At a young age, Sara knew she wanted to be free from slavery. She attempted many times to run away. On one of these attempts, she was caught by another slave owner, Massa Horn. Massa Horn was a very angry man who wanted to beat her like she never was beaten before just to teach her the consequences of running away. But it was not Massa Horn's decision to beat Sara because he did not own her. Massa Monroe was her owner, and he made it clear to Massa Horn that it was not his decision to punisher her. Sara was chastised by Massa Monroe and her parents about running away. They told her to stop trying and to stay put. As time went on, Sara grew into a beautiful young lady, desired by every slave owner in Mississippi. Massa Monroe made sure Sara would not be abused by any slave owner. When slavery ended, Massa Monroe gave the Monroe family their freedom papers to start a new beginning. Finally, Sara received her freedom. Sara's parents decided to leave Mississippi to start a new beginning in Texas now that they were no longer slaves. Because of the move, this begins the journey of Sara becoming the first-ever Black cowgirl in Texas. During this time in Sara's journey, she has discovered that the town her father and the town's people built will have many outlaws and Klansmen trying to destroy the town she loves. She will have to fight to protect the town of Jacob Water and every member of Jacob Water from being destroyed. Sara will be the one cowgirl every outlaw and Klansmen have to watch out for.

American lore has slighted the cowgirl, although at least one can still be found in nearly every ranching community. Like her male counterpart, she rides and ropes, understands land and stock, and confronts the elements. The writer and photographer Teresa Jordan traveled sixty thousand miles in the American West, talking with more than a hundred authentic cowgirls running ranches and performing in rodeos. The result is a fascinating book that also situates the cowgirl in history and literature. A new preface and updated bibliography have been added to this Bison Book edition.

When someone says "Cowgirl Up!" it means rise to the occasion, don't give up, and do it all without whining or complaining. And the cowgirls of the early twentieth century did it all, just like the men, only wearing skirts and sometimes with a baby waiting behind the chutes. Women learned to rope and ride out of necessity, helping their fathers, brothers, and husbands with the ranch work. But for some women, it went further than that. They caught the fever of freedom, the thirst for adrenaline, and the thrill of competition, and many started their rodeo careers as early as age fourteen. From Alice and Margie Greenough of Red Lodge, whose father told them “If you can’t ride ’em, walk,” to Jane Burnett Smith of Gilt Edge who sneaked off to ride in rodeos at age eleven, women made wide inroads into the masculine world of rodeo. Montana boasts its share of women who “busted broncs” and broke ranks in the macho world of rodeo during the early to mid-1900s. Cowgirl Up! is the history of these cowgirls, their courage, and their accomplishments.

Traces the story of African-American women in the American frontier, through old records, newspaper clippings, pioneer reminiscences and rare photographs.

Illustrated with more than 450 color photographs and historic images, this book pays tribute to the life and legacy of the pioneer woman in the American West, who worked on ranches, performed in Wild West shows, and competed in the rodeo arena.

Who were the black cowboys? They were drovers, foremen, fiddlers, cowpunchers, cattle rustlers, cooks, and singers. They worked as wranglers, riders, ropers, bulldoggers, and bronc busters. They came from varied backgrounds—some grew up in slavery, while free blacks often got their start in Texas and Mexico. Most who joined the long trail drives were men, but black women also rode and worked on western ranches and farms. The first overview of the subject in more than fifty years, Black Cowboys in the American West surveys the life and work of these cattle drivers from the years before the Civil War through the turn of the twentieth century. Including both classic, previously published articles and exciting new research, this collection also features select accounts of twentieth-century rodeos, music, people, and films. Arranged in three sections—“Cowboys on the Range,” “Performing Cowboys,” and “Outriders of the Black Cowboys”—the thirteen chapters illuminate the great diversity of the black cowboy experience. Like all ranch hands and riders, African American cowboys lived hard, dangerous lives. But black drovers were expected to do the roughest, most dangerous work—and to do it without complaint. They faced discrimination out west, albeit less than in the South, which many had left in search of autonomy and freedom. As cowboys, they could escape the brutal violence visited on African Americans in many southern communities and northern cities. Black cowhands remain an integral part of life in the West, the descendants of African Americans who ventured west and helped settle and establish black communities. This long-overdue examination of nineteenth- and twentieth-century black cowboys ensures that they, and their many stories and experiences, will continue to be known and told.

The brave pioneers who made a life on the frontier were not only male—and they were not only white. The story of African-American women in the Old West is one that has largely gone untold--until now. The story of ten African-American women is reconstructed from historic documents found in century-old archives. The ten remarkable women in African American Women of the Old West were all born before 1900, some were slaves, some were free, and some lived both ways during their lifetime. Among them were laundresses, freedom advocates, journalists, educators, midwives, business proprietors, religious converts, philanthropists, mail and freight haulers, and civil and social activists.