Gateway City is menaced by the super-speeding mayhem of the Flash, but the face behind the scarlet mask is that of a man long thought dead! Also, the mysterious hero known as 'Champion' makes his debut.

Wonder Woman was created in the early 1940s as a paragon of female empowerment and beauty and her near eighty-year history has included seismic socio-cultural changes. In this book, Joan Ormrod analyses key moments in the superheroine's career and views them through the prism of the female body. This book explores how Wonder Woman's body has changed over the years as her mission has shifted from being an ambassador for peace and love to the greatest warrior in the DC transmedia universe, as she's reflected increasing technological sophistication, globalisation and women's changing roles and ambitions. Wonder Woman's physical form, Ormrod argues, is both an articulation of female potential and attempts to constrain it. Her body has always been an amalgamation of the feminine ideal in popular culture and wider socio-cultural debate, from Betty Grable to the 1960s 'mod' girl, to the Iron Maiden of the 1980s.

Originally published in single magazine form.

Part of Alice's appeal is her ambiguity, which makes possible a range of interpretations in adapting Lewis Carroll's classic Wonderland stories to various media. Popular re-imaginings of Alice and her topsy-turvy world reveal many ways of eliciting enchantment and shaping make-believe. Late 20th century and 21st century adaptations interact with the source texts and with each other--providing readers with an elaborate fictional universe. This book fully explores today's multi-media journey to Wonderland.

In the 1990s, one of the most celebrated creators in comics history-the legendary John Byrne-had one of the greatest runs of all time on the Amazon Warrior! Wonder Woman has built herself a fresh start in Gateway City. But when what seems to be an ordinary heist gone wrong turns out to be something much more sinister, Diana finds herself trapped and tortured on the hell planet Apokolips! Just as terrifying, Wonder Woman learns of a deeper connection between the New Gods of Apokolips and New Genesis and those of her homeland of Themyscira. After escaping and returning to Paradise Island to search for answers, Diana finds her former home under attack, and only Wonder Woman can lead her sister Amazons against the forces of Darkseid himself. But Diana is still needed in Gateway City. Allies and enemies alike await her return to her new home, as does a new protégé in need of Wonder Woman’s mentorship-Wonder Girl! Following up his reinvention of the Man of Steel, acclaimed writer and artist John Byrne (SUPERMAN, X-Men, Fantastic Four) weaves a new beginning for Wonder Woman! WONDER WOMAN BY JOHN BYRNE BOOK ONE collects the classic stories from WONDER WOMAN #101-114.

The United States has long thought of itself as exceptional--a nation destined to lead the world into a bright and glorious future. These ideas go back to the Puritan belief that Massachusetts would be a "city on a hill," and in time that image came to define the United States and the American mentality. But what is at the root of these convictions? John Howard Smith's A Dream of the Judgment Day explores the origins of beliefs about the biblical end of the world as Americans have come to understand them, and how these beliefs led to a conception of the United States as an exceptional nation with a unique destiny to fulfill. However, these beliefs implicitly and explicitly excluded African Americans and American Indians because they didn't fit white Anglo-Saxon ideals. While these groups were influenced by these Christian ideas, their exclusion meant they had to craft their own versions of millenarian beliefs. Women and other marginalized groups also played a far larger role than usually acknowledged in this phenomenon, greatly influencing the developing notion of the United States as the "redeemer nation." Smith's comprehensive history of eschatological thought in early America encompasses traditional and non-traditional Christian beliefs in the end of the world. It reveals how millennialism and apocalypticism played a role in destructive and racist beliefs like "Manifest Destiny," while at the same time influencing the foundational idea of the United States as an "elect nation." Featuring a broadly diverse cast of historical figures, A Dream of the Judgment Day synthesizes more than forty years of scholarship into a compelling and challenging portrait of early America.

Larry Hama (b. 1949) is the writer and cartoonist who helped develop the 1980s G.I. Joe toy line and created a new generation of fans from the tie-in comic book. Through many interviews, this volume reveals that G.I. Joe is far from his greatest feat as an artist. At different points in his life and career, Hama was mentored by comics legends Bernard Krigstein, Wallace Wood, and Neal Adams. Though their impact left an impression on his work, Hama has created a unique brand of storytelling that crosses various media. For example, he devised the character Bucky O'Hare, a green rabbit in outer space that was made into a comic book, toy line, video game, and television cartoon—with each medium in mind. Hama also discusses his varied career, from working at Neal Adams and Dick Giordano’s legendary Continuity to editing a humor magazine at Marvel, developing G.I. Joe, and enjoying a long run as writer of Wolverine. This volume also explores Hama's life outside of comics. He is an activist in the Asian American community, a musician, and an actor in film and stage. He has also appeared in minor roles on the television shows M*A*S*H and Saturday Night Live and on Broadway. Editor and historian Christopher Irving compiles six of his own interviews with Hama, some of which are unpublished, and compiled others that range through Hama’s illustrious career. The first academic volume on the artist, this collection gives a snapshot of Hama’s unique character-driven and visual approach to comics’ storytelling.