The harrowing, fictional memoir of a condemned murderer, this haunting and remarkable novel recounts, in part, the years Dostoyevsky spent in prison for suspected subversive activities.

Master translation of a neglected Russian classic into English Long before Solzhenitsyn's Gulag Archipelago came Dostoevsky's Notes from the House of the Dead, a compelling account of the horrific conditions in Siberian labor camps. First published in 1861, this novel, based on Dostoevsky's own experience as a political prisoner, is a forerunner of his famous novels Crime and Punishment and The Brothers Karamazov. The characters and situations that Dostoevsky encountered in prison were so violent and extraordinary that they changed his psyche profoundly. Through that experience, he later said, he was resurrected into a new spiritual condition -- one in which he would create some of the greatest novels ever written. Including an illuminating introduction by James Scanlan on Dostoevsky's prison years, this totally new translation by Boris Jakim captures Dostoevsky's semi-autobiographical narrative -- at times coarse, at times intensely emotional, at times philosophical -- in rich American English.

Winner of the Cundill History Prize The House of the Dead tells the incredible hundred-year-long story of “the vast prison without a roof” that was Russia’s Siberian penal colony. From the beginning of the nineteenth century until the Russian Revolution, the tsars exiled more than a million prisoners and their families east. Here Daniel Beer illuminates both the brutal realities of this inhuman system and the tragic and inspiring fates of those who endured it. Siberia was intended to serve not only as a dumping ground for criminals and political dissidents, but also as new settlements. The system failed on both fronts: it peopled Siberia with an army of destitute and desperate vagabonds who visited a plague of crime on the indigenous population, and transformed the region into a virtual laboratory of revolution. A masterly and original work of nonfiction, The House of the Dead is the history of a failed social experiment and an examination of Siberia’s decisive influence on the political forces of the modern world.

In this almost documentary account of his own experiences of penal servitude in Serbia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor and the degradation, in relentless detail. The inticate procedure whereby the men strip for the bath without removing their ten-pound leg-fetters is an extraordinary tour de force, compared by Turgenev to passages from Dante's Inferno. Terror and resignation - the rampages of a pyschopath, the brief serence interlude of Christmas Day - are evoked by Dostoevsky, writing several years after his release, with a strikingly uncharacteristic detachment. For this reason, House of the Dead is certainly the least Dostoevskian of his works, yet, paradoxically, it ranks among his great masterpieces.

The House of the Dead recounts the story of Alexander Goryanchikov, a gentleman who is sent to a prison colony in Siberia for killing his wife. Largely ignored at first by his fellow inmates due to his noble blood, he gradually settles in and becomes an avid observer of the new world around him - watching his fellow prisoners being brutally and cruelly punished by the guards, listening to their past stories of blood and murder, assimilating the institution's social codes and learning that even convicts are capable of acts of pure generosity.Based on Dostoevsky's own autobiographical experiences of penal servitude in Siberia, this genre-defying novel is not only an unflinching expose of the conditions faced by prisoners during the Tsarist period, but also a call to see the human side in criminals and rediscover the values of forgiveness and compassion.

A novel view of the twentieth century, as seen through the eyes of the dead.