Leonard Woolf was born in London in 1880 and spent five years at Trinity College, Cambridge where he began lasting friendships with men such as Lytton Strachey, E. M. Forster and John Maynard Keynes. In 1904 Woolf applied to join the home civil service but failed the exam. Instead, he was sent to Ceylon (now Sri Lanka) as a cadet in the Ceylon civil service, joining the small group of white administrators who ruled the colony. He remained there for nearly seven years. In Woolf in Ceylon Christopher Ondaatje, who was himself born and brought up on the island, follows in the footsteps of Woolf. Drawing on his personal experience of Ceylon and empire, he compares the way of life during imperial days with that of the post-colonial era. We learn as much about the country, its people and their transformation of the country during the past century as we do about the man who used his colonial career to become one of the leading English men of letters of the twentieth century. Ondaatje s sensitive descriptions, illustrated with period and modern photographs, tell the compelling story of Woolf s sojourn in Ceylon and his developing disillusionment with the British colonial system. The result is a unique evocation of both a vanished imperial world and a colonial servant s enduring legacy in the contemporary culture of an enchanted but troubled island.

Growing is a portrait of a young man sent straight out from university to help govern Ceylon. It is doubtful that any Empire at any time has been served by such an intelligent, dutiful, hardworking and incorruptible civil servant as the young Leonard Woolf. He was determined to do what was good but discovered for himself that colonial rule, be it ever so high-minded, is fated to do wrong. Growing is also a deeply affectionate account of the mystery, magic and savage beauty of Ceylon at the turn of the century, an island whose diverse beliefs and cultures Woolf had the time and wit to explore in detail.

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An after-dinner walk in the moonlight leads to a series of confessions of first loves. That is until Jessop takes his turn and decries the notion of love itself. He speaks of a tragic affair between an old schoolfriend of his and an innocent Sinhalese girl, and so introduces the motif of these three stories - the incompatibility of East and West.

In the late 1970s Ondaatje returned to his native island of Sri Lanka. As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India, " Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.