In the mid-eleventh century, secular Byzantine poetry attained a hitherto unseen degree of wit, vividness, and personal involvement, chiefly exemplified in the poetry of Christophoros Mitylenaios, Ioannes Mauropous, and Michael Psellos. This is the first volume to consider this poetic activity as a whole, critically reconsidering modern assumptions about Byzantine poetry, and focusing on Byzantine conceptions of the role of poetry in society. By providing a detailed account of the various media through which poetry was presented to its readers, and by tracing the initial circulation of poems, this volume takes an interest in the Byzantine reader and his/her reading habits and strategies, allowing aspects of performance and visual representation, rarely addressed, to come to the fore. It also examines the social interests that motivated the composition of poetry, establishing a connection with the extraordinary social mobility of the time. Self-representative strategies are analyzed against the background of an unstable elite struggling to find moral justification, which allows the study to raise the question of patronage, examine the discourse used by poets to secure material rewards, and explain the social dynamics of dedicatory epigrams. Finally, gift exchange is explored as a medium that underlines the value of poetry and confirms the exclusive nature of intellectual friendship.

The first comprehensive introduction in English to books, readers and reading in Byzantium and the wider medieval world surrounding it.

Letters were an important medium of everyday communication in the ancient Mediterranean. Soon after its emergence, the epistolary form was adopted by educated elites and transformed into a literary genre, which developed distinctive markers and was used, for instance, to give political advice, to convey philosophical ideas, or to establish and foster ties with peers. A particular type of this genre is the letter cast in verse, or epistolary poem, which merges the form and function of the letter with stylistic elements of poetry. In Greek literature, epistolary poetry is first safely attested in the fourth century AD and would enjoy a lasting presence throughout the Byzantine and early modern periods. The present volume introduces the reader to this hitherto unexplored chapter of post-classical Greek literature through an anthology of exemplary epistolary poems in the original Greek with facing English translation. This collection, which covers a broad chronological range from late antique epigrams of the Greek Anthology to the poetry of western humanists, is accompanied by exegetical commentaries on the anthologized texts and by critical essays discussing questions of genre, literary composition, and historical and social contexts of selected epistolary poems. Chapters 3 and 4 of this book are freely available as a downloadable Open Access PDF under a Creative Commons Attribution (CC BY) 4.0 license available at https://www.taylorfrancis.com/books/10.4324/9780429288296

The late Byzantine period (thirteenth to fifteenth centuries) was marked by both cultural fecundity and political fragmentation, resulting in an astonishingly multifaceted literary output. This book addresses the poetry of the empire’s final quarter-millennium from a broad perspective, bringing together studies on texts originating in places from Crete to Constantinople and from court to school, treating topics from humanist antiquarianism to pious self-help, and written in styles from the vernacular to Homeric language. It thus offers a reference work to a much-neglected but rich textual material that is as varied as it was potent in the sociocultural contexts of its times. Contributors are Theodora Antonopoulou, Marina Bazzani, Julián Bértola, Martin Hinterberger, Krystina Kubina, Marc D. Lauxtermann, Florin Leonte, Ugo Mondini, Brendan Osswald, Giulia M. Paoletti, Cosimo Paravano, Daniil Pleshak, Alberto Ravani, and Federica Scognamiglio.

The first comprehensive study of occasional writing in Byzantium, focusing on the literary output of Constantine Manasses.

The history of Byzantium pivots around the eleventh century, during which it reached its apogee in terms of power, prestige, and territorial extension, only then to plunge into steep political decline following serious military defeats and extensive territorial losses. The political, economic, and intellectual history of the period is reasonably well understood, but not so what was happening in that crucial intermediary sphere, the social order, which both shaped and was shaped by contemporary ideas and brute economic developments. This volume aims to deepen understanding of Byzantine society by examining material evidence for settlements and production in different regions and by sifting through the far from plentiful literary and documentary sources in order to track what was happening in town and country. There is evidence of significant change: the pattern of landownership continued to shift in favour of those with power and wealth, but there was sustained and effective resistance from peasant villages. Provincial towns prospered in what was an era of sustained economic growth, and, through newly emboldened local elites, took a more active part in public affairs. In the capital the middling classes, comprising much of officialdom and leading traders, gained in importance, while the twin military and civilian elites were merging to form a single governing class. However, despite this social upheaval, careful analysis of these various factors by a range of leading Byzantine historians and archaeologists leads to the overarching conclusion that it was not so much internal structural changes which contributed to the vertiginous decline suffered by Byzantium in the late eleventh century, as the unprecedented combination of dangerous adversaries on different fronts, in the east, north, and west.

Author and authorship have become increasingly important concepts in Byzantine literary studies. This volume provides the first comprehensive survey on strategies of authorship in Middle Byzantine literature and investigates the interaction between self-presentation and cultural production in a wide array of genres, providing new insights into how Byzantine intellectuals conceived of their own work and pursuits.