Worlds of Hungarian Writing responds to the rapidly growing interest in Hungarian authors throughout the English-speaking world. Addressing an international audience, the essays in the collection highlight the intercultural contexts that have molded the conventions, genres and institutions of Hungarian writing from the nineteenth century to the present. They are mapping some of the ways in which a modern literature is produced by encounters with languages, cultures, and media external to its traditionally conceived boundaries. But rather than viewing intercultural exchange as an external force, the collection recognizes its enabling importance to the globalizing reception and circulation of Hungarian writing over the continuities and constraints implied by more traditional national narratives. Worlds of Hungarian Writing posits intercultural exchange as the very substance of a literary culture.Discussions of the politics of appropriation and translation, of the impact of émigré writers and critics, and of the use of world-literary models in genre-formation complement studies of the fate of western leftist critical theory in post-1989 Hungary, of the role of African-American models in contemporary Roma culture, and of the use of photography in late 20th-century prose. The volume spans a wide generic range, from the achievements of such canonical 19th-century critics and poets as József Bajza and János Arany, to neglected women authors-translators such as Theresa Pulszky, to modernist writers and critics like Antal Szerb and György Lukács, and to the contemporary novelists Péter Esterházy, Péter Nádas, and László Krasznahorkai. Each essay is an original contribution to comparative literature and to the study of this Central-European literature, but is intended to be accessible to readers unfamiliar with its traditions.

This book discusses modern Hungarian literary culture as a site of intercultural exchange, suggesting through a variety of case-studies that encounters with foreign literatures are integral to national literary tradition, and studying them renews critical perspectives on national literary history. It contributes to current reconsiderations of methods of literary historiography, and will appeal to readers interested in Hungarian literature, and to scholars of reception study, cultural memory, comparative literary study, and of world literature.

Now in paperback, a transcendent and wide-ranging collection of stories by László Krasznahorkai: “a visionary writer of extraordinary intensity and vocal range who captures the texture of present-day existence in scenes that are terrifying, strange, appallingly comic, and often shatteringly beautiful.”—Marina Warner, announcing the Booker International Prize In The World Goes On, a narrator first speaks directly, then narrates a number of unforgettable stories, and then bids farewell (“here I would leave this earth and these stars, because I would take nothing with me”). As László Krasznahorkai himself explains: “Each text is about drawing our attention away from this world, speeding our body toward annihilation, and immersing ourselves in a current of thought or a narrative…” A Hungarian interpreter obsessed with waterfalls, at the edge of the abyss in his own mind, wanders the chaotic streets of Shanghai. A traveler, reeling from the sights and sounds of Varanasi, India, encounters a giant of a man on the banks of the Ganges ranting on and on about the nature of a single drop of water. A child laborer in a Portuguese marble quarry wanders off from work one day into a surreal realm utterly alien from his daily toils. “The excitement of his writing,” Adam Thirlwell proclaimed in The New York Review of Books, “is that he has come up with his own original forms—there is nothing else like it in contemporary literature.”

At the point of its creation in 1873, Budapest was intended to be a pleasant rallying point of orderliness, high culture and elevated social principles: the jewel in the national crown. From the turn of the century to World War II, however, the Hungarian capital was described, variously, as: Judapest, the sinful city, not in Hungary, and the Chicago of the Balkans. This is the first English-language study of competing metropolitan narratives in Hungarian literature that spans both the liberal late Habsburg and post-liberal, 'Christian-national' eras, at the same time as the 'Jewish Question' became increasingly inseparable from representations of the city. Works by writers from a wide variety of backgrounds are discussed, from Jewish satirists to icons of the radical Right, representatives of conservative national schools, and modernist, avant-garde and 'peasantist' authors. Gwen Jones is Hon. Research Associate at the Department of Hebrew and Jewish Studies, University College London.

The story of Hungary's participation in World War II is part of a much larger narrative—one that has never before been fully recounted for a non-Hungarian readership. As told by Deborah Cornelius, it is a fascinating tale of rise and fall, of hopes dashed and dreams in tatters. Using previously untapped sources and interviews she conducted for this book, Cornelius provides a clear account of Hungary’s attempt to regain the glory of the Hungarian Kingdom by joining forces with Nazi Germany—a decision that today seems doomed to fail from the start. For scholars and history buff s alike, Hungary in World War II is a riveting read. Cornelius begins her study with the Treaty of Trianon, which in 1920 spelled out the terms of defeat for the former kingdom. The new country of Hungary lost more than 70 percent of the kingdom’s territory, saw its population reduced by nearly the same percentage, and was stripped of five of its ten most populous cities. As Cornelius makes vividly clear, nearly all of the actions of Hungarian leaders during the succeeding decades can be traced back to this incalculable defeat. In the early years of World War II, Hungary enjoyed boom times—and the dream of restoring the Hungarian Kingdom began to rise again. Caught in the middle as the war engulfed Europe, Hungary was drawn into an alliance with Nazi Germany. When the Germans appeared to give Hungary much of its pre–World War I territory, Hungarians began to delude themselves into believing they had won their long-sought objective. Instead, the final year of the world war brought widespread destruction and a genocidal war against Hungarian Jews. Caught between two warring behemoths, the country became a battleground for German and Soviet forces. In the wake of the war, Hungary suffered further devastation under Soviet occupation and forty-five years of communist rule. The author first became interested in Hungary in 1957 and has visited the country numerous times, beginning in the 1970s. Over the years she has talked with many Hungarians, both scholars and everyday people. Hungary in World War II draws skillfully on these personal tales to narrate events before, during, and after World War II. It provides a comprehensive and highly readable history of Hungarian participation in the war, along with an explanation of Hungarian motivation: the attempt of a defeated nation to relive its former triumphs.

This translation originally copyrighted in 2010.

Publishing during the 100th Anniversary of the First World War An NYRB Classics Original The budding young Hungarian artist Béla Zombory-Moldován was on holiday when the First World War broke out in July 1914. Called up by the army, he soon found himself hundreds of miles away, advancing on Russian lines and facing relentless rifle and artillery fire. Badly wounded, he returned to normal life, which now struck him as unspeakably strange. He had witnessed, he realized, the end of a way of life, of a whole world. Published here for the first time in any language, this extraordinary reminiscence is a powerful addition to the literature of the war that defined the shape of the twentieth century.