Ashleigh wouldn't care about anything, ever again. Ashleigh Griffen swore she'd never give her heart to another horse -- not after a terrible disease wiped out her family's breeding farm, along with Ashleigh's favorite mare, Stardust. Now the Griffens are starting over as breeding managers at Townsend Acres, and Ashleigh's sure she is going to hate living there. Then a small, sickly foal is born -- a beautiful copper filly that looks like Stardust. No one thinks the foal will live or that it's worth trying to save. No one but Ashleigh. Can one girl's love alone work miracles? Read Thoroughbred and experience the love and friendship between a determined girl and a very special filly.

Read Thoroughbred and experience the love and friendship between a determined girl and a very special filly.

Two comedy writers race each other around the world—no planes allowed—in this hilarious true travelogue that “reads like a 300-page Simpsons episode” (Wired). It started as a friendly wager: two old friends from the Harvard Lampoon, Steve Hely and Vali Chandrasekaran, now hotshot Hollywood comedy writers, challenged each other to a race around the globe in opposite directions. There was only one rule: no airplanes. The first man to cross every line of longitude and arrive back in L.A. would win a very expensive bottle of Scotch and infamy. But little did one racer know that the other planned to cheat him out of the big prize by way of a ride on a quarter-million-dollar jet pack. From the West Bank to the Aleutian Islands, the slums of Rio to the steppes of Mongolia, traveling by ocean freighter and the Trans-Siberian Railway (pranking each other mercilessly along the way), Vali and Steve plunge eagerly and ill-preparedly into global adventure in a comic travelogue unlike any other, an outrageous tale of two gentlemen travelers who can’t wait to don baggy cardigan sweaters, clench corncob pipes between their teeth, and yell at their sons, “You lazy bums! When we were your age, we raced around the world without airplanes!” “Riotous fun.” —People Magazine “Hilarious.” —Entertainment Weekly “This is one of the funniest books I’ve read in years.” —The Arizona Republic

A powerful work of memoir and storytelling that will change the way we think about the natural world. Like many diasporic people of colour, Claire Ratinon grew up feeling cut off from the natural world. She lived in cities, reluctant to be outdoors and stuck with the belief that success and status could fill the space where belonging was absent. But a chance encounter with a rooftop farm was the start of a journey that caused her to rethink the life she'd been creating and her beliefs about who she ought to be. Enlivened, she turned her hand to growing food in London before finding herself yearning for a small parcel of land to call her own. Unearthed tells the story of her leaving the city for the English countryside - and her first garden - in the hope of forging a pathway towards the embrace of the natural world and a sense of belonging cultivated on her own terms. 'Ratinon's story will change hearts and minds' Alice Vincent 'A beautiful book about nature...I recommend it' Afua Hirsch, author of Brit(ish)

"The problem of the twentieth century is the problem of the color-line," W. E. B. Du Bois wrote in 1903, and his words have proven sadly prophetic. As we enter the twenty-first century, the problem remains--and yet it, and the line that defines it, have shifted in subtle but significant ways. This brief book speaks powerfully to the question of how the circumstances of race and racism have changed in our time--and how these changes will affect our future. Foremost among the book's concerns are the contradictions and incoherence of a system that idealizes black celebrities in politics, popular culture, and sports even as it diminishes the average African-American citizen. The world of the assembly line, boxer Jack Johnson's career, and The Birth of a Nation come under Holt's scrutiny as he relates the malign progress of race and racism to the loss of industrial jobs and the rise of our modern consumer society. Understanding race as ideology, he describes the processes of consumerism and commodification that have transformed, but not necessarily improved, the place of black citizens in our society. As disturbing as it is enlightening, this timely work reveals the radical nature of change as it relates to race and its cultural phenomena. It offers conceptual tools and a new way to think and talk about racism as social reality.

“A poet celebrates the wonders of nature in a collection of essays that could almost serve as a coming-of-age memoir.” —Kirkus Reviews As a child, Nezhukumatathil called many places home: the grounds of a Kansas mental institution, where her Filipina mother was a doctor; the open skies and tall mountains of Arizona, where she hiked with her Indian father; and the chillier climes of western New York and Ohio. But no matter where she was transplanted—no matter how awkward the fit or forbidding the landscape—she was able to turn to our world’s fierce and funny creatures for guidance. “What the peacock can do,” she tells us, “is remind you of a home you will run away from and run back to all your life.” The axolotl teaches us to smile, even in the face of unkindness; the touch-me-not plant shows us how to shake off unwanted advances; the narwhal demonstrates how to survive in hostile environments. Even in the strange and the unlovely, Nezhukumatathil finds beauty and kinship. For it is this way with wonder: it requires that we are curious enough to look past the distractions in order to fully appreciate the world’s gifts. Warm, lyrical, and gorgeously illustrated by Fumi Nakamura, World of Wonders is a book of sustenance and joy. Praise for World of Wonders Barnes & Noble 2020 Book of the Year An NPR Best Book of 2020 An Esquire Best Book of 2020 A Publishers Weekly “Big Indie Book of Fall 2020” A BuzzFeed Best Book of Fall 2020 “Hands-down one of the most beautiful books of the year.” —NPR “A timely story about love, identity and belonging.” —New York Times Book Review “A truly wonderous essay collection.” —Roxane Gay, The Audacity