‘Beirut39’ is a Hay Festival project which aims to select and celebrate 39 of the best young Arab writers as a centrepiece of the Beirut World Capital festivities in April 2010. Following the successful launch of ‘Bogotá 39’, which identified many of the most interesting upcoming Latin American talents, including Wendy Guerra, Junot Diaz (Pulitzer Prize), Santiago Roncagliolo and Juan Gabriel Vásquez (short-listed for the IFFP), ‘Beirut 39’ will bring to worldwide attention the best work from the Arab world. The judges will select from more than 300 submissions and the writers’ names will be unveiled in September 2009. The book will be published in English throughout the world (except the Arab world) by Bloomsbury, and in Arabic throughout the world and in English in the Arab World by Bloomsbury Qatar Foundation Publishing.

Writing Beirut explores the city in 16 Arabic novels focusing on the urban/rural divide, the imagined and idealized city, the city through panoramic views and pedestrian acts, the city as sexualized and gendered, and the city as a palimpsest.

A unique anthology of complex urban experience that brings together personal writing, essays, journalism, short stories, photography and animation. Transit Beirut oscillates between sarcastic humour and serious exploration of the tensions and conflicts in a society undergoing reconstruction.

“Truly a masterpiece.” —Lawrence Joseph On a ravaged street overlooking a cemetery in a Christian enclave in war-torn 1970s Beirut, we meet Pavlov, the son of a local undertaker. When his father dies suddenly, Pavlov is approached by a member of the mysterious Hellfire Society—an anti-religious sect that arranges secret burial for outcasts denied last rites because of their religion or sexuality. Pavlov agrees to take on his father’s work for the society, and over the course of the novel he becomes a survivor-chronicler of his embattled and faded community at the heart of Lebanon’s civil war.

This revised edition of the number-one bestseller and winner of the 1989 National Book Award includes the Pulitzer Prize-winning author's new, updated epilogue. One of the most thought-provoking books ever written about the Middle East, From Beirut to Jerusalem remains vital to our understanding of this complex and volatile region of the world. Three-time Pulitzer Prize winner Thomas L. Friedman drew upon his ten years of experience reporting from Lebanon and Israel to write this now-classic work of journalism. In a new afterword, he updates his journey with a fresh discussion of the Arab Awakenings and how they are transforming the area, and a new look at relations between Israelis and Palestinians, and Israelis and Israelis. Rich with anecdote, history, analysis, and autobiography, From Beirut to Jerusalem will continue to shape how we see the Middle East for many years to come. "If you're only going to read one book on the Middle East, this is it."--Seymour M. Hersh

'A joyous tale from a fresh new voice.' – Cosmopolitan – Cosmopolitan A young boy comes of age within the confines of post-civil-war Beirut, with conflict, and comedy lurking round every corner. Adam dreams of becoming an astronaut but who has ever heard of an Arab on the moon? He battles with his father, a book-hoarding journalist with a penchant for writing eulogies, his closest friend, Basil, a Druze who is said to worship goats and believe in reincarnation, and a host of other misfits and miscreants in a city attempting recover from years of political and military violence. Adam's youth oscillates from laugh out loud escapades, to near death encounters, as he struggles to understand the turbulent and elusive city he calls home. ''Set amidst the country's sectarian divisions as it attempts to recover from decades of political violence and civil war, Between Beirut and the Moon charts a young boy's near-death encounters, with a colourful cast and comical escapades. A unique debut.' – AnOther Magazine

Zena el Khalil, a young Beirut-based female artist, writer, and activist who had an unconventional but worldly upbringing growing up in Lagos, Nigeria and attending art school in New York, returns after 9/11 to her familial home of Beirut and its mountains, beaches, food, music and drugs. Beirut, I Love You, spanning from 1994 to the present day, brings Beirut to life in all its glory and contradictions and is filled with personal anecdotes of Zena's life there: a place where, in spite of the pervasive desire for hope and the resilience of its people, still bears deep scars from the Lebanese Civil War and the Israeli invasion of 2006—a place where plastic surgery and AK 47s live side by side and nightclubs are situated on rooftops in order to avoid car bombs. Yet Zena and her friends, in particular her fellow rebel Maya, refuse to accept the extreme poles of Beirut, the militias and gender restrictions on one side, hedonism and materialism on the other. And although Zena experiences tragedy and loss, her story is a testament to the power of love and friendship, and the beauty of her city and its inhabitants. Written with an honest, profound simplicity, Zena is intoxicated by the country’s contradictions—“Lebanon was, and always will be, schizophrenic”—and attempts to come to terms with her role among her friends, family, and city.