mis)Understanding Donald Trump’s Capitalism, Racism, Global Politics, International Trade and Media Wars, Africa VS North America Vol 2, we have 10 essays, 3 fiction pieces, 51 poems, 2 plays from leading and upcoming writers, essayists, academicians and poets from the two regions, Africa and North America and their Diasporas, in these among other countries, USA, Canada, Sweden, Zimbabwe, South Africa, Nigeria, Ghana, Botswana, Kenya, UK etc…, coming together to transact around issues to do with the nationalism espoused by Donald Trump. Cornell dissects issues to do with blackness and racism using Fanon’s theories, Nyongesa deals with the Fetishism of Donald Trump’s policies known colloquially as Trumpism, Opicho calls it ‘inoracy’, Donald Trump’s statement, “Shit-hole”, some essayists took to the personal narrative you would find in Mhondera and Kantey’s essays, yet Pravda used the middle ground between playwriting, Filmmaking and the essay form, Ofodile investigates the problematic issue of Boko Horam terrorism in North Nigeria, Bearly looks at capitalism, so does Koffi with his French Language essay which is also translated into English, Ifeachor in his poem has praise for Donald Trump, Hall goes back to apartheid South Africa period and as a direct tangent Matshoba deals with Xenophobia in his letter written from the future. Smith looks at the white supremacist demonstrations, for or against Trump, Thompson and Swanson encourage us to unfocus on Donald Trump, and Thompson rightly blames us for allowing the likes of Donald Trump and the kind of Nationalism and Capitalism he stands for to grow. Thus this collection of writings is rich, robust and very interesting and will be invaluable to scholarship to do with Nationalism, Capitalism, Media freedoms, Global Politics, Racism and International trade.

The stars are in alignment. Her dramatists and scholars have spoken on the tapestry of these pages as a testament to the powers that be and the knowledge of the ancients. The language and the expertise involved will speak to your heart in praise of Africa. These word artists, these scholars and dramatists bring their life experience to the book, a noble kind of variety, an energy, their particular aura, the juxtaposition of the effervescent flux of ideas, ideals, innovation and ideology. The narrative in the essays and plays is based on reality and non-reality, the substance of dream killers in some very captivating and enticing lines, it is Africa’s time to shine. This volume is anchored to a dream, and tethered to a goal. Since ancient times there have been generational curses in the bloodline and strongholds that are determined not to let us go. Terrain that in a nutshell has been deposited in our genetic code, but now it is time for the divine awakening of our ancestors and for divine wisdom and new insights to prevail. We owe our ancestors that much. There is truth that speaks to power on these pages.

Zimbolicious Anthology: An Anthology of Zimbabwean Literature and Arts is the 6th yearly volume of Zimbabwean Literature and the arts. This year's anthology is extra-special in that we feature Zimbabwe's upcoming young visual artists who recently won or got highly recommended and exhibited their artworks through the National Art Gallery, in a competition sponsored by Morgan & Co and in association of the National Gallery of Zimbabwe. These artworks varies from installation, mixed media, drawings, paintings and tackled the issue of being "Masked", resultant of Covid 19 pandemic. These artworks are accompanied by Tinashe Muchuri's illuminating critical reception essay. Chrispah Munyoro's artworks are personal and are of struggle, and Tendai Rinos Mwanaka's artworks deal with a number of issues such as US racism, the issue of Jihad terrorism, climate change and global warming. The poetry section tackles a gamut of issues from governance, spirituality, environmentalism, love, relationships, etc... and the fiction section has 4 bittersweet short stories dealing with illegal mining mob deaths (Mathew T Chikono), coming of age love story (Christopher Kudyahakudadirwe), a slice of bus travelogue (Nicole Kazembe), writing mother's body (Oscar Gwiriri). The nonfiction has two essays; Chipo Martha Bute deals with a personal journey to discovery and worthiness and Tendai Rinos Mwanaka deals with Zimbabwe's politics.

Despite the current economic and political situation in our country, poets, writers, artists, and other creatives have defied the odds and continued to churn their works and submit to produce this marvelous anthology. This eighth installment continues the tradition of giving new writers the platform to shine and to the seasoned writers, a shebeen to meet again and prolong the tradition. We hope you continue to read and follon the Zimbolicious anthology series.