In the Gaza Strip, growing up on land owned by his family for centuries, eleven-year-old Yousef is preoccupied by video games, school pranks, and meeting his father’s impossibly high standards. Everything changes when the Second Intifada erupts and soldiers occupy the family home. Yousef’s father refuses to flee and risk losing the house forever, so the army keeps the family in a state of virtual imprisonment. Yousef struggles to understand how his father can be so committed to peaceful co-existence that he welcomes the occupying Israeli soldiers as ‘guests’, even in the face of unfair and humiliating treatment. Over time, Yousef learns how to endure his new life in captivity – but he can’t anticipate that a bullet is about to transform his future in an instant. Shot by an Israeli soldier at the age of fifteen, and taken to hospital in Tel Aviv, Yousef slowly and painstakingly confronts the paralysis of his lower body. Under the ceaseless care of Israeli medical professionals, he gains a new perspective on the value of co-existence. These transformative experiences set Yousef on a difficult new path that leads him to learn to embody his father’s philosophy, and spread a message of co-existence in a world of deep-set sectarianism. The Words of My Father is a moving coming-of-age story about survival, tolerance and hope.

Bashir Gemayel personified a cause the Lebanese Christians fought for throughout their history: To live in Lebanon with complete freedom and security. After being elected President in 1982, Bashir was assassinated before he could take office. But his powerful words which inspired a nation remain. Bashir had a deep historical understanding of the cause he was fighting for as well as the geopolitics affecting it, and he combined that with exceptional communication skills.Bashir's most important speeches took place from 1979 to 1982. His speeches consisted of simple ideas in a simple language. He spoke with passion, charisma, logic, clarity, specificity, simplicity, and frankness, and used references and examples from everyday life. Unlike other leaders or presidents who used formal Arabic for their speeches, Bashir mostly used colloquial Lebanese which made him closer to the audience. This book presents his most important speeches, in English, with analysis.

`With delicately drawn characters, Shahnaz Bashir tells the heartbreaking story of one woman?s battle for life, dignity and justice.? ? Mirza Waheed, author of The Collaborator `The night is tired now, the old moon, hanging in the dark sky, is tired too? It is the 1990s, and Kashmir?s long war has begun to claim its first victims. Among them are Ghulam Rasool Joo, Haleema?s father, and her teenage son Imran, who is picked up by the authorities only to disappear into the void of Kashmir?s missing people. The Half Mother is the story of Haleema ? a mother and a daughter yesterday, a `half mother? and an orphan today; tormented by not knowing whether Imran is dead or alive, torn apart by her own lonely existence. While she battles for answers and seeks out torture camps, jails and morgues for any signs of Imran, Kashmir burns in a war that will haunt it for years to come. Heart-wrenching, deeply troubling and written in lyrical prose, The Half Mother marks the debut of a bold new voice from Kashmir.'

'A terrifying yet tender account of a girlhood spent under near-constant siege.' Madhuri Vijay, author of The Far Field 'Extraordinary - this memoir of growing up in Kashmir in the 1990s is illuminating, heartbreaking, and beautifully told.' Kamila Shamsie, author of Home Fire 'This is an unforgettable work that refuses silence. It is an urgent, brave call for justice.' Maaza Mengiste, author of The Shadow King 'Page after page, Farah Bashir juxtaposes moments of heart-stopping terror and beauty in a stunning memoir of life and love under a bloody military occupation.' Mirza Waheed, author of Tell Her Everything 'I couldn't put it down, and even after it had ended, the people and their stories - wonderful, horrific, familiar and unfathomable - stayed textured and formidable in my mind.' Jennifer Croft, author of Homesick 'A beautifully tender and often heart-stopping memoir of growing up in a world that is spinning out of control.' Mahesh Rao, author of Polite Society Rumours of Spring is the unforgettable account of Farah Bashir's adolescence spent in Srinagar in the 1990s. As Indian troops and militants battle across the cityscape and violence becomes the new normal, a young schoolgirl finds that ordinary tasks - studying for exams, walking to the bus stop, combing her hair, falling asleep - are riddled with anxiety and fear. With haunting simplicity, Farah Bashir captures moments of vitality and resilience from her girlhood amidst the increasing trauma and turmoil of passing years - secretly dancing to pop songs on banned radio stations; writing her first love letter; going to the cinema for the first time - with haunting simplicity. This deeply affecting coming-of-age memoir portrays how territorial conflict surreptitiously affects everyday lives in Kashmir.

For Fauziya Kassindja, an idyllic childhood in Togo, West Africa, sheltered from the tribal practices of polygamy and genital mutilation, ended with her beloved father's sudden death. Forced into an arranged marriage at age seventeen, Fauziya was told to prepare for kakia, the ritual also known as female genital mutilation. It is a ritual no woman can refuse. But Fauziya dared to try. This is her story--told in her own words--of fleeing Africa just hours before the ritual kakia was to take place, of seeking asylum in America only to be locked up in U.S. prisons, and of meeting Layli Miller Bashir, a law student who became Fauziya's friend and advocate during her horrifying sixteen months behind bars. Layli enlisted help from Karen Musalo, an expert in refugee law and acting director of the American University International Human Rights Clinic. In addition to devoting her own considerable efforts to the case, Musalo assembled a team to fight with her on Fauziya's behalf. Ultimately, in a landmark decision in immigration history, Fauziya Kassindja was granted asylum on June 13, 1996. Do They Hear You When You Cry is her unforgettable chronicle of triumph.

Mannu Bhandari's genius lies not in elevating women to heroines or superior beings; rather, she forces us to acknowledge that flawed, confused, and self-centered women are as worthy of agency and respect. She wrote among literary giants who were mostly men, but carved a singular space for herself with her unflinching gaze at the hypocrisy of a society that claims to venerate women yet balks at giving them the keys to their shackles. These 18 stories are representative of her wonderful insights into the inner life of women – her characters span the spectrum from rural to urban, illiterate to educated, homemakers to career professionals. Through all the stories runs a vein of gentle mockery – the inimitable Mannu Bhandari style.