Winner of the 2006 Caroline Bancroft History Prize "Impressively researched and highly readable, Barbara Handy-Marchello's analysis of North Dakota farm women's roles will become the standard by which other works on the subject will be judged." Paula M. Nelson, author of The Prairie Winnows Out Its Own In Women of the Northern Plains, Barbara Handy-Marchello tells the stories of the unsung heroes of North Dakota's settlement era: the farm women. As the men struggled to raise and sell wheat, the women focused on barnyard labor--raising chickens and cows and selling eggs and butter--to feed and clothe their families and maintain their households through booms and busts. Handy-Marchello details the hopes and fears, the challenges and successes of these women--from the Great Dakota Boom of the 1870s and '80s to the impending depression and drought of the 1930s. Women of the frontier willingly faced drudgery and loneliness, cramped and unconventional living quarters, the threat of prairie fires and fierce blizzards, and the isolation of homesteads located miles from the nearest neighbor. Despite these daunting realities, Dakota farm women cultivated communities among their distant neighbors, shared food and shelter with travelers, developed varied income sources, and raised large families, always keeping in sight the ultimate goal: to provide the next generation with rich, workable land. Enlivened by interviews with pioneer families as well as diaries, memoirs, and other primary sources, Women of the Northern Plains uncovers the significant and changing roles of Dakota farm women who were true partners to their husbands, their efforts marking the difference between success and failure for their families. Barbara Handy-Marchello is a history professor at the University of North Dakota. She has written articles on rural women and is the co-author of A History of the NDSU Seedstocks Project. She lives near Fargo, North Dakota.

Includes bibliographical references and index.

Covering a wide range of topics, this volume presents case studies which focus on particular aspects of the female condition in Plains Indian societies, mostly concentrated on tribal groups in the northern Plains region of the United States and Canada. The focus is primarily historical, dealing with the conditions of Plains Indian women in the pre-reservation period, but also contains selections concerned with the role and status of women in the modern reservation era.

Originally published: North Haven: Archon Books, 1995.

"The first comprehensive work highlighting the diversity of women's experiences on the North American Plains; twelve essays present women's perspectives from prehistory to the present, across the northern, central, and southern plains"--Provided by publisher.

Songprints, the first book-length exploration of the musical lives of Native American women, describes a century of cultural change and constancy among the Shoshone of Wyoming's Wind River Reservation. Through her conversations with Emily, Angelina, Alberta, Helene, and Lenore, Judith Vander captures the distinct personalities of five generations of Shoshone women as they tell their thoughts, feelings, and attitudes toward their music. These women, who range in age from seventy to twenty, provide a unique historical perspective on many aspects of twentieth-century Wind River Shoshone life. In addition to documenting these oral histories, Vander transcribes and analyzes seventy-five songs that the women sing--a microcosm of Northern Plains Indian music. She shows how each woman possesses her own songprint--a song repertoire distinctive to her culture, age, and personality, as unique in its configuration as a fingerprint or footprint. Vander places the five song repertoires in the context of Shoshone social and religious ceremonies to offer insights into the rise of the Native American Church, the emergence and popularity of the contemporary powwow, and the changing, enlarging role of women. Songprints also offers important new material on Ghost Dance songs and performances. Because the Ghost Dance was abandoned by the Wind River Shoshones in the 1930s, only Emily and Angelina saw it performed. Vander engages the two women--now in their sixties and seventies--in a discussion of the function and meaning of the Ghost Dance among the Wind River Shoshones. Thirteen Shoshone Ghost Dance song transcriptions accompany their accounts of past performances. The distinctive voices of these five women will captivate those interested in music, women's studies, ethnohistory, and ethnography, as well as ethnomusicologists, Native American scholars, anthropologists, and historians.

The Apsáalooke people, also known as the Crow, are noted for their bravery and artistry, twin pillars of a centuries-old culture rooted in the landscape of the Northern Plains. This book, published in conjunction with a multi-site exhibition jointly organized by the Field Museum and the Neubauer Collegium at the University of Chicago, offers a rich narrative of the Apsáalooke paste with a keen eye on issues that concern present-day Apsáalooke identity. Apsáalooke Women and Warriors features contributions by contemporary Apsáalooke artists, intellectuals, and writers. Together, they constitute a major statement on the cosmologies, iconographies, and lifeways of the Apsáalooke people past, present--and, above all--future.