How do you create characters who keep readers hooked? How do you write the opposite sex? Teenagers? Believable relationships? Historical characters? Enigmatic characters? Plausible antagonists and chilling villains? How do you understand a character whose life is totally unlike your own? How do you write characters for dystopias? How do you make dialogue sing? When can you let the reader intuit what the characters are feeling and when should you spell it out?Roz Morris is a bestselling ghostwriter and book doctor, and a literary author in her own right. Her titles have sold more than 4 million copies worldwide. She has mined 20 years' worth of writing, editing and critiquing experience to create this book. It contains all the pitfalls and sticky points for writers, laid out as a set of discussions that are easy to dip into. And it wouldn't be a Nail Your Novel book without a good dose of games, exercises and questionnaires to help you populate a novel from scratch.Whether you write a straightforward story-based genre or literary fiction, this book will show you how to create people who enthrall readers - and make you want to tell stories.

How do you create characters who keep readers hooked? How do you write the opposite sex? Teenagers? Believable relationships? Historical characters? Enigmatic characters? Plausible antagonists and chilling villains? How do you understand a character whose life is totally unlike your own? How do you write characters for dystopias? How do you make dialogue sing? When can you let the reader intuit what the characters are feeling and when should you spell it out? Roz Morris is a bestselling ghostwriter and book doctor, and a literary author in her own right. She has mined 20 years' worth of writing, editing and critiquing experience to create this book. It contains all the pitfalls and sticky points for writers, laid out as a set of discussions that are easy to dip into. And it wouldn't be a Nail Your Novel book without a good dose of games, exercises and questionnaires to help you populate a novel from scratch. Whether you write a straightforward story-based genre or literary fiction, this book will show you how to create people who enthrall readers - and make you want to tell stories. Previously titled Nail Your Novel: Bring Characters to Life.

A truly unforgettable story is defined by its characters. Their motivations, their changes, their actions compel us to read on, anxiously trying to discern what will happen next. In Dynamic Characters, award-winning author and Writer's Digest columnist Nancy Kress explores the fundamental relationship between characterization and plot, illustrating how vibrant, well-constructed characters act as the driving force behind an exceptional story. Kress balances her writing instruction with hands-on checklists to help you build strong characters from the outside in. Blending physical, emotional and mental characterization, you'll learn to create characters that initiate exciting action, react to tense situations, make physical and emotional transformations, and power the plot from beginning to end.

A fun, practical guide that reveals the essentials of good fiction and memoir writing by exposing the most common mistakes literary writers make. All great works of fiction and memoir are unique-but most bad novels, stories, and memoirs have a lot in common. From clunky dialogue to poorly sketchedout characters, sagging pacing to exaggerated prose, these beginners' mistakes drive any agent or editor to their stock rejection letter, telling the aspiring writer "Thanks, but this isn't for us," and leaving many to wonder what exactly it is that they're doing wrong. Veteran writing coach, developmental editor, and writing instructor Jessica Page Morrell will fill in the gaps in every rejection letter you've ever received. In Thanks, But This Isn't for Us, Morrell uses her years of experience to isolate the specific errors beginners make, including the pitfalls of unrealistic dialogue, failing to "show, not tell," and over-the-top plot twists. These are just a few of the problems that keep writers from breaking through with their work. Sympathetic and humane, but pulling no punches, Thanks, But This Isn't for Us shows writers precisely where they've gone wrong and how to get on the right track. In sixteen to-the-point chapters, with checklists, exercises, takeaway tips, and a glossary, Morrell helps readers transcend these mistakes so that they don't have to learn the hard way: with another rejection letter.

