Explores the problem of anthropomorphism: a major bone of contention in 8th to 14th-century Islamic theology

Explores the problem of anthropomorphism: a major bone of contention in 8th to 14th-century Islamic theology.

New perspectives on women's contributions to periodical culture in the era of modernismThis collection highlights the contributions of women writers, editors and critics to periodical culture in the late nineteenth and early twentieth centuries. It explores women's role in shaping conversations about modernism and modernity across varied aesthetic and ideological registers, and foregrounds how such participation was shaped by a wide range of periodical genres. The essays focus on well-known publications and introduce those as yet obscure and understudied - including middlebrow and popular magazines, movement-based, radical papers, avant-garde titles and classic Little Magazines. Examining neglected figures and shining new light on familiar ones, the collection enriches our understanding of the role women played in the print culture of this transformative period.Key FeaturesHelps recover neglected women writers and cast new light on canonical onesHighlights the geographical diversity of modern British print cultureEmphasises the interdisciplinary nature of modernism, including essays on modernist dance, music, cinema, drama and architecture Includes a section on social movement periodicals

Foregrounds the diversity of periodicals, fiction and other printed matter targeted at women in the postwar periodForegrounds the diversity and the significance of print cultures for women in the postwar period across periodicals, fiction and other printed matterExamines changes and continuities as women's magazines have moved into digital formatsHighlights the important cultural and political contexts of women's periodicals including the Women's Liberation Movement and SocialismExplores the significance of women as publishers, printers and editorsWomen's Periodicals and Print Culture in Britain, 1940s-2000s draws attention to the wide range of postwar print cultures for women. The collection spans domestic, cultural and feminist magazines and extends to ephemera, novels and other printed matter as well as digital magazine formats. The range of essays indicates both the history of publishing for women and the diversity of readers and audiences over the mid-late twentieth century and the early twenty-first century in Britain. The collection reflects in detail the important ways in magazines and printed matter contributed to, challenged, or informed British women's culture. A range of approaches, including interview, textual analysis and industry commentary are employed in order to demonstrate the variety of ways in which the impact of postwar print media may be understood.

The period covered in this volume witnessed the proliferation of print culture and the greater availability of periodicals for an increasingly diverse audience of women readers. This was also a significant period in women's history, in which the 'Woman Question' dominated public debate, and writers and commentators from a range of perspectives engaged with ideas and ideals about womanhood ranging from the 'Angel in the House' to the New Woman. Essays in this collection gather together expertise from leading scholars as well as emerging new voices in order to produce sustained analysis of underexplored periodicals and authors and to reveal in new ways the dynamic and integral relationship between women's history and print culture in Victorian society.

This innovative volume presents collective expertise on women's magazines and periodicals of the long eighteenth century. While this period witnessed the birth of modern periodical culture and its ability to shape aspects of society from the popular to the political, most studies have traditionally obscured the very active role women's voices and women readers played in shaping periodicals that in turn shaped Britain. The 30 essays here demonstrate the importance of periodicals to women and vice versa and, crucially, correct the destructive misconception that the more canonised periodicals and popular magazines were rival or discontinuous forms.