Having failed at rapping, what’s next for an endlessly passionate rap nerd? In this sequel to the acclaimed memoir Wiggaz With Attitude, it turns out what’s next is a sometimes controversial career in rap journalism. Write Lines: Adventures in Rap Journalism tells the tale of hip-hop writing from the inside. From death threats to interviewing Lauryn Hill while she’s in the shower. From calling Jay-Z a c*** to his face, to letting a notorious rapper sleep in his bath, it’s a hilarious, anecdote-studded tale that takes in hip-hop's first ever magazine and lifts the lid on rivalries, squabbles and how music journalism really works. Brutally honest and endlessly opinionated, Write Lines is also a love letter to hip-hop as it changed seismically through the decades. It charts those changes from the front line through encounters with many of the greats of rap: Chuck D, Missy Elliott, RZA, Eminem, Jazzy Jeff and Gang Starr. This is an unfiltered tale of hip-hop that is both heartfelt and scabrously funny.

In the fictional world of the Pulitzer Prize-winning novel, The Amazing Adventures of Kavalier & Clay, the Escapist--the epitome of Golden Age superhero--was conceived. This anthology is a collection of the hero's history and his exploits, created by an all-star cast of comic book luminaries. The Escapist and his associates are heroes to all who languish in oppression's chains. They roam the globe, performing amazing feats to foil diabolical evildoers. From preventing a prison break and attack on Empire City, to facing a demonic horde in Japan, to crushing a galactic takeover in the year 2966, and to surfacing a sunken submarine from 300 fathoms, the Escapist brings hope and liberation. As the history of his creators, Joe Kavalier and Sam Clay, was chronicled in The Amazing Adventures of Kavalier & Clay, now a multitude of the Escapist's adventures are collected here, along with the patchwork publishing history of the character. This volume also contains the adventures of the Escapist's associate, Luna Moth. The stories and art within are by amazing talent like Brian K. Vaughan (Saga, Y--The Last Man), Kyle Baker (The Fifth Beatle), Eduardo Barreto (Batman), Howard Chaykin (American Flagg, Star Wars), Gene Colan (Daredevil, Howard the Duck), Matt Kindt (Pistolwhip), Kevin McCarthy (Circuit-Breaker), Bill Sienkiewicz (Elektra: Assassin), Jim Starlin (Captain Marvel) and, of course, Michael Chabon. Containing a total of twenty-six tales, along with two never-before-collected stories, this volume also contains six never-before-published stories, as well as a robust gallery of pinups celebrating the world of the Escapist from artists including Brian Bolland (Judge Dredd), Jöelle Jones (Lady Killer), Mike Mignola (Hellboy), Eric Wight (My Dead Girlfriend), Jae Lee (Before Watchmen), and more!

In the hard-edged tradition of Hubert Selby Jr., Daniel Woodrell, and Donald Ray Pollock, and with the fresh, complex humanity of Breaking Bad and Reservoir Dogs, a blistering debut collection that unsparingly confronts the extreme, brutal parts of the human heart. A man runs away from his grave and into a maelstrom of bullets and fire. A Hollywood fixer finds love over the corpse of a dead celebrity. A morbidly obese woman imagines a new life with the jewel thief who is scheming to rob the store where she works. A man earns the name “Mad Dog” and lives to regret it. Denizens of the shadows who live outside the law—from the desolate meth labs of the Ozark Mountains to the dog-fighting rings of Detroit to the lavish Los Angeles mansions of the rich and famous—the characters in Love and Other Wounds all thirst for something seemingly just beyond their reach. Some are on the run, pursued by the law or propelled relentlessly forward by a dangerous past that is disturbingly close. Others are searching for a semblance of peace and stability, and even love, in a fractured world defined by seething violence and ruthless desperation. All are bruised, pushed to their breaking point and beyond, driven to extremes they never imagined. Crackling with cinematic energy, raw and disquieting yet filled with pathos and a darkly vital humor, Love and Other Wounds is an unforgettable debut from an electrifying new voice.

The Ethics of Emerging Media engages with enduring ethical questions while addressing critical questions concerning ethical boundaries at the forefront of new media development. This collection provides a rare opportunity to ask how emerging media affect the ethical choices in our lives and the lives of people across the globe. Centering on different new media forms from eBay to Wikipedia, each chapter raises questions about how changing media formats affect current theoretical understanding of ethics. By interrogating traditional ethical theory, we can better understand the challenges to ethical decision making in an age of rapidly evolving media. Each chapter focuses on a specific case within the broader conceptual fabric of ethical theory. The case studies ground the discussion of ethics in practical applications while, at the same time, addressing moral dilemmas that have plagued us for generations. The specific applications will undoubtedly continue to unfold, but the ethical questions will endure.

Building on her groundbreaking work in Writing Superheroes, Anne Dyson traces the influence of a wide-ranging set of “textual toys” from children’s lives—church and hip–hop songs, rap music, movies, TV, traditional jump-rope rhymes, the words of professional sports announcers and radio deejays—upon school learning and writing. Wonderfully rich portraits of five African American first–graders demonstrate how children’s imaginative use of wider cultural symbols enriches their school learning. Featuring lively and engaging vignettes of children who are often left behind by our educational system, this book: Provides a detailed view of written language development from inside a particular childhood culture.Shows that children bring a rich folk culture to school and demonstrates how they “remix” their cultural references to accommodate school tasks such as writing.Turns the traditional educational view inside out by starting from inside a child’s culture and looking out toward the demands of school, rather than starting on the outside of the child and looking in.Provides concrete examples of how children’s cultural literacy practices translate into classroom practices and, in turn, into practices of academic success. “The most significant work that has ever been done in this area. It is superior in every respect and Anne Dyson writes like a dream.” —Tom Newkirk, University of New Hampshire “This book is unique in that it features students who draw on the cultural experiences of the Black church, sister and brother play–family games, rap, and Black popular music. It should be ideal in courses on literacy learning.” — Arnetha Ball, School of Education, Stanford University