This book looks at the development of thinking about security in Brazil between 1930 and 2010. In order to do so, it develops a new framework for thinking about intellectual history in Brazil and applies it to the development of knowledge on security in that country. Building on the Gramscian literature on ‘late modernization’ and ‘conservative revolution’ and drawing on the idea of ‘Emotional Theory of Action’ proposed by Brazilian sociologist Jessé Souza, this book sets out to establish an innovative framework with which to analyse the development of ‘thinking about security’ in Brazil in three specific historic contexts. This theoretical framework is then used to argue that one specific discourse of Brazilian identity has been the main source of knowledge production in that country since the 1930s. In doing this, the book offers thought-provoking arguments about the role of intellectuals in Brazil and reassesses the exclusionary ideas embedded in the politics of identity and security. This book not only introduces a novel framework to analyse intellectual production outside the core, it also sheds light on how security has been historically thought of outside the core and will be of interest to students and scholars of International Relations, Critical Security Studies and Latin American Studies.

For decades, scholars and journalists have hailed the enormous potential of Brazil, which has been one of the world's largest economies for the last twenty years. But its promise has too often been curtailed by dictatorship, racism, poverty, and violence. Offering an interdisciplinary approach to the critical issues facing Brazil, the contributors to this volume analyze the democratization of the country's media, its nuclear capabilities, changing crime rates, the spread of Pentecostalism and indigenous religions, the development of popular culture, the growth of Brazilian agribusiness, and the implementation of sustainable economic development, especially in the Amazon. The only member of the large, newly industrialized, fast-growing BRICS economies (along with Russia, China, India, and South Africa) in the Western hemisphere, Brazil plays a unique role regionally and throughout the world. Emergent Brazil is a comprehensive and timely collection of essays that explore the country's major domestic concerns and the impact of its trends, institutions, culture, and religion across the globe. Jeffrey D. Needell is professor of history at the University of Florida and former Latin American program associate at the Woodrow Wilson International Center for Scholars. He is the author of A Tropical Belle Epoque and The Party of Order.

Examines the South American country that is destined to be one of the world's premier economic powers by the year 2030, and considers some of the abundant problems the nation faces.

The Brazilian Northeast has long been a marginalized region with a complex relationship to national identity. It is often portrayed as impoverished, backward, and rebellious, yet traditional and culturally authentic. Brazil is known for its strong national identity, but national identities do not preclude strong regional identities. In Region Out of Place, Courtney J. Campbell examines how groups within the region have asserted their identity, relevance, and uniqueness through interactions that transcend national borders. From migration to labor mobilization, from wartime dating to beauty pageants, from literacy movements to representations of banditry in film, Campbell explores how the development of regional cultural identity is a modern, internationally embedded conversation that circulated among Brazilians of every social class. Part of a region-based nationalism that reflects the anxiety that conflicting desires for modernity, progress, and cultural authenticity provoked in the twentieth century, this identity was forged by residents who continually stepped out of their expected roles, taking their region’s concerns to an international stage.

One of the Boston Globe’s Best Sports Books of the Year: “Incisive, heartbreaking, important and even funny” (Jeremy Schaap, New York Times–bestselling author of Cinderella Man). The people of Brazil celebrated when it was announced that they were hosting the World Cup—the world’s most-viewed athletic tournament—in 2014 and the 2016 Summer Olympics. But as the events were approaching, ordinary Brazilians were holding the country’s biggest protest marches in decades. Sports journalist Dave Zirin traveled to Brazil to find out why. In a rollicking read that travels from the favelas of Rio de Janeiro to the fabled Maracanã Stadium to the halls of power in Washington, DC, Zirin examines Brazilians’ objections to the corruption of the games they love; the toll such events take on impoverished citizens; and how taking to the streets opened up an international conversation on the culture, economics, and politics of sports. “Millions will enjoy the World Cup and Olympics, but Zirin justly reminds readers of the real human costs beyond the spectacle.” —Kirkus Reviews

Explore Brazil, a country with some of the world's most significant natural wonders, as well as some of it's most populous urban areas. Unusual animals like toucans and jaguars call Brazil's lush rainforests their home. The country is also known for its vibrant, bustling cities, like Rio de Janeiro. Books in the Countries of the World series teach readers about countries' unique features through engaging content and pictures. This book includes a table of contents, activity sections, sidebars, infographics, recipes, a glossary, and references to learn more.

Throughout the history of European modernism, philosophers and artists have been fascinated by madness. Something different happened in Brazil, however, with the “art of the insane” that flourished within the modernist movements there. From the 1920s to the 1960s, the direction and creation of art by the mentally ill was actively encouraged by prominent figures in both medicine and art criticism, which led to a much wider appreciation among the curators of major institutions of modern art in Brazil, where pieces are included in important exhibitions and collections. Kaira M. Cabañas shows that at the center of this advocacy stood such significant proponents as psychiatrists Osório César and Nise da Silveira, who championed treatments that included painting and drawing studios; and the art critic Mário Pedrosa, who penned Gestaltist theses on aesthetic response. Cabañas examines the lasting influence of this unique era of Brazilian modernism, and how the afterlife of this “outsider art” continues to raise important questions. How do we respect the experiences of the mad as their work is viewed through the lens of global art? Why is this art reappearing now that definitions of global contemporary art are being contested? Learning from Madness offers an invigorating series of case studies that track the parallels between psychiatric patients’ work in Western Europe and its reception by influential artists there, to an analogous but altogether distinct situation in Brazil.