This book is part of the World Voice Project Book Series which invites you to become part of one of the largest emerging Community Learning Networks (CLN) seeking to encourage a participatory culture worldwide. This project selects works that bring about conversation, raise awareness, contrast thoughts and opinions, entertain, inform, and give voice to those who have struggled to be heard. We do this in order to express who "WE" are on a global scale. These works become part of the historical record while inviting the reader to step into another's shoes. The World Voice Project has the goal of fostering the communication and commonality between people across cultures and beyond borders. It is our hope that the World Voice Project might inspire its readers to take hold of their own creative capacity and fashion their life in a way that makes them proud

SHORTLISTED FOR THE TED HUGHES PRIZE 2015 Tabard Inn to Canterb'ry Cathedral, Poet pilgrims competing for free picks, Chaucer Tales, track by track, it's the remix From below-the-belt base to the topnotch; I won't stop all the clocks with a stopwatch when the tales overrun, run offensive, or run clean out of steam, they're authentic and we're keeping it real, reminisce this: Chaucer Tales were an unfinished business. In Telling Tales award-winning poet Patience Agbabi presents an inspired 21st-Century remix of Chaucer's Canterbury Tales retelling all of the stories, from the Miller's Tale to the Wife of Bath's in her own critically acclaimed poetic style. Celebrating Chaucer's Middle-English masterwork for its performance element as well as its poetry and pilgrims, Agbabi's newest collection is utterly unique. Boisterous, funky, foul-mouthed, sublimely lyrical and bursting at the seams, Telling Tales takes one of Britain's most significant works of literature and gives it thrilling new life.

One Steamy Reunion Back in college, Allie and her friends used to come up with the wildest stories. When a professor bequeaths his mansion to Allie and three other former students, it's the chance they've all been looking for to get back together. But there's more than friendship bubbling beneath the surface... As secrets are revealed and relationships rekindled, the stories get dirtier and the stakes get higher. And now Allie's realizes that she isn't quite sure who she wants...fun-loving Wade or quiet, restrained Cameron. Neither has been honest about their feelings, and now they have the chance to act on all of the tales that ignite their most primal desires. "I devoured this like a chocolate bar...This is a book I feel I will read over again."—Lucy Felthouse, author of Raising the Bar (The Edge Series)

Winner of the 2003 Trillium Book Award "Stories are wondrous things," award-winning author and scholar Thomas King declares in his 2003 CBC Massey Lectures. "And they are dangerous." Beginning with a traditional Native oral story, King weaves his way through literature and history, religion and politics, popular culture and social protest, gracefully elucidating North America's relationship with its Native peoples. Native culture has deep ties to storytelling, and yet no other North American culture has been the subject of more erroneous stories. The Indian of fact, as King says, bears little resemblance to the literary Indian, the dying Indian, the construct so powerfully and often destructively projected by White North America. With keen perception and wit, King illustrates that stories are the key to, and only hope for, human understanding. He compels us to listen well.

The Casino in Connecticut is the capital building for those of us in the Great Game who live in New England. My friend Matt is a professional gambler who thought he discovered a game full of high rollers to crash, but it wasn't that simple. Since friends invite their friends along when they do stupid things I came along for the ride. What we discovered is that there are people betting on what utter strangers will do next. These Architects of behavior have the money and power to do more than make you disappear. For centuries, the Architects have moved people like puppets, and encouraged players to become monsters with no law constraining us, but their own. What we share here is our journey into a world where anything is possible, and you will be amazed at how simple this all seems. Based on a true story, and it will have you doubting what you know. Everyone questions if someone has already been pulling their strings. Even the paranoid are right sometimes...

Telling tales explores the narrative construction of identity within organisations and how this is resisted and challenged by writing coming from other lifestyles. Since the early 1990s, US-inspired changes in workplace culture have radically altered the experience of UK workers. This book argues that the corporate communication supporting these changes, which seeks to align employee behaviour and attitudes with emerging organisational market values, is having a powerful and harmful effect on those whose identity rests in opposing qualitatively-based occupational standards. By focusing on accountability measures, introduced to the public sector post-1997 by New Labour as a means to raise productivity and lower cost, and with forensic attention to a supporting transformational identity discourse, author Angela Lait shows how workers struggle to achieve the satisfaction and fulfilment at work that was once the mainstay of their professional middle class identity. Reading these identity problems into and across business self-help manuals, fiction (Ian McEwan’s Saturday), the writing of celebrity chefs (Nigella Lawson, Jamie Oliver et al) and autobiography, the argument traces a sickness/recovery dialectic in which sufferers find resistance and solace through engagement with particular types of creative labour. These are, most notably, cookery, gardening and writing, which each employ alternative language and narrative forms that order experience according to more regulated rhythms and rituals, and more productive and stable relationships than are possible in paid employment. Telling tales is a highly-readable, engaging, broad-ranging and interdisciplinary story that will have strong appeal to academics, particularly in literature, sociology, organisational and cultural studies. It will also resonate with anyone trying to reconcile the conflicting work and personal needs of a hectic twenty-four/seven modern world.

A provocative scholar delivers the first book on the new science of storytelling: the latest thinking on why we tell stories and what stories reveal about human nature.