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This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.

Includes the Aerial Warfare In Europe During World War II illustrations pack with over 180 maps, plans, and photos. Gen Henry H. “Hap.” Arnold, US Army Air Forces (AAF) Chief of Staff during World War II, maintained diaries for his several journeys to various meetings and conferences throughout the conflict. Volume 1 introduces Hap Arnold, the setting for five of his journeys, the diaries he kept, and evaluations of those journeys and their consequences. General Arnold’s travels brought him into strategy meetings and personal conversations with virtually all leaders of Allied forces as well as many AAF troops around the world. He recorded his impressions, feelings, and expectations in his diaries. Maj Gen John W. Huston, USAF, retired, has captured the essence of Henry H. Hap Arnold—the man, the officer, the AAF chief, and his mission. Volume 2 encompasses General Arnold’s final seven journeys and the diaries he kept therein.

Death waits for snowman in Nikki Knight’s new Vermont-based cozy series, perfect for fans of Connie Archer and Mary Kennedy. In a fit of anger, radio DJ Jaye Jordan blows a snowman’s head off with a Revolutionary War-style musket. But the corpse that tumbles out is all too human. Jaye thought life would be quieter when she left New York City and bought a tiny Vermont radio station. But now, Edwin Anger—the ranting and raving radio talk show host who Jaye recently fired—lies dead in the snow. And the Edwin Anger fans who protested his dismissal are sure she killed him. To clear her name, Jaye must find the real killer, as if she doesn’t have her hands full running the radio station, DJing her all-request love song show, and shuttling tween daughter Ryan to and from school. It doesn’t make matters easier that the governor—Jaye’s old crush—arrived on the scene before the musket smoke cleared. Fortunately, Jaye has allies…if you count the flatulent moose that lives in the transmitter shack, and Neptune, the giant gray cat that lives at the station. If Jaye can turn the tables on the devious killer, she and the governor may get to make some sweet, sweet music together. But if she can’t, she’ll be off the air…permanently.

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.

Gregory Bateson was a philosopher, anthropologist, photographer, naturalist, and poet, as well as the husband and collaborator of Margaret Mead. This classic anthology of his major work includes a new Foreword by his daughter, Mary Katherine Bateson. 5 line drawings.