In a merciless summer of biblical heat and destructive winds, Gabrielle Fox's main concern is a personal one: to rebuild her career as a psychologist after a shattering car accident. But when she is assigned Bethany Krall, one of the most dangerous teenagers in the country, she begins to fear she has made a terrible mistake. Raised on a diet of evangelistic hellfire, Bethany is violent, delusional, cruelly intuitive and insistent that she can foresee natural disasters - a claim which Gabrielle interprets as a symptom of doomsday delusion. But when catastrophes begin to occur on the very dates Bethany has predicted, and a brilliant, gentle physicist enters the equation, the apocalyptic puzzle intensifies and the stakes multiply. Is the self-proclaimed Nostradamus of the psych ward the ultimate manipulator, or could she be the harbinger of imminent global cataclysm on a scale never seen before? And what can love mean in 'interesting times'? A haunting story of human passion and burning faith set against an adventure of tectonic proportions, The Rapture is an electrifying psychological thriller that explores the dark extremes of mankind's self-destruction in a world on the brink.

Writing a novel will change your life. It might not be in the way that you expect, but when you hold your book in your hand and say, “I made this,” something will shift. The process of getting to that point will light a spark in your creative soul and help you discover unexpected aspects of yourself. It will be one of the things you are most proud of in your life. This book will help you get there. I’m Joanna (J.F.) Penn, award-nominated, New York Times and USA Today bestselling author of 18 novels and novellas with nearly a million books sold in over one hundred countries. This book will help you write your first novel, or improve your creative process so you can write more books and reach more readers. It covers mindset, ideas and research, aspects of craft, how to write a first draft, and work through an editing process to a finished book. You will discover: Part 1: First Principles - Why are you writing a novel? - What has stopped you from completing a novel before? - Principles to keep in mind as you create Part 2: Ideas, Research, Plotting, and Discovery Writing - How to find and capture ideas - How to research your novel and when to stop - Outlining (or plotting) - Discovery writing (or pantsing) - What are you writing? Genre - What are you writing? Short story, novella, or novel - What are you writing? Stand-alone, series, or serial Part 3: Aspects of a Novel - Story structure - Scenes and chapters - Character: Who is the story about? - Point of view - Dialogue - Plot: What happens in the story? - Conflict - Openings and endings - Setting and World-building: Where does the story happen? - Author voice - Theme - Book or story title - Language versus story and tools versus art Part 4: Writing the first draft - Attitude to the first draft - How to write the first draft - Dictate your book - Write fast, cycle through, or write slow - Writer’s block - Writing tools and software - When is the first draft finished? Part 5: The Editing Process - Overview of the editing process - Self-editing - How to find and work with a professional editor - Beta readers, specialist readers, and sensitivity readers - Editing tools and software - Lessons learned from editing my first novel after more than a decade - When is the book finished? Conclusion If you want to (finally) write your novel, then buy How to Write a Novel today.

Within the pages of a book exists a world drawn from a writer’s deepest imaginings, one that has the ability to pull readers in on a visceral level. But the audience’s fascination will only last if the writer can describe this vibrant realm and its inhabitants well. The setting achieves this by offering readers a unique sensory experience. So much more than stage dressing, the setting can build mood, convey meaning through symbolism, drive the plot by creating challenges that force the hero to fight for what he wants, and trigger his emotions to reveal his most intimate feelings, fears, and desires. Inside this volume you will find: • A list of the sights, smells, tastes, textures, and sounds for over 100 settings revolving around school, home, and nature • Possible sources of conflict for each location to help you brainstorm ways to naturally complicate matters for your characters • Advice on the many effective ways to build mood, helping you steer both the character’s and readers’ emotions in every scene • Information on how the setting directly influences the plot by acting as a tuning fork for what a character needs most and by testing his dedication to his goals • A tutorial on figurative language and how different descriptive techniques can bring settings alive for readers while conveying a symbolic message or deeper meaning • A review of the challenges that arise when writing description, as well as special considerations that apply specifically to rural and personal settings The Rural Setting Thesaurus takes “show-don’t-tell” to new heights. It offers writers a roadmap to creating fresh setting imagery that impacts the story on multiple levels and keeps readers engaged from the first page to the last.