Presents an assortment of dilemmas, in a series of questions, such as "Would you rather have the ability to ace any test, but only when completely naked or have the ability to be invisible but only while you dance around like an idiot?"

From the critically acclaimed author of Amina’s Voice comes a new story inspired by Louisa May Alcott’s beloved classic, Little Women, featuring four sisters from a modern American Muslim family living in Georgia. When Jameela Mirza is picked to be feature editor of her middle school newspaper, she’s one step closer to being an award-winning journalist like her late grandfather. The problem is her editor-in-chief keeps shooting down her article ideas. Jameela’s assigned to write about the new boy in school, who has a cool British accent but doesn’t share much, and wonders how she’ll make his story gripping enough to enter into a national media contest. Jameela, along with her three sisters, is devastated when their father needs to take a job overseas, away from their cozy Georgia home for six months. Missing him makes Jameela determined to write an epic article—one to make her dad extra proud. But when her younger sister gets seriously ill, Jameela’s world turns upside down. And as her hunger for fame looks like it might cost her a blossoming friendship, Jameela questions what matters most, and whether she’s cut out to be a journalist at all…

A collection of more than three hundred "would you rather" questions designed to provoke discussions of boys, celebrities and pop culture, school, friends and enemies, and other topics.

This volume is a comprehensive critique of the radical tradition in educational theory. It traces the development of the key ideas in radical literature from Rousseau to the present day. Two opening chapters set Rousseau’s educational views and arguments in their political perspective, and subject them to an extended critical treatment. Subsequent chapters provide detailed analyses and examination of the ideas of A S Neill, Paul Goodman, Ivan Illich and Everett Reimer, Charles Weingartner and Neil Postman. Each author is treated separately but certain common themes and ideas are extracted and considered without reference to any particular author. Amongst others, the concepts of nature, learning, hidden curriculum and the relativity of knowledge are examined; at the same time broader arguments about the degree and nature of freedom that should be provided to children, deschooling and assessment are pursued.

In the 1960s, the fascination with erotic art generated a wave of exhibitions and critical discussion on sexual freedom, visual pleasure, and the nude in contemporary art. Radical Eroticism examines the importance of women’s contributions in fundamentally reconfiguring representations of sexuality across several areas of advanced art—performance, pop, postminimalism, and beyond. This study shows that erotic art made by women was integral to the profound changes that took place in American art during the sixties, from the crumbling of modernist aesthetics and the expanding field of art practice to the emergence of the feminist art movement. Artists Carolee Schneemann, Martha Edelheit, Marjorie Strider, Hannah Wilke, and Anita Steckel created works that exemplify these innovative approaches to the erotic, exploring female sexual subjectivities and destabilizing assumptions about gender. Rachel Middleman reveals these artists’ radical interventions in both aesthetic conventions and social norms.

This culmination of award-winning author Andrew Harvey’s life’s work bridges the great divide between spiritual resignation and engaged spiritual activism. A manifesto for the transformation of the world through the fusion of deep mystical peace with the clarity of radical wisdom, it is a wake-up call to put love and compassion to urgent, focused action. According to Harvey, we are in a massive global crisis reflected by a mass media addicted to violence and trivialization at a moment when what the world actually needs is profound inspiration, a return to the heart-centered way of the Divine Feminine, the words of the mystics throughout the ages, and the cultivation of the nonviolent philosophies of Gandhi, Nelson Mandela, Aung San Suu Kyi, and the Dalai Lama. Harvey’s concepts of radical passion and sacred activism fly in the face of restraint, of pessimism, of denial, of all that is inhumane, fusing the mystic’s passion for God with the activist’s passion for justice and for healing the division between heaven and earth, heart and will, body and soul, prayer and action. Sacred activism asks that we engage deeply on a personal, spiritual, and political level so as to become a fully empowered, fully active, and contemplative humanity that can turn tragedy into grace, and desolation into the opportunity to build and co-create a new world. Unlike many spiritual books, Radical Passion does not veil the dark with artificial hope. It explores the catastrophes of our current times and celebrates the ecstatic hope and divinity that is possible—right now and in the future.