For the first time, this book provides the global history of labor in Central Eurasia, Russia, Europe, and the Indian Ocean between the sixteenth and the twentieth centuries. It contests common views on free and unfree labor, and compares the latter to many Western countries where wage conditions resembled those of domestic servants. This gave rise to extreme forms of dependency in the colonies, not only under slavery, but also afterwards in form of indentured labor in the Indian Ocean and obligatory labor in Africa. Stanziani shows that unfree labor and forms of economic coercion were perfectly compatible with market development and capitalism, proven by the consistent economic growth that took place all over Eurasia between the seventeenth and the nineteenth centuries. This growth was labor intensive: commercial expansion, transformations in agriculture, and the first industrial revolution required more labor, not less. Finally, Stanziani demonstrates that this world did not collapse after the French Revolution or the British industrial revolution, as is commonly assumed, but instead between 1870 and 1914, with the second industrial revolution and the rise of the welfare state.

Of Human Bondage (1915) is a novel by W. Somerset Maugham. Inspired by his experiences as an orphan and young student, Maugham composed his masterpiece. Adapted several times for film, Of Human Bondage is a story of tragedy, perseverance, and the eternal search for happiness which drives us as much as it haunts our every move. Orphaned as a boy, Philip Carey is raised in an affectionless household by his aunt and uncle. Although his Aunt Louisa tries to make him feel welcome, William proves an uncaring, vindictive man. Left to fend for himself most days, Philip finds solace in the family’s substantial collection of books, which serve as an escape for the imaginative boy. Sent to study at a prestigious boarding school, Philip struggles to fit in with his peers, who abuse him for his intelligence and club foot. Despite his struggles, he perseveres in his studies and chooses his own path in life, moving to Heidelberg, Germany and denying his uncle’s wish that he attend Oxford. As he struggles to become a professional artist, Philip learns that one’s dreams are often unsubstantiated in the world of the living. Of Human Bondage is a tale of desire, disappointment, and romance by a master stylist with a keen sense of the complications inherent to human nature. With a beautifully designed cover and professionally typeset manuscript, this edition of W. Somerset Maugham’s Of Human Bondage is a classic work of British literature reimagined for modern readers.

The accomplishments of pioneering doctors such as John Peter Mettauer, James Marion Sims, and Nathan Bozeman are well documented. It is also no secret that these nineteenth-century gynecologists performed experimental caesarean sections, ovariotomies, and obstetric fistula repairs primarily on poor and powerless women. Medical Bondage breaks new ground by exploring how and why physicians denied these women their full humanity yet valued them as “medical superbodies” highly suited for medical experimentation. In Medical Bondage, Cooper Owens examines a wide range of scientific literature and less formal communications in which gynecologists created and disseminated medical fictions about their patients, such as their belief that black enslaved women could withstand pain better than white “ladies.” Even as they were advancing medicine, these doctors were legitimizing, for decades to come, groundless theories related to whiteness and blackness, men and women, and the inferiority of other races or nationalities. Medical Bondage moves between southern plantations and northern urban centers to reveal how nineteenth-century American ideas about race, health, and status influenced doctor-patient relationships in sites of healing like slave cabins, medical colleges, and hospitals. It also retells the story of black enslaved women and of Irish immigrant women from the perspective of these exploited groups and thus restores for us a picture of their lives.

Bitter Fruits of Bondage is the late Armstead L. Robinson’s magnum opus, a controversial history that explodes orthodoxies on both sides of the historical debate over why the South lost the Civil War. Recent studies, while conceding the importance of social factors in the unraveling of the Confederacy, still conclude that the South was defeated as a result of its losses on the battlefield, which in turn resulted largely from the superiority of Northern military manpower and industrial resources. Robinson contends that these factors were not decisive, that the process of social change initiated during the birth of Confederate nationalism undermined the social and cultural foundations of the southern way of life built on slavery, igniting class conflict that ultimately sapped white southerners of the will to go on. In particular, simmering tensions between nonslaveholders and smallholding yeoman farmers on the one hand and wealthy slaveholding planters on the other undermined Confederate solidarity on both the home front and the battlefield. Through their desire to be free, slaves fanned the flames of discord. Confederate leaders were unable to reconcile political ideology with military realities, and, as a result, they lost control over the important Mississippi River Valley during the first two years of the war. The major Confederate defeats in 1863 at Vicksburg and Missionary Ridge were directly attributable to growing disenchantment based on class conflict over slavery. Because the antebellum way of life proved unable to adapt successfully to the rigors of war, the South had to fight its struggle for nationhood against mounting odds. By synthesizing the results of unparalleled archival research, Robinson tells the story of how the war and slavery were intertwined, and how internal social conflict undermined the Confederacy in the end.

In the West, human bondage remains synonymous with the Atlantic slave trade. But large slave systems in Africa and Asia predated, co-existed, and overlapped with the Atlantic system—and have persisted in modified forms well into the twenty-first century, posing major threats to political and economic stability within those regions and worldwide. This handbook examines the deep historical roots of unfree labour in Africa and Asia along with its contemporary manifestations. It takes an innovative longue durée perspective in order to link the local and global, the past and present. Contributors trace shifting forms of forced labour in the region since circa 1800, connecting punctual shocks such as environmental crisis, conflict, market instability, and crop failure to human security threats such as impoverishment, violence, migration, kidnapping, and enslavement. Together, these chapters illuminate the historical and contemporary dimensions of bondage in Africa and Asia, with important implications for the fight against modern-day bondage and human trafficking.

This is the story of the colonists of the kitchens, the stables, the fields, the shops, and those who came to America as indentured servants, men and women who sold" themselves to masters for a period of time in order to pay passage from an old world to a new and freer one. Their leaven has gone into the fiber of American society." Originally published in 1947. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Novel Bondage unravels the interconnections between marriage, slavery, and freedom through renewed readings of canonical nineteenth-century novels and short stories by black and white authors. Situating close readings of fiction alongside archival material concerning the actual marriages of authors such as Lydia Maria Child, Harriet Beecher Stowe, William Wells Brown, and Frank J. Webb, Chakkalakal examines how these early novels established literary conventions for describing the domestic lives of American slaves in describing their aspirations for personal and civic freedom. Exploring this theme in post-Civil War works by Frances E.W. Harper and Charles Chesnutt, she further reveals how the slave-marriage plot served as a fictional model for reforming marriage laws. Chakkalakal invites readers to rethink the "marital work" of nineteenth-century fiction and the historical role it played in shaping our understanding of the literary and political meaning of marriage, then and now.