The story of an accomplished group of Women who, more than any others, moulded Bengal's distinct ethos. The Tagore family has long been the focus of public curiosity. Like its men, the women of this illustrious family have had a great and enduring influence on the life and people of Bengal. Women of the Tagore Household portrays several generations of connoisseurs, aesthetes and lovers of literature who were nurtured under the umbrella of cultural richness and spiritual freedom that the extended family provided. We meet Rabindranath's wife Mrinalini and his sister-in-law Kadambari, who had considerable influence on the young poet; the progressive Jnandanandini who sailed alone to England in the nineteenth century, presenting to ordinary women a vision of courage and daring; and Sushama, who broke out of the confines of music, literature and culinary arts to tread the path of women's empowerment. This book reveals hitherto unknown aspects of women's emancipation in Bengal in which the women of the Jorasanko Tagore family were at the forefront-Chandramukhi and Kadambini were the first two female graduates of India, Protiva opened up music and dramatics to women by preparing musical notations for Brahmo sangeet and Hindustani classical music, and Pragya's prefaces to her cookbooks are still considered storehouses of not only recipes but also homemaking skills. This engaging narrative, spanning over three hundred years, highlights the Tagores' influence on the Bengal Renaissance and brings out the special role the Tagore women played in Bengali history and culture.

A sensitive portrayal ofthe hopes and fears,triumphs and defeatsexperienced by thewomen of the Tagorehousehold. in a sprawling novel that spans a unique phase in the history of Bengal and India, Aruna Chakravarti provides a fascinating Iaccount of how the Tagore women influenced and were in turn influenced by their illustrious male counterparts, the times they lived in and the family they belonged to. Jorasanko mirrors the hopes and fears, triumphs and defeats that the women of the Tagore household experienced in their intricate interpersonal relationships, as well as the adjustments they were continually called upon to make as daughters and daughters-in-law of one of the most eminent families of the land. 'In her meticulously researched novel, Aruna Chakravarti has successfully re-created for the reader the world inside the Tagore home, at once glittering and fascinating, but also dark and challenging. The women of the Tagore family who are at the heart of this novel are complex beings who will raise many questions in the modern reader regarding the role of women in today's society' - Chitra Banerjee Divakaruni, author of Palace of Illusions and One Amazing Thing.

Ignored by her well-meaning husband, Charulata falls in love with a high-spirited young cousin in The Broken Nest (Nashtaneer, 1901). Sharmila, in Two Sisters (Dui Bon, 1933) witnesses her husband sink her fortunes and his passion into his business – and her sister. And the invalid Neeraja finds her life slowly ebbing away as a new love awakens for her beloved husband in The Arbour (Malancha, 1934). Romantic, subtle and nuanced, Rabindranath Tagore’s novellas are about the undercurrents in relationships, the mysteries of love, the ties and bonds of marriage, and above all about the dreams and desires of women.

The Tagore household is falling apart. Rabindranath cannot shake off the disquiet in his heart. His daughters and daughter-in-law struggle hard to cope with incompatible marriages, ill health and the stigma of childlessness. The extended family of Jorasanko is steeped in debt. Even as Rabindranath copes with his problems, news reaches him that he has been awarded the Nobel Prize for literature. Will this be a turning point for the man, his family and their much-celebrated home? Daughters of Jorasanko, the sequel to the bestselling Jorasanko, explores the histories of the Tagore women, even as it describes the twilight years in the life of one of the greatest luminaries of our time and the end of an epoch in the history of Bengal.

Poet, novelist, painter and musician, Rabindranath Tagore (1861-1941) is the grand master of Bengali culture. Written during the 1890s, the stories in this selection brilliantly recreate vivid images of Bengali life and landscapes in their depiction of peasantry and gentry, casteism, corrupt officialdom and dehumanizing poverty. Yet Tagore is first and foremost India's supreme Romantic poet, and in these stories he can be seen reaching beyond mere documentary realism towards his own profoundly original vision.

The Home and the World illustrates the battle between the ideas of Western culture and revolution against the Western culture in India. These two ideas are portrayed in two of the main characters, Nikhil, who is rational and opposes violence, and Sandip, who will let nothing stand in his way from reaching his goals. These two opposing ideals are very important in understanding the history of the Bengal region and its contemporary problems. The novel is set in early 20th century India. The story line coincides with the National Independence Movement taking place in the country at the time, which was sparked by the Indian National Congress.

"By reclaiming the historical relationship between domesticity, housework, and domestic service in colonial Bengal, Men, Women, and Domestics contributes to a comprehensive understanding of domestic politics in the construction of national identity. Swapna M. Banerjee provides new insights into the Bengali middle-class perception of domestic workers, a subject that has not received much scholarly attention in social history writing in India." "Focusing upon stories of employers and servants, she demonstrates how caste-class formation among the predominantly Hindu Bengali middle class depended much upon its relationships with the subordinate social groups, of which domestic workers formed an integral part. Examining a wide variety of literary and official sources, the book establishes that the articulation of the Bengali middle-class self-identity was predicated on the definition of its women, who in turn, were carefully distinguished from members of lower socio-economic groups." "This book will be of interest to students and scholars of South Asia history, gender studies, culture, and social anthropology, as well as the growing readership of cross-cultural and comparative studies on the institutions of family, domesticity, domestic labour, and related forms of servitude."--BOOK JACKET.