Within the pages of this volume run writers and their lives, writers and their works, writers and their readers. Anyone seriously interested in the history, development, and future of Philippine literature has no choice but to submerge himself in the now shallow, now deep waters of reminiscences and recollections, self-appraisals and gossip, regrets and successes. Featured Filipino writers in English in this volume: Paz Marquez Benitez, Casiano T. Calalang, Luis G. Dato, Angela Manalang Gloria, Leon Ma. Guerrero, Maria Kalaw Katigbak, Fernando L. Leaño, Maria Luna Lopez, Salvador P. Lopez, Arturo B. Rotor, Bienvenido N. Santos, Loreto Paras Sulit, Jose Garcia Villa, and Leopoldo Y. Yabes.

The Filipino writers in English in this volume were the "young writers" who came to Manila from the provinces or entered the university in the mid-30s, and whom the first generation remembered, encouraged, and published in the magazines they were then editing. The American influence shaped them and they shared the experience of war. Featured Filipino writers in English in this volume: Carlos Angeles, Francisco Arcellana, Emilio Aguilar Cruz, Ricaredo Demetillo, NVM Gonzalez, Wilfrido Ma. Guerrero, Sinai C. Hamada, Dominador I. Ilio, Pacita Pestaño Jacinto, Serafin Lanot, Armando Malay, Narciso G. Reyes, Trinidad Tarrosa Subido, Renato Tayag, Edilberto K. Tiempo, Edith C. Tiempo, Manuel A. Viray, and Rafael Zulueta Dela Costa.

Five Faces of Exile is the first transnational history of Asian American intellectuals. Espiritu explores five Filipino American writers whose travels, literary works, and political reflections transcend the boundaries of nations and the categories of "Asia" and "America."

This book is not only a fascinating biography of one of the greatest painters of the seventeenth century but also a social history of the colorful extended family to which he belonged and of the town life of the period. It explores a series of distinct worlds: Delft's Small-Cattle Market, where Vermeer's paternal family settled early in the century; the milieu of shady businessmen in Amsterdam that recruited Vermeer's grandfather to counterfeit coins; the artists, military contractors, and Protestant burghers who frequented the inn of Vermeer's father in Delft's Great Market Square; and the quiet, distinguished "Papists Corner" in which Vermeer, after marrying into a high-born Catholic family, retired to practice his art, while retaining ties with wealthy Protestant patrons. The relationship of Vermeer to his principal patron is one of many original discoveries in the book.

“Fascinating . . . May has cemented her position as one of this generation's foremost storytellers. . . .This satisfying end to a remarkable feat of the imagination is a necessary purchase.”—Library Journal By the mid-twenty-first century, humanity is beginning to enjoy membership in the Galactic Milieu. Human colonies are thriving on numerous planets, life on Earth is peaceful and prosperous, and as more humans are being born with metapsychic abilities, it will not be long before these gifted minds at last achieve total Unity. But xenophobia is deeply rooted in the human soul. A growing corps of rebels plots to keep the people of Earth forever separate, led by a man obsessed with human superiority: Marc Remillard. Marc's goal is nothing less than the elevation of human metapsychics above all others, by way of artificial enhancement of mental faculties. His methods are unpalatable, his goal horrific. And so Marc and his coconspirators continue their work in secret. Only the very Unity he fears and abhors can foil Marc's plans. And only his brother, Jack the Bodiless, and the young woman called Diamond Mask can hope to lead the metaconcert to destroy Marc, Unify humanity, and pave the way for the Golden Age of the Galactic Milieu to begin . . . “A certain crowd-pleaser.”—Kirkus Reviews

An "ethnographic" novel that portrays life in California's Napa Valley as it might be a very long time from now, imagined not as a high tech future but as a time of people once again living close to the land.