A white rock ’n’ roll guitarist on stage with the Godfather of Soul In this unvarnished account of toiling under one of popular music’s most notorious bosses, Damon Wood details his six years spent playing guitar for James Brown’s Soul Generals. In a memoir certain to fascinate Mr. Dynamite’s millions of fans, as well as musicians and industry insiders, Wood recalls how a chance encounter with James Brown led him to embrace soul and funk music under the tutelage of its greatest progenitor. Numerous interviews with bandmates provide multiple perspectives on James Brown’s complex character, his leadership of his band, the nature of soul and funk, and insights and sometimes harsh lessons learned along the way. This is a sideman’s story of the gritty reality of working close to the spotlight but rarely in it. Damon Wood describes life on the road — often on James Brown’s infamous tour bus — with one guitar, a change of clothes, and two dozen comrades-in-arms as they brought the funk to clubs, theaters, and the biggest music festivals on earth. Working for James Brown could be fear-inducing, inspiring, exhilarating, and exasperating — all in the space of a single performance.

In this unvarnished account of toiling under one of popular music's most notorious bosses, Damon Wood details his six years spent playing guitar for James Brown's Soul Generals.In a memoir certain to fascinate Mr. Dynamite's millions of fans, as well as musicians and industry insiders, Wood recalls how a chance encounter with James Brown led him to embrace soul and funk music under the tutelage of its greatest progenitor. Numerous interviews with bandmates provide multiple perspectives on James Brown's complex character, his leadership of his band, the nature of soul and funk, and insights and sometimes harsh lessons learned along the way.This is a sideman's story of the gritty reality of working close to the spotlight but rarely in it. Damon Wood describes life on the road - often on James Brown's infamous tour bus - with one guitar, a change of clothes, and two dozen comrades-in-arms as they brought the funk to clubs, theaters, and the biggest music festivals on earth. Working for James Brown could be fear-inducing, inspiring, exhilarating, and exasperating - all in the space of a single performance.

"Full length, drama / 9 m / interior"--P. [4] of cover.

An investigative account of the medical, sexual, and scientific questions surrounding the spread of AIDS across the country.

"Jon Fine spent nearly thirty years performing and recording with bands that played various forms of aggressive and challenging underground rock music, and, as he writes in this memoir, at no point were any of those bands 'ever threatened, even distantly, by actual fame.' Yet when members of his first band, Bitch Magnet, reunited after twenty-one years to tour ... diehard longtime fans traveled from far and wide to attend those shows, despite creeping middle-age obligations of parenthood and 9-to-5 jobs, testament to the remarkable staying power of the indie culture that the bands predating the likes of Bitch Magnet--among them Black Flag, Mission of Burma, and Sonic Youth --willed into existence through sheer determination and a shared disdain for the mediocrity of contemporary popular music"--Amazon.com.

A memoir by a member of the Incredible String Band that charts a journey from hippie utopia to post-Woodstock implosion. Between 1967 and 1971 Rose Simpson lived with the Incredible String Band (Mike Heron, Robin Williamson and Licorice McKechnie), morphing from English student to West Coast hippie and, finally, bassist in leathers. The band's image adorned psychedelic posters and its music was the theme song for an alternative lifestyle. Rose and partner Mike Heron believed in, and lived, a naive vision of utopia in Scotland. But they were also a band on tour, enjoying the thrills of that life. They were at the center of "Swinging London" and at the Chelsea Hotel with Andy Warhol's superstars. They shared stages with rock idols and played at Woodstock in 1969. Rose and fellow ISB member Licorice were hippie pin-ups, while Heron and Robin Williamson the seers and prophets of a new world.

Looks at the twenty-year history of the Grateful Dead, discusses the evolution of their music, and includes profiles of each band member