In Stepdaughters of History, noted scholar Catherine Clinton reflects on the roles of women as historical actors within the field of Civil War studies and examines the ways in which historians have redefined female wartime participation. Clinton contends that despite the recent attention, white and black women’s contributions remain shrouded in myth and sidelined in traditional historical narratives. Her work tackles some of these well-worn assumptions, dismantling prevailing attitudes that consign women to the footnotes of Civil War texts. Clinton highlights some of the debates, led by emerging and established Civil War scholars, which seek to demolish demeaning and limiting stereotypes of southern women as simpering belles, stoic Mammies, Rebel spitfires, or sultry spies. Such caricatures mask the more concrete and compelling struggles within the Confederacy, and in Clinton’s telling, a far more balanced and vivid understanding of women’s roles within the wartime South emerges. New historical evidence has given rise to fresh insights, including important revisionist literature on women’s overt and covert participation in activities designed to challenge the rebellion and on white women’s roles in reshaping the war’s legacy in postwar narratives. Increasingly, Civil War scholarship integrates those women who defied gender conventions to assume men’s roles—including those few who gained notoriety as spies, scouts, or soldiers during the war. As Clinton’s work demonstrates, the larger questions of women’s wartime contributions remain important correctives to our understanding of the war’s impact. Through a fuller appreciation of the dynamics of sex and race, Stepdaughters of History promises a broader conversation in the twenty-first century, inviting readers to continue to confront the conundrums of the American Civil War. “Spies, smugglers, nurses, plantation mistresses, liberators of slaves, traders, writers, freedom fighters, wives, and mothers—Catherine Clinton considers the many roles of diverse groups of southern women from the Civil War to the late nineteenth century in these lively and provocative essays.”—Jacqueline Jones, author of Labor of Love, Labor of Sorrow: Black Women, Work, and the Family from Slavery to the Present “Clinton's sweeping synthesis is a timely call for rethinking women's roles in the Civil War. Her panoramic view of the existing scholarship, her revealing new histories, and the questions that she raises for the future offer a rich scholarly feast that is useful for undergraduates and seasoned historians alike.”—Glenda Elizabeth Gilmore, Peter V. and C. Vann Woodward Professor of History, Yale University “Stepdaughters of History is a timely treatise on the legacy of the Civil War and how Americans both remember and forget the women who dreamt and helped build the landscape with which we reside. The writing is accessible and engaging. Clinton integrates gender studies, political history, and current events into this slim volume and challenges us to continue to build a Civil War historiography that is full and more honest.”—Deirdre Cooper-Owens, professor of history, Queens College, CUNY “Catherine Clinton delights in disentangling the ambiguities and contradictions of the experiences of southern women, whether they were free or enslaved or rich or poor, in Stepdaughters of History. In this beautifully written volume, she explores how the field of Civil War history has demolished the Lost Cause shibboleths of the devoted mammy and the submissive plantation mistress. Clinton reminds us that history should never offer the comfort of a bedtime story, and in Stepdaughters of History there is plenty for us to ponder late into the night.”—Peter Carmichael, director of the Civil War Institute and author of The Last Generation: Young Virginians in Peace, War, and Reunion

Includes narratives, reminiscences, and diary excerpts of Elizabeth Waring Duckett, Judith Brockenbrough McGuire, Bettie Taylor Phillips, Mrs. Ella K. Trader, Mrs. C.C. Oppenheim, and Mrs. A.H. Gay.

Americans wrote fiercely during the Civil War. War surprised, devastated, and opened up imagination, taking hold of Americans' words as well as their homes and families. The personal diary—wildly ragged yet rooted in day following day—was one place Americans wrote their war. Diaries, then, have become one of the best-known, most-used sources for exploring the life of the mind in a war-torn place and time. Delving into several familiar wartime diaries kept by women of the southern slave-owning class, Steven Stowe recaptures their motivations to keep the days close even as war tore apart the brutal system of slavery that had benefited them. Whether the diarists recorded thoughts about themselves, their opinions about men, or their observations about slavery, race, and warfare, Stowe shows how these women, by writing the immediate moment, found meaning in a changing world. In studying the inner lives of these unsympathetic characters, Stowe also explores the importance—and the limits—of historical empathy as a condition for knowing the past, demonstrating how these plain, first-draft texts can offer new ways to make sense of the world in which these Confederate women lived.

Exploring privileged Confederate women's wartime experiences, this book chronicles the clash of the old and the new within a group that was at once the beneficiary and the victim of the social order of the Old South.

"A stunning portrayal of a tragedy endured and survived by women." --David W. Blight, author of Frederick Douglass "Readers expecting hoop-skirted ladies soothing fevered soldiers' brows will not find them here...It explodes the fiction that men fight wars while women idle on the sidelines." --Washington Post "As McCurry points out in this gem of a book, many historians who view the American Civil War as a 'people's war' nevertheless neglect the actions of half the people." --James M. McPherson, author of Battle Cry of Freedom "In this brilliant exposition of the politics of the seemingly personal, McCurry illuminates previously unrecognized dimensions of the war's elemental impact." --Drew Gilpin Faust, author of This Republic of Suffering The idea that women are outside of war is a powerful myth in western culture, one that shaped the Civil War and still determines how we write about it today. Through three dramatic stories that span the course of the war, this groundbreaking reconsideration invites us to see America's bloodiest conflict for what it was: not just a brothers' war but a women's war. When Union soldiers faced the unexpected threat of female partisans, saboteurs, and spies, long held assumptions about the innocence of enemy women were suddenly thrown into question. Stephanie McCurry shows how the case of Clara Judd, imprisoned for treason, transformed the writing of Lieber's Code, leading to lasting changes in the laws of war. Black women's fight for freedom had no place in the Union military's emancipation plans. Facing a massive problem of governance as former slaves fled to their ranks, officers re-classified black women as "soldiers' wives"--whether or not they were married--placing new obstacles on their path to freedom. Finally, Women's War offers a new perspective on the epic human drama of Reconstruction through the story of one slaveholding woman, Gertrude Thomas, whose losses went well beyond the material to intimate matters of family, love, and belonging. Thomas's response mixed grief with rage, recasting white supremacy in new, still relevant, terms.

Originally published in 1920, this is a reprint of the 6th edition from 1927 of a collection of war time stories of the lifes of women from the South during the Civil War. Includes stories from the daily life to nursing and imprisonment.