As tensions mounted before Freedom Summer, one organization tackled the divide by opening lines of communication at the request of local women: Wednesdays in Mississippi (WIMS). Employing an unusual and deliberately feminine approach, WIMS brought interracial, interfaith teams of northern middle-aged, middle- and upper-class women to Mississippi to meet with their southern counterparts. Sponsored by the National Council of Negro Women (NCNW), WIMS operated on the belief that the northern participants' gender, age, and class would serve as an entrée to southerners who had dismissed other civil rights activists as radicals. The WIMS teams' respectable appearance and quiet approach enabled them to build understanding across race, region, and religion where other overtures had failed. The only civil rights program created for women by women as part of a national organization, WIMS offers a new paradigm through which to study civil rights activism, challenging the stereotype of Freedom Summer activists as young student radicals and demonstrating the effectiveness of the subtle approach taken by "proper ladies." The book delves into the motivations for women's civil rights activism and the role religion played in influencing supporters and opponents of the civil rights movement. Lastly, it confirms that the NCNW actively worked for integration and black voting rights while also addressing education, poverty, hunger, housing, and employment as civil rights issues. After successful efforts in 1964 and 1965, WIMS became Workshops in Mississippi, which strived to alleviate the specific needs of poor women. Projects that grew from these efforts still operate today.

Follows the adventures of Minn, a three-legged snapping turtle, as she slowly makes her way from her birthplace at the headwaters of the Mississippi River to the mouth of river on the Gulf of Mexico.

The true story of a young black man's quest: to canoe the length of the Mississippi River from Minnesota to New Orleans.

"Henry Peter Bosse (1844-1903) is now recognized as the leading photographer of the Mississippi River during the late nineteenth century: he extensively photographed the Upper Mississippi from 1883 to 1893, a time of unprecedented environmental and social change. His work was practically unknown until five separate volumes of his photographs were discovered within the past decade. Since then, his photographs have been exhibited at the Smithsonian and other national museums and purchased by private art collectors around the world." "Views on the Mississippi brings together for the first time almost one hundred of Bosse's most stunning images. These photographs, tracing the river from Minneapolis to St. Louis, capture the Mississippi as it was being transformed from an untamed natural wonder to a modern commercial highway. Presenting wagon and railroad bridges, towns and villages along the banks, and the steamboats that served them, Bosse's photography depicts the river at the fulcrum between the nostalgic, romantic era recorded by Mark Twain and the coming century of industrial development and environmental alterations (the navigation projects of the Army Corps are among the changes documented by Bosse). Also included is a detailed reproduction of Bosse's rare landmark map of the river, first published in 1887-88."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Raised under the racial segregation that kept her family's southern country hotel afloat, Norma Watkins grows up listening at doors, trying to penetrate the secrets and silences of the black help and of her parents' marriage. Groomed to be an ornament to white patriarchy, she sees herself failing at the ideal of becoming a southern lady. The Last Resort, her compelling memoir, begins in childhood at Allison's Wells, a popular Mississippi spa for proper white people, run by her aunt. Life at the rambling hotel seems like paradise. Yet young Norma wonders at a caste system that has colored people cooking every meal while forbidding their sitting with whites to eat. Once integration is court-mandated, her beloved father becomes a stalwart captain in defense of Jim Crow as a counselor to fiery, segregationist Governor Ross Barnett. His daughter flounders, looking for escape. A fine house, wonderful children, and a successful husband do not compensate for the shock of Mississippi's brutal response to change, daily made manifest by the men in her home. A sexually bleak marriage only emphasizes a growing emotional emptiness. When a civil rights lawyer offers love and escape, does a good southern lady dare leave her home state and closed society behind? With humor and heartbreak, The Last Resort conveys at once the idyllic charm and the impossible compromises of a lost way of life.