The New York Times bestseller—for fans of All the Light We Cannot See! From the bestselling author of Truths I Never Told You, Before I Let You Go, and the The Warsaw Orphan, Kelly Rimmer’s powerful WWII novel follows a woman’s urgent search for answers to a family mystery that uncovers truths about herself that she never expected. “Fans of The Nightingale and Lilac Girls will adore The Things We Cannot Say.” —Pam Jenoff, New York Times bestselling author In 1942, Europe remains in the relentless grip of war. Just beyond the tents of the refugee camp she calls home, a young woman speaks her wedding vows. It’s a decision that will alter her destiny…and it’s a lie that will remain buried until the next century. Since she was nine years old, Alina Dziak knew she would marry her best friend, Tomasz. Now fifteen and engaged, Alina is unconcerned by reports of Nazi soldiers at the Polish border, believing her neighbors that they pose no real threat, and dreams instead of the day Tomasz returns from college in Warsaw so they can be married. But little by little, injustice by brutal injustice, the Nazi occupation takes hold, and Alina’s tiny rural village, its families, are divided by fear and hate. Then, as the fabric of their lives is slowly picked apart, Tomasz disappears. Where Alina used to measure time between visits from her beloved, now she measures the spaces between hope and despair, waiting for word from Tomasz and avoiding the attentions of the soldiers who patrol her parents’ farm. But for now, even deafening silence is preferable to grief. Slipping between Nazi-occupied Poland and the frenetic pace of modern life, Kelly Rimmer creates an emotional and finely wrought narrative. The Things We Cannot Say is an unshakable reminder of the devastation when truth is silenced…and how it can take a lifetime to find our voice before we learn to trust it. Don’t miss Kelly Rimmer’s newest novel, The Paris Agent, where a family’s innocent search for answers brings a long-forgotten, twenty-five-year-old mystery featuring two female SOE operatives comes to light! For more by Kelly Rimmer, look for Before I Let You Go Truths I Never Told You The Warsaw Orphan The German Wife

**I know you don’t want to talk sometimes. Sometimes because it hurts and sometimes because you’re just not supposed to talk about what you want to talk about. Sometimes it can be hard to say, “this is beautiful,” when no one else can see what you see. Or, “Here, this is where the pain is.” But some part of you knows, the truth about the words you cannot say is that they only hurt until you say them. They only hurt until the person who needs to hear them, hears them. Because we are human, and the closest we’ve ever come to showing each other who we really are, and how we love, is with words. So I’m going to try to say to you here, what I wish you’d say to me too. Please. Listen. We can change things. Here.

The nation's premier communications expert shares his wisdom on how the words we choose can change the course of business, of politics, and of life in this country In Words That Work, Luntz offers a behind-the-scenes look at how the tactical use of words and phrases affects what we buy, who we vote for, and even what we believe in. With chapters like "The Ten Rules of Successful Communication" and "The 21 Words and Phrases for the 21st Century," he examines how choosing the right words is essential. Nobody is in a better position to explain than Frank Luntz: He has used his knowledge of words to help more than two dozen Fortune 500 companies grow. Hell tell us why Rupert Murdoch's six-billion-dollar decision to buy DirectTV was smart because satellite was more cutting edge than "digital cable," and why pharmaceutical companies transitioned their message from "treatment" to "prevention" and "wellness." If you ever wanted to learn how to talk your way out of a traffic ticket or talk your way into a raise, this book's for you.

Joel Higgins has 901 unsent text messages saved on his phone. Ever since the thing that happened, there are certain people he hasn't been able to talk to in person. Sure, he shows up at school, does his mandatory volunteer hours at the soup kitchen, and spends pretty much every moment thinking about Eli, the most amazing girl in the world. But that doesn't mean he's keeping it together, or even that he has any friends. So instead of hanging out with people in real life, he drafts text messages. But he never presses send. As dismal as sophomore year was for Joel, he doesn't see how junior year will be any better. For starters, Eli doesn't know how he feels about her, his best friend Andy's gone, and he basically bombed the SATs. But as Joel spends more time at the soup kitchen with Eli and Benj, the new kid whose mouth seems to be unconnected to his brain, he forms bonds with the people they serve there-including a veteran they call Rooster-and begins to understand that the world is bigger than his own pain. In this dazzling, hilarious, and heartbreaking debut, Joel grapples with the aftermath of a tragic loss as he tries to make sense of the problems he's sees all around him with the help of banned books, Winnie-the-Pooh, a field of asparagus, and many pairs of socks.

