(Berklee Guide). Play jazz with tremendous facility and authentic vocabulary. Learn to develop your own sound, perform a wide variety of essential jazz time feels, and improvise dynamic fills and solos, taught in the tradition of Alan Dawson and other Berklee luminaries of drum education. This approach to jazz drumming presents a unique blend of four-way coordination, comping vocabulary, and soloing/improvisation concepts, infused with world rhythms. It will help you to develop a deep, practical understanding of how to play jazz drums, and to develop your own personal sound and style. You will learn to: * Deepen your sense of swing and overall timing * Understand the ride cymbal's critical role in jazz time-keeping * Apply the rudimental language of jazz * Develop your independence, via some of the great Alan Dawson's signature exercises and "The Rudimental Ritual" * Play brushes and brush patterns * Improvise captivating drum set solos * Incorporate world rhythms into jazz * Read and interpret drum charts

(Berklee Guide). Enrich your drumming with world rhythms and sounds. World music presents many learning opportunities and challenges, especially for drums and percussion. Learning grooves from Africa, Latin America, South America, and other regions will make you a more complete musician, and give you more ideas for creating your own sound and solos. Many jazz greats have been inspired by world traditions: Miles Davis, John Coltrane, Herbie Hancock, John McLaughlin, and so many others. Follow in their footsteps, and discover how to use these elements to inspire your own music. You will learn to: * Incorporate world instruments into a standard drum kit * Coordinate stick, foot, hand techniques to enrich your palette of articulations * Play dozens of world grooves * Take inspiration from world grooves for your own improvisations * Perform advanced concepts, such as odd time signatures and metric modulation * Be prepared for many creative musical situations, through knowledge of more styles and greater mastery of drumming fundamentals Mark Walker is a multiple-Grammy Award winning artist, who is currently a member of Oregon and the Pacquito d'Rivera Quintet. He is an associate professor of percussion at Berklee College of Music.

Presents the essential elements of bop drumming demonstrated through concise exercises and containing ideas to help understand what to play and how to play it and why, as well as an explanation of how the drummer functions in a group.

Portraits of several drummers as informed by the drummers themselves and their contemporaries. It is also Burt Korall's memoir of nearly fifty years in the jazz world.

This book is based on performances and transcriptions from the DCI music videos Herlin Riley: Ragtime & beyond, and Johnny Vidacovich: Street beats modern applications. Additional interviews and essays on: Baby Dodds, Vernel Fournier, Ed Blackwell, James Black and Freddie Kohlman, Smokey Johnson, David Lee, and bassist Bill Huntington.

A book combining the energy and feel of rock, Latin and world music with the technique and improvisational skills of jazz. Within the formats of samba, baiao, songo, nanigo, and shuffle (The Beat), Skip Hadden tells how to combine the applicable instruments (The Body) and explains what's going on (The Brain).

Includes 2 playalong CDs.