When Gary Jackson, a bright academic student, suffers life changing injuries in a road traffic accident, his world begins to unravel. Having taught himself to lucid dream, he now spends considerable time in bed, living out fantasies in his own mind that he could never experience in the waking world. However, when a relative with dementia claims to have witnessed a murder he committed in a dream, Gary starts to question the nature of reality, and wonders if his actions in the dream world have real life consequences. Meanwhile, in another place, Physics student Gary Jackson finds himself in prison for a murder he has no memory of committing. Can the dreamer help the student get acquitted for a murder everyone saw him commit? Or will Gary spend his life in prison for someone else's crime?

It's 2015, and Patricia Cowan is very old. "Confused today," read the notes clipped to the end of her bed. She forgets things she should know-what year it is, major events in the lives of her children. But she remembers things that don't seem possible. She remembers marrying Mark and having four children. And she remembers not marrying Mark and raising three children with Bee instead. She remembers the bomb that killed President Kennedy in 1963, and she remembers Kennedy in 1964, declining to run again after the nuclear exchange that took out Miami and Kiev. Her childhood, her years at Oxford during the Second World War-those were solid things. But after that, did she marry Mark or not? Did her friends all call her Trish, or Pat? Had she been a housewife who escaped a terrible marriage after her children were grown, or a successful travel writer with homes in Britain and Italy? And the moon outside her window: does it host a benign research station, or a command post bristling with nuclear missiles? Two lives, two worlds, two versions of modern history; each with their loves and losses, their sorrows and triumphs. Jo Walton's My Real Children is the tale of both of Patricia Cowan's lives...and of how every life means the entire world. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The Gorgon came from some time line far across the multiple worlds. It moved among men, looking always as though it was one of them. But it was not a man; it was a destroyer! This creature would willingly destroy the universe, in all its alternate world-lines. It could not tolerate other forms of life, could not permit them to exist. The first a world knew of the beast in its midst was when its citizens began dying, horribly, and then it was already too late.

This book addresses the notion of time and temporality and its various conceptualizations in the theories of the new physics, utilized as a thematic and formal framework in the British novel of the twenty-first century. As the Newtonian conception of reality does not provide a reliable framework within which to situate human experience and generate meaning, fiction writers have recognized quantum mechanics as a potent source from which to draw in search of new metaphors. The quantum has become a part of the understanding of reality, and its concepts and assumptions have been absorbed into the textual structure and content of literary fiction. Shapes of Time in British Twenty-First Century Quantum Fiction examines human temporality as mediated by the timeshapes imagined within the context of the new physics, and explores the philosophical implications for human temporality and identity of situating an individual within the realm of physical time. Its chapters deal with various concepts of the new physics connected with temporality, and their appropriation in a selected novel: parallel universes in Andrew Crumey’s Sputnik Caledonia (2008), eternal recurrence and Poincaré’s theorem in David Mitchell’s Cloud Atlas (2004), chaos theory in Samantha Harvey’s The Wilderness (2009), and the end of time in Scarlett Thomas’s The End of Mr. Y (2006). Each of them corresponds to a different conceptual shape of time: tree, concertina, spiral and snapshot, respectively, which is enacted on the formal level. Analyzing the new time constructs in a narrative, this book thus uncovers passages between scientific and humanistic standpoints, and reveals quantum fiction to be an effective tool for visualizing the subjective non-homogenous experience of private time.

Can Danny and his father outsmart the villainous Mr. Hazell? Danny has a life any boy would love—his home is a gypsy caravan, he's the youngest master car mechanic around, and his best friend is his dad, who never runs out of wonderful stories to tell. But one night Danny discovers a shocking secret that his father has kept hidden for years. Soon Danny finds himself the mastermind behind the most incredible plot ever attempted against nasty Victor Hazell, a wealthy landowner with a bad attitude. Can they pull it off? If so, Danny will truly be the champion of the world.

She suspects everyone of everything. Sometimes she gets it right. Jane Ladling is the sole proprietor of her family’s landlocked cemetery, Garden of Memories. She’s responsible for the, er, guests, but there’s a slight problem. Well, besides her moody cat, Rolex, and her sixty-two-year-old best friend’s unrequited crush on the sheriff. An extra body now rests in Plot #39. Enter Special Agent Conrad Ryan. He’s gruff, he’s gorgeous, and oh, yes, he kind of suspects her of murder. What’s an innocent—and very single, not that it matters—girl to do? Solve the crime herself. Even if she must turn the small town of Aurelian Hills, Georgia upside down. The only line she won’t cross? Falling for the first man to make her heart flutter. Nope, not happening. Not even a little.

For ten years Fraa Erasmas, a young avout, has lived in a cloistered sanctuary for mathematicians, scientists, and philosophers, protected from the corrupting influences of the outside world. But before the week is out, both the existence he abandoned and the one he embraced will stand poised on the brink of cataclysmic change—and Erasmas will become a major player in a drama that will determine the future of his world, as he follows his destiny to the most inhospitable corners of the planet . . . and beyond. Anathem is the latest miraculous invention by the New York Times bestselling author of Cryptonomicon and The Baroque Cycle—a work of astonishing scope, intelligence, and imagination.