Everybody says that the owner of Sal's Diner is a former Mafioso, but nine-year-old Joanna, whose mom has worked for him as long as she can remember, has a hard time believing he's a Mafia retiree. But one day, when two fat, toothless men who look like the Godfather's brothers show up at the diner, she wonders if maybe the rumor is true. And when Sal is arrested a few days later, Joanna's mother not only runs the diner while he's in jail, she also leads the charge to save him. Can the women who frequent his diner--the League of Women Who Live in Coffee Shops--save Sal from doing hard time in prison? Set against an urban backdrop of seedy motels and dilapidated houses next to industrial buildings and railroad tracks, Stella Pope Duarte's award-winning stories follow characters who make up the city's underbelly. Some strut through the lethal streets, flamboyant and hard to miss--flashy divas, transvestites, and prostitutes, like Valentine, "one of the girls who decorated Van Buren Street like ornaments dangling precariously on a Christmas tree." Others remain hidden, invisible to those who don't seek them out--bag ladies, illegals, and addicts.

Many of the stories feature young people who know too much, too soon. An eight-year-old girl, with the help of a hooker, finally meets the addict father she has never known. A boy falls to his death and though his older brother is blamed, young Sarita isn t sure her fourth-grade classmate was responsible. And two children, unbeknownst to their parents, befriend a suspected child molester.

Irresistible stories of love and fidelity, mystery and unexpected lives from some of the bestselling authors writing today. Published in conjunction with Woman & Home and Breast Cancer Care, this collection of terrific short stories includes many of the top names in fiction writing today: Fanny Blake, Fern Britton, Elizabeth Buchan, Tracy Chevalier, Jenny Colgan, R J Ellory, Julia Gregson, Tessa Hadley, Maeve Haran, Veronica Henry, Victoria Hislop, Eowyn Ivey, Cathy Kelly, Erin Kelly, Deborah Lawrenson, Kathy Lette, Lesley Lokko, Jill Mansell, Val McDermid, Kate Mosse, Jojo Moyes, Adele Parks, Nicky Pellegrino, Ian Rankin, newcomer Cara Ross, Penny Vincenzi and Katherine Webb.

Angelou the firebrand has opened a coffee shop for women, where they can gather to drink and gossip like the men. These days, the hot topic of conversation is a macabre one: Angelou has just discovered her close friend Avraam Salih, shadow theatre master extraordinary, dead of a knife wound outside his house. Who killed him? Tensions between Christians and Moslems are high, and the dead man was of mixed parentage - could it have been a political murder? He also led a complex life - might the motive have been passion, money, professional envy? Angelou has some ideas, and she and the women of the coffee shop swing into action.....This offbeat whodunit will keep you turning the pages and entertain you with a vivid cast of unforgettable characters.

U.S. Latino Literature is defined as Latino literature within the United States that embraces the heterogeneous inter-groupings of Latinos. For too long U.S. Latino literature has not been thought of as an integral part of the overall shared American literary landscape, but that is slowly changing. This dictionary aims to rectify some of those misconceptions by proving that Latinos do fundamentally express American issues, concerns and perspectives with a flair in linguistic cadences, familial themes, distinct world views, and cross-cultural voices. The Historical Dictionary of U.S. Latino Literature contains a chronology, an introduction, and an extensive bibliography. The dictionary section has cross-referenced entries on U.S. Latino/a authors, and terms relevant to the nature of U.S. Latino literature in order to illustrate and corroborate its foundational bearings within the overall American literary experience. This book is an excellent access point for students, researchers, and anyone wanting to know more about this subject.

Analyn Sanchez can handle the long hours and arrogant clients that come with her job as a crisis management associate at Denver’s largest publicity firm. The high-powered job, expensive condo, and designer wardrobe are all part of her plan to prove to her family that her life choices haven’t been in vain. But when she’s asked to cover up a client’s misdeeds with serious moral and legal ramifications, she can no longer sacrifice her conscience for her career . . . and the cost is no less than her job. Ever since a devastating climbing accident in South America eight months ago, and a bad decision that dried up his sponsorships, professional rock climber Bryan Shaw has found himself at similar loose ends. When the opportunity to buy a coffee farm in Colombia arises, he jumps on it—only to discover his wandering ways have left him utterly unprepared to run a business. When Bryan returns home and offers Ana a role in his company as a solution to both their problems, she’s desperate enough to consider working with the far-too-flippant and far-too-handsome climber, even though he’s the polar opposite of her type A nature. As they delve deeper into the business, however, she begins to suspect there’s much more to Bryan than she’s given him credit for . . . and that sometimes the best plans are the ones you never see coming.

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