Brian Azzarello and Cliff Chiang's critically acclaimed Wonder Woman reintroduces the New Gods! Wonder Woman's world is shocked to its core when her eldest brother, the First Born, is freed from his slumber. Now, with her family in ruins and her friends scattered, she must turn to Orion and the New Gods of New Genesis to save herself and Zola's newborn from the First Born's wrath! Collects WONDER WOMAN #19-23.

The Gods walk among us. To them, our lives are playthings. Only one woman would dare to protect humanity from the wrath of such strange and powerful forces. But is she one of us--or one of them? WONDER WOMAN begins anew under the creative team of Brian Azzarello and Cliff Chiang!

For superbaby girls, here's the super-cool companion to My First Superman and My First Batman Books. Wonder Woman joins her Justice League pals with her very own touch-and-feel book. There's no telling who will get a big thrill out of tossing Wonder Woman's lasso, admiring her shiny gold cuffs and headband, or zooming through the sky in her helicopter. Six fun touchables will amuse kids of all ages.

The entire run of writer Brian Azzarello (100 BULLETS) and artist Cliff Chiang's (PAPER GIRLS) bold new imagining of one of comics' most iconic characters is now collected in its entirety in his giant-size omnibus edition! Raised as a daughter by the Queen of the Amazons, the warrior princess called Diana is different from the rest of her countrywomen. They've all heard the legend of how she was formed from clay to give the childless queen the daughter she dreamed of--and they treat her like an outsider and outcast because of it. But Diana is different than everyone else, just not for the reasons everyone thinks. It's because she's the daughter of Zeus. With a new cadre of brothers and sisters as allies and enemies, Wonder Woman's world is rocked to its core when her eldest brother, the First Born, was freed from his slumber. Her newfound family is in ruins and her friends scattered, she must turn to Orion and the New Gods of New Genesis to save herself, her newborn brother Zeke and his mother Zola from the First Born's wrath. Collects Wonder Woman #0-35, 23.1 and a story from Secret Origins #6

Wonder Woman was certain there was one person in her life she could trust--but she thought wrong!

Wonder Woman was created in the early 1940s as a paragon of female empowerment and beauty and her near eighty-year history has included seismic socio-cultural changes. In this book, Joan Ormrod analyses key moments in the superheroine's career and views them through the prism of the female body. This book explores how Wonder Woman's body has changed over the years as her mission has shifted from being an ambassador for peace and love to the greatest warrior in the DC transmedia universe, as she's reflected increasing technological sophistication, globalisation and women's changing roles and ambitions. Wonder Woman's physical form, Ormrod argues, is both an articulation of female potential and attempts to constrain it. Her body has always been an amalgamation of the feminine ideal in popular culture and wider socio-cultural debate, from Betty Grable to the 1960s 'mod' girl, to the Iron Maiden of the 1980s.

This book explores representations of Wonder Woman and Captain Marvel in comics and film, as well as political struggles over these works, to illuminate contemporary cultural concerns about gender, sexuality, race, migration, imperialism, and war. It focuses on the only two female superheroes who have long histories grounded in feminist activism and military service, and who have starred in blockbuster origin films at a time when resurgent progressive activism has been met by an emboldened backlash against movements for equality. Interdisciplinary and intersectional, the book employs insights from political science and political economy, feminist theories, critical race theory, postcolonial theory, and queer theory to explore how these characters’ feminism and militarism render them particularly appealing and profitable in contentious times. This is a concise, accessible text suitable for students and scholars in comics studies, media studies, film studies, and women’s and gender studies.