Follows the career of the mid-19th century post-Impressionistic artist, Cezanne, whose work influenced the later Expressionist, Fauvist, and Cubist schools

An inspiring picture book biography of the artist Paul Cezanne, the painter who laid the groundwork for modern art and whom Pablo Picasso declared "the father of us all." All Cezanne wants is to be a great painter like his friends Monet, Pissarro, and Renoir. But when he shows his works, the professors, the critics, and the collectors all dismiss him: "Too flat!" "Too much paint!" "These are rough and unfinished!" Even his own pet parrot, Bisou, can't be brought to say, "Cezanne is a great painter!" And who can blame them? Cezanne doesn't care about tradition, and he doesn't follow the rules. He's painting in a way no one else has done before, creating something completely new--and he's destined to change the world of art forever. Cezanne's Parrot is a spirited celebration of creativity, determination, and perseverance--and the artist who would become known as the father of modern art.

A major biography--the first comprehensive new assessment to be published in decades--of the brilliant work and restless life of Paul Cezanne, the most influential painter of his time, whose vision revolutionized the role of the painter.

This is a new release of the original 1962 edition.

A monumental volume devoted to one of the world’s largest and most spectacular collections of Cézannes. The Barnes Foundation’s holdings of works by the renowned Post-Impressionist Paul Cézanne (1839–1906)—sixty-one oils on canvas and eight works on paper—are among the most significant in the world. The Barnes Foundation was established in 1922 by scientist, entrepreneur, and educator Dr. Albert C. Barnes, a passionate supporter of European modernism. His virtually unrivaled collection, which can only be viewed at the Barnes Foundation, also includes exceptional paintings by Pierre-Auguste Renoir, Henri Matisse, Pablo Picasso, and many others. Beginning in 1912, Barnes acquired works by Cézanne from major Paris dealers such as Paul Durand-Ruel and soon ranked among the artist’s most prominent collectors. At the time, this expressed a pioneering taste that Barnes shared with only a small group of enthusiasts, even though Cézanne had been posthumously hailed as a father of modern art at the turn of the twentieth century. The foundation’s impressive holdings of Cézannes—never before published in a single study in their entirety—span every period of the artist’s career and include his largest rendition of The Card Players and one of the three versions of The Large Bathers, one of his signal testaments. This lavishly illustrated landmark volume is both a work on Cézanne and his time, and an impetus for further study of an artist whose oeuvre is at once luminous, austere, challenging, and deeply confounding.