Labor and delivery nurse Penelope is an expert at her job but a complete mess when it comes to her personal life. After her boyfriend dumps her in favor of saving his marriage, Penelope discovers she’s pregnant. Now Penelope must face motherhood, her greatest fear, as a single parent or consider the alternative. Jesenia, a first-generation American, made her mark as a model then quit the business in favor of a nine-to-five and wedded bliss. After three years of fertility treatments and pressure from her family, she feels that trying to become a mother is a full-time job. But when her past mistakes threaten her chances, Nia will have to confront her youthful choices and over-involved family’s opinions on bloodlines if she wants to become a mother. If choosing a homebirth and nursing a toddler don’t make Lotus unconventional, growing up in a commune and choosing a polyamorous marriage certainly do. After her grandfather’s unexpected death and the inheritance of his Victorian home, Lotus just wants to run her business, take care of her family, and live in her version of normal. That peace is threatened by her husband’s former lover, the end of his sobriety, and a new love interest, all of which will turn her world upside down. Words We Cannot Say is told through three diverse voices as the women navigate friendship, motherhood, pregnancy, and loss. What happens when women tell the truth about themselves, their desires, and the sacrifices they’re willing—or unwilling—to make?

In this “urgently relevant”* collection featuring the landmark essay “The Case for Reparations,” the National Book Award–winning author of Between the World and Me “reflects on race, Barack Obama’s presidency and its jarring aftermath”*—including the election of Donald Trump. New York Times Bestseller • Finalist for the PEN/Jean Stein Book Award, the Los Angeles Times Book Prize, and the Dayton Literary Peace Prize Named One of the Best Books of the Year by The New York Times • USA Today • Time • Los Angeles Times • San Francisco Chronicle • Essence • O: The Oprah Magazine • The Week • Kirkus Reviews *Kirkus Reviews (starred review) “We were eight years in power” was the lament of Reconstruction-era black politicians as the American experiment in multiracial democracy ended with the return of white supremacist rule in the South. In this sweeping collection of new and selected essays, Ta-Nehisi Coates explores the tragic echoes of that history in our own time: the unprecedented election of a black president followed by a vicious backlash that fueled the election of the man Coates argues is America’s “first white president.” But the story of these present-day eight years is not just about presidential politics. This book also examines the new voices, ideas, and movements for justice that emerged over this period—and the effects of the persistent, haunting shadow of our nation’s old and unreconciled history. Coates powerfully examines the events of the Obama era from his intimate and revealing perspective—the point of view of a young writer who begins the journey in an unemployment office in Harlem and ends it in the Oval Office, interviewing a president. We Were Eight Years in Power features Coates’s iconic essays first published in The Atlantic, including “Fear of a Black President,” “The Case for Reparations,” and “The Black Family in the Age of Mass Incarceration,” along with eight fresh essays that revisit each year of the Obama administration through Coates’s own experiences, observations, and intellectual development, capped by a bracingly original assessment of the election that fully illuminated the tragedy of the Obama era. We Were Eight Years in Power is a vital account of modern America, from one of the definitive voices of this historic moment.

Words are quite a powerful thing, right? They are just words until we dress them up with emotion, flavor, life, passion, meaning. We give the words we speak meaning. These are the words I couldn’t say to you. These are the words I thought about saying to you. These are the words I wrote and erased, wrote and erased. These are the words I couldn’t turn into lyrics for once, but rather turned them into part pain, part poetry. painful, positive, powerful, poetry. These are the words I finally told you, and by your response, which was no response, for years on end, is why I wrote this book. Here are the words I couldn’t say to you, then finally told you, now I’m using the love I had for you for all those years and using it to love myself. Thank you. ? the woman who had so many things to say but you never gave her the time of day to say it.