Paperback edition is available from the Society of Biblical Literature (www.sbl-site.org)

“In our imaginations, war is the name we give to the extremes of violence in our lives, the dark dividing opposite of the connecting myth, which we call love. War enacts the great antagonisms of history, the agonies of nations; but it also offers metaphors for those other antagonisms, the private battles of our private lives, our conflicts with one another and with the world, and with ourselves.” Samuel Hynes knows war personally: he served as a Marine Corps pilot in the Pacific Theater during World War II, receiving the Distinguished Flying Cross. He has spent his life balancing two careers: pilot and professor of literature. Hynes has written a number of major works of literary criticism, as well as a war-memoir, Flights of Passage, and several books about the World Wars. His writing is sharp, lucid, and has provided some of the most expert, detailed, and empathetic accounts of a disappearing generation of fighters and writers. On War and Writing offers for the first time a selection of Hynes’s essays and introductions that explore the traditions of war writing from the twentieth century to the present. Hynes takes as a given that war itself—the battlefield uproar of actual combat—is unimaginable for those who weren’t there, yet we have never been able to turn away from it. We want to know what war is really like: for a soldier on the Somme; a submariner in the Pacific; a bomber pilot over Germany; a tank commander in the Libyan desert. To learn, we turn again and again to the memories of those who were there, and to the imaginations of those who weren’t, but are poets, or filmmakers, or painters, who give us a sense of these experiences that we can’t possibly know. The essays in this book range from the personal (Hynes’s experience working with documentary master Ken Burns, his recollections of his own days as a combat pilot) to the critical (explorations of the works of writers and artists such as Thomas Hardy, E. E. Cummings, and Cecil Day-Lewis). What we ultimately see in On War and Writing is not military history, not the plans of generals, but the feelings of war, as young men expressed them in journals and poems, and old men remembered them in later years—men like Samuel Hynes.

The meaning of war: definitions for the study of war in ancient Israelite literature / Frank Ritchel Ames -- Concepts of war in the Hebrew Bible: a plaidoyer for book-oriented study / Jacob L. Wright -- Fighting in writing: warfare in histories of ancient Israel / Megan Bishop Moore -- Assyrian military practices and Deuteronomy's laws of warfare / Michael G. Hasel -- Siege warfare imagery and the background of a biblical curse / Jeremy D. Smoak -- Wartime rhetoric: prophetic metaphorization of cities as female / Brad E. Kelle -- Family metaphors and social conflict in Hosea / Alice A. Keefe -- "We have seen the enemy, and he is only a 'she'": the portrayal of warriors as women / Claudia D. Bergmann -- Conquest reconfigured: recasting warfare in the redaction of Joshua / Daniel Hawk -- "Go back by the way you came": an internal textual critique of Elijah's violence in 1 Kings 18-19 / Frances Flannery -- Shifts in Israelite war ethics and early Jewish historiography of plundering / Brian Kvasnica -- Gideon at Thermopylae?: on the militarization of miracle in biblical narrative and "battle maps" / Daniel l. Smith-Christopher.

Before W. C. Heinz embarked on his illustrious career as one of the premier sports writers of the past fifty years, he served as a war correspondent for the New York Sun. Now for the first time ever, Heinz's finest work on World War II, written both during and after the war, is collected in one volume. From his first-person account aboard the U.S.S. Nevada during D-Day in 1944 to his legendary dispatches from the towns and battlefields of the European front, Heinz vividly conveys the courage, humor, and humanity of men under fire. Whether describing a battle scene or a soldier, Heinz brings home the war like few others ever have. In the second half of the book, he and his fourteen-year-old son, Bud, revisit the beaches of Normandy with D-Day veteran Major General Earl Rudder, who recounts his experiences there; in another story he describes, in his patented you-are-there style, the morning three German spies were executed; and in the concluding piece, Heinz revisits many of the towns he journeyed through as the American army fought its way across Europe twenty years before.When We Were One is a superb collection of writing on World War II that ranks with the finest ever assembled on any war.

Historians have made widespread use of diaries to tell the story of the Second World War in Europe but have paid little attention to personal accounts from the Asia-Pacific Theater. Writing War seeks to remedy this imbalance by examining over two hundred diaries, and many more letters, postcards, and memoirs, written by Chinese, Japanese, and American servicemen from 1937 to 1945, the period of total war in Asia and the Pacific. As he describes conflicts that have often been overlooked in the history of World War II, Aaron William Moore reflects on diaries as tools in the construction of modern identity, which is important to our understanding of history. Any discussion of war responsibility, Moore contends, requires us first to establish individuals as reasonably responsible for their actions. Diaries, in which men develop and assert their identities, prove immensely useful for this task. Tracing the evolution of diarists’ personal identities in conjunction with their battlefield experience, Moore explores how the language of the state, mass media, and military affected attitudes toward war, without determining them entirely. He looks at how propaganda worked to mobilize soldiers, and where it failed. And his comparison of the diaries of Japanese and American servicemen allows him to challenge the assumption that East Asian societies of this era were especially prone to totalitarianism. Moore follows the experience of soldiering into the postwar period as well, and considers how the continuing use of wartime language among veterans made their reintegration into society more difficult.

A thoughtful and timely discussion contemporary war literature and films.

Complete at Last in a Single Hardcover Volume ¾the Finest Trilogy of Epic Fantasy in a Decade Paksenarrion, a simple sheepfarmer's daughter, yearns for a life of adventure and glory, such as was known to heroes in songs and story. At age seventeen she runs away from home to join a mercenary company and begins her epic life . . . Book One: Paks is trained as a mercenary, blooded, and introduced to the life of a soldier . . . and to the followers of Gird, the soldier's god. Book Two: Paks leaves the Duke's company to follow the path of Gird alone¾and on her lonely quests encounters the other sentient races of her world. Book Three: Paks the warrior must learn to live with Paks the human. She undertakes a holy quest for a lost elven prince that brings the gods' wrath down on her and tests her very limits. At the publisher's request, this title is sold without DRM (Digital Rights Management). "Engrossing . . ." ¾Anne McCaffrey "A tour de force . . ." ¾Jack McDevitt "Worldbuilding in the grand tradition, background thought out to the last detail." ¾Judith Tarr "Superlative . . ." ¾Booklist "Brilliant . . . the excitement of high heroic adventure . . . will enchant the reader." ¾Bookwatch