Wordsworth and Feeling returns to Wordsworth's personal history in order to locate and contextualize some of the most remarkable poetry in the English language. In this study, G. Kim Blank details how this poetry evolves out of Wordsworth's radical subjectivity, but the most pressing feature of that subjectivity is the cluster of subjects - loss, guilt, suffering, endurance, death - which appears throughout much of his poetry up until 1802-4.

In this book Hugh Sykes Davies addresses Wordworth's major poetry from the perspectives of language, Freud, Coleridge and the Romantic Imagination. A remarkable combination of analytic and empathic intelligence, this book should earn a place among the few essential studies of the poet.

Gill places The Prelude in the context of Wordsworth's life, and discusses the various states in which it survives.

When using emotion terms such as anger, sadness, fear, disgust, and contempt, it is assumed that the terms used in the native language of the researchers, and translated into English, are completely equivalent in meaning. This is often not the case. This book presents an extensive cross-cultural/linguistic review of the meaning of emotion words