Natural hazards punctuate the history of European towns, moulding their shape and identity: this book is devoted to the artistic representation of those calamities, from the late Middle Ages to the 20th century. It contains nine case studies which discuss, among others, the relationship between biblical imagery and the realistic depiction of urban disasters; the religious, political and ritual meanings of “destruction subjects” in early modern painting; the image of fire in Renaissance treatises on architecture; the first photographic campaigns documenting earthquakes’ damages; the role of contemporary art in the elaboration of a cultural memory of urban destructions. Thus, this book intends to address one of the main issues of Western civilization: the relationship of European towns with their own past and its discontinuities. Contributors are Alessandro Del Puppo, Isabella di Lenardo, Marco Folin, Sophie Goetzmann, Emanuela Guidoboni, Philippe Malgouyres, Olga Medvedkova, Fabrizio Nevola, Monica Preti and Tiziana Serena.

This volume deals with natural disasters in late medieval and early modern central and southern Italy. Contributions look at a range of catastrophic events such as eruptions of Mount Vesuvius, floods, earthquakes, and outbreaks of plague and epidemics. A major aim of this volume is to investigate the relationship between catastrophic events and different communication strategies that embraced politics, religion, propaganda, dissent, scholarship as well as collective responses from the lower segments of society. The contributors to this volume share a multidisciplinary approach to the study of natural disasters which draws on disciplines such as cultural and social history, anthropology, literary theory, and linguistics. Together with analyzing the prolific production of propagandistic material and literary sources issued in periods of acute crisis, the documentation on disasters studied in this volume also includes laws and emergency regulations, petitions and pleas to the authorities, scientific and medical treatises, manuscript and printed newsletters as well as diplomatic dispatches and correspondence.

Large city fires were a huge threat in premodern Central European every-day life; only quite late, institutional forms of fire insurances emerged as a post-disaster instrument of damage recovery. During the nineteenth century, insurance agencies spread through the World forming a plurality of modernities, safe or unsafe.

Early modern audiences, readerships, and viewerships were not homogenous. Differences in status, education, language, wealth, and experience (to name only a few variables) could influence how a group of people, or a particular person, received and made sense of sermons, public proclamations, dramatic and musical performances, images, objects, and spaces. The ways in which each of these were framed and executed could have a serious impact on their relevance and effectiveness. The chapters in this volume explore the ways in which authors, poets, artists, preachers, theologians, playwrights, and performers took account of and encoded pluriform potential audiences, readers, and viewers in their works, and how these varied parties encountered and responded to these works. The contributors here investigate these complex interactions through a variety of critical and methodological lenses.

Natural disasters repeatedly beset the Dutch Republic during the eighteenth century and coincided with environmental, political, economic, and social changes many characterized as decline. This book explores the connections between disasters and Dutch decline and uncovers lessons these eighteenth-century experiences offer for the present.

For decades historians argued for the downfall of communication, when early modern societies were hit by a natural disaster. After all, earthquakes caused the destruction of infrastructure, which hindered the spread of news. Instead, the last investigations opened a new point of view about the political communication: every crisis was a catalyst for news. The book widens this reading through a comparative analysis of several earthquakes in the Hispanic Monarchy territories, from Asia to America. However, the examination of communications provided in this volume is not an end in itself but is offered as a basis for reflection and to propose the notion that earthquakes trigger change in social and political dynamics. Earthquake-related crises exposed the underlying contradictions that the court of Madrid needed to address in the most effective way, and, if possible, swiftly. Earthquakes not only destroyed buildings and infrastructure but also social norms. Urgency reduced the distance between interlocutors, to some extent blurring the boundaries of self-censorship. Tremors therefore offer a rare opportunity to observe the political and military crises faced by the Hispanic Monarchy, the global empire of the time.

International tragedies, national disgraces, and local dangers: reporting can magnify trauma. But how can we gain a deeper analytical understanding of episodes seemingly too immediate for detached observation by our sources or even, perhaps, by ourselves? This volume brings together a broad range of current research in Europe and abroad, regarding an issue of crucial importance for understanding past cultures and our own. Papers discuss the ramifications of media-induced anxiety and anxiety-induced mediality, engaging the humanities, including history, film studies, literature, folklore, creative writing and adjacent fields intersected by sociology, politology, psychology, & anthropology. News media here include all means of mass communication impinging on daily experience, from books to music, from the social web to films, on multiple platforms and in multiple languages across municipal, state, and regional boundaries.