Almost every congregation is experiencing tension over worship. Many congregations have been participating in a renaissance of worship known as the "liturgical movement" and have reclaimed worship forms that have served the church for centuries. Yet because the church today is operating in a radically changed cultural environment, many people in our society do not understand liturgical worship and thus we must find language, music, themes, and images that speak to the unchurched, spiritually seeking person. In Beyond the Worship Wars, Thomas G. Long discusses the nine characteristics of vital and faithful worship practiced by a wide range of "third-way" congregations—all characteristics that make for vital and faithful worshi

Many grapple today with what the 'proper' style of music for church should be and sadly it becomes a worship war. Like the movie Star Wars, the battles rage from episode to episode, with Bible verses being used as the proverbial light sabres to attack and defend each other. This book answers the questions amongst Christians and churches today in regard to 'worship music' and appropriate styles and genres. It is a biblical guide to worship music spanning early church history to the present day; providing clear, concise guidelines, Biblical principles and practical suggestions to support the implementation of a balanced blend of traditional and contemporary worship music in churches.

How important was music to Martin Luther? Drawing on hundreds of liturgical documents, contemporary accounts of services, books on church music, and other sources, Joseph Herl rewrites the history of music and congregational song in German Lutheran churches. Herl traces the path of music and congregational song in the Lutheran church from the Reformation to 1800, to show how it acquired its reputation as the "singing church." In the centuries after its founding, in a debate that was to have a strong impact on Johann Sebastian Bach and his contemporaries, the Lutheran church was torn over a new style of church music that many found more entertaining than devotional. By the end of the eighteenth century, Lutherans were trying to hold their own against a new secularism, and many members of the clergy favored wholesale revision or even abandonment of the historic liturgy in order to make worship more relevant in contemporary society. Herl paints a vivid picture of these developments, using as a backdrop the gradual transition from a choral to a congregational liturgy. The author eschews the usual analyses of musical repertoire and deals instead with events, people and ideas, drawing readers inside the story and helping them sense what it must have been like to attend a Lutheran church in the sixteenth through eighteenth centuries. Parallel developments in Catholic churches are discussed, as are the rise of organ accompaniment of hymns and questions of musical performance practice. Although written with academic precision, the writing is clear and comprehensible to the nonspecialist, and entertaining anecdotes abound. Appendixes include translations of several important historical documents and a set of tables outlining the Lutheran mass as presented in 172 different liturgical orders. The bibliography includes 400 Lutheran church orders and reports of ecclesiastical visitations read by the author.

Many churches are battling through the issues of what sort of worship is most appropriate for today. Should churches continue to sing the traditional hymns that they grew up with or should they embrace the contemporary worship choruses? Should they play organs or electric guitars? York looks at issues such as the connection between a person's worship style and his or her philosophy, politics, and affluence; the phenomenon of mega churches and television churches; the influences that denominations and publishers of hymnals bring to the debate; and the pressures put on worship leaders by church shoppers. York also examines the issue of church growth, since selecting a worship style is, in many ways, choosing a target audience for future members. Whether a church realizes it or not, when it chooses a worship style it is also determining the affluence, age, size, and ethnicity of its future congregation. York provides a sympathetic and insightful guide to what has been happening in America's worship yesterday and today, and with it, provides the reader with the information necessary to create a vision for America's worship tomorrow. Book jacket.

How do you worship? Where do you worship? Do you believe worship should be traditional, solemn, and reverential, or should worship be contemporary, lyrical, and lively? These questions about the proper venue, style, or manner in which we worship seem to never go away in Christianity. But is there a right answer? In Worship Wars, author David Waddell explores this question by going beyond style and taking a more personal view of worship. With both humorous and earnest reflections on his own flaws, faux pas, and failures in worship, Waddell looks to the Bible and to the kings of Israel and Judah, where he reveals an order of worship using the stories of the kings as examples to teach better worship practices. No one is perfect in their worship habits and patterns, but the Bible offers a way for worshippers to have the freedom to worship in spirit and in truth, regardless of the style. Whether our individual acts of worship are traditional, contemporary, or a combination of each, we can all discover a lifestyle of worship in spirit and in truth that will please God and bring us all closer to Jesus.

How shall we worship? One source of debate today is the wide variety of worship styles. In How Shall We Worship? Marva Dawn turns to Psalm 96 to investigate key elements of worship, from music to liturgy. She reminds us of the importance of recognizing that worship is for God and not for us.

“What is at stake is authenticity. . . . Sooner or later Christians tire of public meetings that are profoundly inauthentic, regardless of how well (or poorly) arranged, directed, performed. We long to meet, corporately, with the living and majestic God and to offer him the praise that is his due.”—D. A. CarsonWorship is a hot topic, but the ways that Christians from different traditions view it vary greatly. What is worship? More important, what does it look like in action, both in our corporate gatherings and in our daily lives? These concerns—the blending of principle and practice—are what Worship by the Book addresses.Cutting through cultural clichés, D. A. Carson, Mark Ashton, Kent Hughes, and Timothy Keller explore, respectively:· Worship Under the Word· Following in Cranmer’s Footsteps· Free Church Worship: The Challenge of Freedom· Reformed Worship in the Global City “This is not a comprehensive theology of worship,” writes Carson. “Still less is it a sociological analysis of current trends or a minister’s manual chockfull of ‘how to’ instructions.” Rather, this book offers pastors, other congregational leaders, and seminary students a thought-provoking biblical theology of worship, followed by a look at how three very different traditions of churchmanship might move from this theological base to a better understanding of corporate worship. Running the gamut from biblical theology to historical assessment all the way to sample service sheets, Worship by the Book shows how local churches in diverse traditions can foster corporate worship that is God-honoring, Word-revering, heartfelt, and historically and culturally informed.