When Hurricane María unleashed its devastation onto Puerto Rico, thousands of lives were lost to the storm in what was the island's worst natural disaster on record. With so much of the recovery still underway and the scars still fresh, its citizens continue to contend with the reality that life on the island has fundamentally changed. In his first collection of poems written in English, La Torre Lagares journeys through his memory in an effort to recompose his shattered land. Together, these poems form a poignant, personal account of a man facing the tragic destinies of his family and his country in the aftermath of a natural disaster. For example, the deaths of the mother and the father are resignified as the death of the poet's personal relationship, which at the same time evokes the rupture between individuals and their sense of place. Drawing from both American and Latin American poetry, as well as global influences, to articulate a language of loss and devastation in search of a new identity, this collection illuminates a chaotic and confusing landscape that is not only physical but also cultural, social, and political. Taken together, this work serves as a stirring reminder of the dislocation and fractured attachment that speaks to many Americans, including transnationals and immigrants. Ultimately it speaks to coping with physical loss and emotional pain in the face of human adversity.

When Hurricane María unleashed its devastation onto Puerto Rico, thousands of lives were lost to the storm in what was the island's worst natural disaster on record. With so much of the recovery still underway and the scars still fresh, its citizens continue to contend with the reality that life on the island has fundamentally changed. In his first collection of poems written in English, La Torre Lagares journeys through his memory in an effort to recompose his shattered land. Together, these poems form a poignant, personal account of a man facing the tragic destinies of his family and his country in the aftermath of a natural disaster. For example, the deaths of the mother and the father are resignified as the death of the poet's personal relationship, which at the same time evokes the rupture between individuals and their sense of place. Drawing from both American and Latin American poetry, as well as global influences, to articulate a language of loss and devastation in search of a new identity, this collection illuminates a chaotic and confusing landscape that is not only physical but also cultural, social, and political. Taken together, this work serves as a stirring reminder of the dislocation and fractured attachment that speaks to many Americans, including transnationals and immigrants. Ultimately it speaks to coping with physical loss and emotional pain in the face of human adversity.

"The 7.0 magnitude earthquake that struck Haiti in January 2010 was a debilitating event that followed decades of political, social, and financial issues. Leaving over 250,000 people dead, 300,000 injured, and 1.5 million people homeless, the earthquake has had lasting repercussions on a struggling nation. In this book, Myriam Chancy encourages us to look at Haiti and to continue to examine the historical and present structures that have resulted in Haiti's post-earthquake conditions. And as Haiti is newly recovering from another 7.2 magnitude earthquake from August 2021, the questions that Chancy seeks to answer and the stories she aims to document seem all the more urgent. Originally presented at invited campus talks, published as columns for a newspaper in Trinidad and Tobago, or other venues, the essays in Harvesting Haiti respond to a particular moment and preserve the reactions and urgencies in the years following the 2010 disaster. As Chancy explains, this work "remains pertinent to discussions of Haiti today and to understand what was being discussed in the immediate aftermath of the earthquake, which continues to mark the country today, is relevant to what may or may not be possible for its future." The volume is organized into five parts, each with a thematic focus that reveals an important element for the context of post-earthquake Haiti. Part I provides political contexts and background, and includes pieces on international aid, Haiti's exclusion from global trade, and overarching issues in the battle for sovereignty. In Part II, an interview and two essays based on invited talks problematize the media's portrayal of gendered issues in the wake of the disaster. Part III takes an artistic turn with a poem and photo essay. Part IV preserves essays originally published in a column in a discontinued magazine insert for The Trinidad Express. Part V looks to the impact of the earthquake on the already vexed relationship between Haiti and their neighbor, the Dominican Republic. The book concludes with a reflection from five years after the earthquake, and then the tenth anniversary of the disaster"--

In this book, Waldemar Heckel traces the rise and eventual fall of one of the most successful military commanders in history. In 325 BCE, Alexander and his conquering army prepared to return home, after overcoming everything in their path: armies, terrain, climate, all invariably hostile. Little did they know that within two years their beloved king would be dead and their labours seemingly wasted. Tracing the rise and eventual fall of one of the most successful military commanders in history, Heckel engagingly and with great detail shows us how Alexander earned his appellation, The Great.

Ojo en celo / Eye in Heat is a book about the burning desire to see beyond appearances and find meaning in the visible and the invisible.

Praise for the previous edition:"The author's straightforward, informative writing style makes this book easily readable by secondary school and college students."-BooklistFrom the Black Plague that spread across Europ

Honghu Zhi, Kun Peng raised up, one person in ten steps, one person in a thousand miles, returning to the invincible Battle-Saint from the Great Desolation, resuming his legends of ancient times.