After an overdose, the unfortunate painter Edgar Bloom is dead. At the funeral, Douglas Frank (soft-boiled crime writer) is persuaded to look into his friend’s misadventure by Bloom’s long suffering widow. Did I mention she was beautiful? He discovers the artist’s diaries buried in the an unkempt studio. Frank’s agent, Ron Cranston (Albatross Books) urges him to write a brash expose featuring the dirty side of creative failure so Frank can rise in the literary food chain. What better way to get back at the elitist “Art Mob” for neglecting his friend Bloom and make a bit of cash? Ethical dilemmas multiply. Frank is asked to consult on a big museum exhibition by hard-nosed, curator, Martha Trout and Bloom’s resurrection takes on a life of its’ own. Bemused, Frank realizes he’s the only one who represents the disaffected artists of the world. To complicate matters, the success of the “Forgotten Poets” exhibition and subsequent book Work Shy soon has Hollywood knocking on his door. Publishers are thrilled. Is this a good thing asks the jaded writer? Sherrie Bloom is upset by the belated notoriety her dead husband receives and spurns amorous Frank. Our reluctant investigator must choose sides, live with the guilt or take the money and run.

The Work-Shy painstakingly reconstructs a chorus of voices rescued from hermetic "colonies" and fragile communes, from worlds that work in ways that defy work as we know it. Its poetic assemblages offer direct testimony from the first youth prison in California and from asylums for the chronically insane (preserved in the Prinzhorn Collection in Germany and the Creedmoor Psychiatric Center in New York City). Painful facts emerge about "sterilization mills" in California, where thousands of individuals became subject to compulsory procedures (policies that shaped eugenics practice in the Third Reich). In addition, the poems "translate" asylum texts—the writing of the insane—into a wider field of social conflict and utopian fragments of not-yet-being. Activating what Susan Howe calls "the telepathy of the archive" (and Peter Gizzi dubs "archeophonics" in the title of his latest collection), the poems of The Work-Shy become part of a "book of listening," occupying identities rooted in the demimonde and in places of confinement. Voices echo to form a ragged chain of soliloquies, kenning and keening, riddles and rants. Published under the collective, anonymous signature of the BLUNT RESEARCH GROUP, the book operates at the crossroads of lyric and documentary poetries, of singularity and collectivism. An online readers companion will be available at bluntresearchgroup.site.wesleyan.edu.

Lisa Pine's Hitler's 'National Community' explores German culture and society during the Nazi era and analyses how this impacted upon the Germany that followed this fateful regime. Drawing on a range of significant scholarly works on the subject, Pine informs us as to the major historiographical debates surrounding the subject whilst establishing her own original, interpretative arc. The book is divided into four parts. The first section explores the attempts of the Nazi regime to create a Volksgemeinschaft ('national community'). The second part examines men, women, the family, the churches and religion. The third section analyses the fate of those groups that were excluded from the Volksgemeinschaft. The final section of the book considers the impact of the Nazi government upon German culture, in particular focusing on the radio and press, cinema and theatre, art and architecture, music and literature. This new edition includes historiographical updates throughout, an additional chapter on the early Nazi movement and brand new primary source excerpt boxes and illustrations. There is also expanded material on key topics like resistance, women and family, men and masculinity and religion. A crucial text for all students of Nazi Germany, this book provides a sophisticated window into the social and cultural aspects of life under Hitler's rule.

Legendary Australian showman Dave Graney returns to the page and reveals the lengths he has gone to avoid anything that really feels like work. In his inimitable style, Graney veers from a feckless childhood in blue-collar South Australia, to the punk rock scene of 1980s London, and beer-soaked nights touring Australia where he worked very hard at not working at all. But in slacking off, Graney became one of the hardest working musicians in the industry, constantly evolving, reinventing, staying one step ahead of everyone - even himself. Workshy is half written by Dave Graney the consummate and tireless performer, and half-written by Dave Graney the bludge. The magic is that you're never sure which is which.

Who becomes homeless? Why? What stresses and strains do these people face? Does losing a home provoke other problems or is it a sequel to them? How far do government policies and provisions go towards meeting the needs of the homeless? What changes would be desirable? To what extent is homelessness due to housing shortages? Originally published in 1971, these and other questions are tackled in this study of the development of services for the homeless. It is based on detailed investigation of provisions in South Wales and the West Country and is a study of the lives of over 500 families who, at some stage since 1963, had lost their homes. Hitherto studies of homelessness had been restricted to London or other big urban centres. The questions posed and answered here are much more general, and relevant to all parts of the country at the time. Information for the survey came from the records kept in Local Authority Welfare, Children’s Health and Housing Departments, the Probation and After-Care Service, local offices of the Department of Health and Social Security, and many voluntary organizations. The findings suggest that, in the areas studied, homelessness was worse than anticipated, and that its demands on the social services were similar in range but different in order of priority from those in the metropolis. Poor housing conditions remain an important feature, reinforced by unhelpful attitudes in housing management. Housing shortages are important for large families and those who cannot be self-dependent – more so than for others. Looming over the whole picture is homelessness resulting from broken marriages and family disputes, with the attendant difficulties of unsupported motherhood, poverty, sickness and unemployment.