Over one hundred photos and text describe the cowboy's life on the West's leading cattle ranches.

Want to know how to throw a half-diamond hitch and wield a branding iron? Interested in the recipe for S. B. stew? This authoritative manual by an old-time cowboy explains it all. 600 black-and-white illustrations.

Cowboys of the historic Waggoner Ranch are living legends.They are men who embody the attributes of dusty riders who braved the wild a century ago. The cowboys ride a vast ranch, the largest in the United States within one fence. The 510,772-acre ranch, a couple of hours northwest of Dallas/Fort Worth, was established in 1854, only nine years after Texas joined the Union. Jeremy Enlow was granted rare access to photograph the twenty-six cowboys who ride the trails of their forebearers, living a life and practicing skills that have almost disappeared. It is important to record their lives before they shut the gate behind them the last time. This book is a tribute to the cowboys of the Waggoner Ranch.

In Working Cowboy, Margot Liberty and Barry Head present the oral history of Ray Holmes, a Wyoming cowboy born in 1911. Holmes has spent his life on horseback, herding cattle and doing other work with livestock. Since the time he rode his first horse, Holmes wanted nothing more than to be a cowboy--though his father insisted he would never make a living at it. The determination that started him on his dream has stayed with him throughout his life. Holmes remains a quiet man, averse to bragging but is candid and strongly opinionated. Practical chapters, such as “Some Talk about Cowboys” and “Some Talk about Calves and Calving,” alternate with chapters describing Holmes’s colorful life, including his coping with the blizzard of 1959, listening to the very first radio in the neighborhood, and sleeping with potatoes to keep them from freezing.

In Kate Hoefler’s realistic and poetic picture book debut about the wide open West, the myth of rowdy, rough-riding cowboys and cowgirls is remade. A timely and multifaceted portrayal reveals a lifestyle that is as diverse as it contrary to what we've come to expect.

Readers brought up on Hollywood westerns will have their eyes opened by this story of a working cowboy. Although he never chased a rustler or rescued a pretty girl and probably couldn't even hire on as an extra in a B-grade western, Ed Alford (or "Fat") has worked cattle most of his life. Fred Gipson's vivid, earthy book about this cowhand, now in paperback, tells what the job is really like, the hardships, the hell-raising, and the sheer monotony of daily tasks.Fat Alford became a cowboy because he didn't think picking cotton was any way for a man to make a living. Although he may not have looked much like a cowboy and certainly started out green, he learned to rope a cow in an impenetrable brush, to break a mean horse, to get by with poor gear, worse food, and sorry mounts in freezing cold or blistering heat and still get the job done.Gipson's warm and rousing account captures the vivid reality of how it was and introduces us to a remarkable character--a working cowhand. This new paperback edition of Cowhand is sure to delight a whole new generation of readers.

“Thompson-Hernández's portrayal of Compton's black cowboys broadens our perception of Compton's young black residents, and connects the Compton Cowboys to the historical legacy of African Americans in the west. An eye-opening, moving book.”—Margot Lee Shetterly, New York Times bestselling author of Hidden Figures “Walter Thompson-Hernández has written a book for the ages: a profound and moving account of what it means to be black in America that is awe inspiring in its truth-telling and limitless in its empathy. Here is an American epic of black survival and creativity, of terrible misfortune and everyday resilience, of grace, redemption and, yes, cowboys.”— Junot Díaz, Pulitzer prize-winning author of This is How You Lose Her A rising New York Times reporter tells the compelling story of The Compton Cowboys, a group of African-American men and women who defy stereotypes and continue the proud, centuries-old tradition of black cowboys in the heart of one of America’s most notorious cities. In Compton, California, ten black riders on horseback cut an unusual profile, their cowboy hats tilted against the hot Los Angeles sun. They are the Compton Cowboys, their small ranch one of the very last in a formerly semirural area of the city that has been home to African-American horse riders for decades. To most people, Compton is known only as the home of rap greats NWA and Kendrick Lamar, hyped in the media for its seemingly intractable gang violence. But in 1988 Mayisha Akbar founded The Compton Jr. Posse to provide local youth with a safe alternative to the streets, one that connected them with the rich legacy of black cowboys in American culture. From Mayisha’s youth organization came the Cowboys of today: black men and women from Compton for whom the ranch and the horses provide camaraderie, respite from violence, healing from trauma, and recovery from incarceration. The Cowboys include Randy, Mayisha’s nephew, faced with the daunting task of remaking the Cowboys for a new generation; Anthony, former drug dealer and inmate, now a family man and mentor, Keiara, a single mother pursuing her dream of winning a national rodeo championship, and a tight clan of twentysomethings--Kenneth, Keenan, Charles, and Tre--for whom horses bring the freedom, protection, and status that often elude the young black men of Compton. The Compton Cowboys is a story about trauma and transformation, race and identity, compassion, and ultimately, belonging. Walter Thompson-Hernández paints a unique and unexpected portrait of this city, pushing back against stereotypes to reveal an urban community in all its complexity, tragedy, and triumph. The Compton Cowboys is illustrated with 10-15 photographs.