Essay from the year 2014 in the subject American Studies - Culture and Applied Geography, grade: 5.0, Jan Kochanowski University of Humanities and Sciences in Kielce, language: English, abstract: In this society driven by the need to reproduce as much as one could – just to fight back the Communists, children were the obvious center of the suburban life, as well as the reason why so many families decided to leave big cities and transfer to these areas where the feeling of safety and community were dominant. And so – although contained in their suburban realms and living both the dream life of wife in modern house and a scared woman in the nuclear threat era, 1950’s housewives had another aspect to be aware of – the moral standards they had to keep up. [However] Beneath the illusion of happiness, women wanted more – more power, more control over their lives and above everything – more autonomy. But it was all forbidden and what is even worse – it was stuffed between the warped morality of 1950s and social standard empowered by the government, where male dominance resurfaced as if it were reborn in the pure form of Victorian society.

This book brings together the work of scholars and writer-practitioners of psychoanalysis to consider the legacy of two of Sigmund Freud's most important metapsychological papers: 'On Narcissism: An Introduction' (1914) and 'Mourning and Melancholia' (1917 [1915]). These twin papers, conceived in the context of unprecedented social and political turmoil, mark a point in Freud’s metapsychological project wherein the themes of loss and of psychic violence were becoming incontrovertible facts in the story of subject formation. Taking as their concern the difficulty of setting apart the ‘inner’ and the ‘outer’ worlds, as well as the difficulty of preserving an image of the coherently boundaried subject, the psychoanalytic frameworks of narcissism and melancholia provide the background coordinates for the volume’s contributors to analyse contemporary subjectivities in new psychosocial contexts. This collection will be of great interest to all scholars and practitioners of psychoanalysis and the psychotherapies, social and cultural theory, gender and sexuality studies, politics, and psychosocial studies.

In spring 2008, over 6000 assembled in Chicago to hear a counter-revolutionary call. John Piper. Mary Kassian. Joni Eareckson Tada. Karen Loritts. Janet Parshall. Nancy Leigh DeMoss. These voices launched the call to return to biblical womanhood. Thousands of women responded. Now they are the voices heard in communities, churches, and ministries worldwide. The True Woman Movement began. Experience the birth for the first time or relive True Woman ’08 with The Voices of the True Woman Movement. Read - John Piper’s compelling opening "The Ultimate Meaning of True Woman". Mary Kassian’s explanation of why the call is counter revolutionary in "You’ve come a Long Way Baby!" Joni Eareckson Tada’s confirmation that women are "God’s Jewels." Karen Loritts’ challenge to choose in "A Resolve to Believe." Janet Parshall ‘s description of "A Woman After God’s Own Heart." Nancy Leigh DeMoss charge of revival in "From Him, Through Him, To Him." Includes Going Deeper: A Guide for Personal Reflection and Small Group Discussion a robust 9-session study into a biblical way of thinking about womanhood.

Almost forgotten in the haze of events that followed Nagasaki and Hiroshima, the summer of 1945 witnessed an intense public debate over how best to end the war against Japan. Weary of fighting, the American people were determined to defeat the imperial power that had so viciously attacked them in December 1941, but they were uncertain of the best means to accomplish this goal. Certain of victory—the "inevitable triumph" promised by Franklin Roosevelt immediately after Pearl Harbor—Americans became increasingly concerned about the human cost of defeating Japan. Particularly after the brutal Iwo Jima and Okinawa campaigns, syndicated columnists, newspaper editorialists, radio commentators, and others questioned the necessity of invasion. A lengthy naval and aerial siege would have saved lives but might have protracted the war beyond the public's patience. Advertisers filled the media with visions of postwar affluence even as the government was exhorting its citizens to remain dedicated to the war effort. There was heated discussion as well about the morality of firebombing Japanese cities and of using poison gas and other agents of chemical warfare. Chappell provides a balanced assessment of all these debates, grounding his observations in a wealth of primary sources. He also discusses the role of racism, the demand for unconditional surrender, and the government's reaction to public opinion in the decision to drop the atomic bomb. Compelling and controversial, this is the first work to examine the confusing and contradictory climate of the American home front in the months leading up to V-J Day.

For centuries, law was used to subordinate women and exclude them from the public sphere, so it cannot be expected to become a source of equality instantaneously or without resistance from benchmark men—that is, those who are white, heterosexual, able-bodied and middle class. Equality, furthermore, was attainable only in the public sphere, whereas the private sphere was marked as a site of inequality; a wife, children and servants could never be the equals of the master. Despite their ambivalence about the role of law and its contradictions, women and Others felt that they had no alternative but to look to it as a means of liberation. This skewed patriarchal heritage, the subtext of this collection of essays, has continued to impede the quest for equality by women and Others. It informs not only gender relations in the private sphere, as illustrated by domestic violence and sexual assault, but also the status of women in the public sphere. Despite the fact that women have entered the paid workforce—including the professions—in large numbers, they are still expected to assume responsibility for the preponderance of society’s caring. The essays show how maternal and caring roles, which are still largely viewed as belonging to an unregulated private sphere, continue to be invoked to detract from the authority of the feminine in the public sphere. The promise of antidiscrimination legislation in overcoming the heritage of the past is also shown to be somewhat hollow.

A remarkable exploration of Wonder Woman’s creation, mysterious identity, and evolution—and her extraordinary impact on her legions of fans. For generations, Wonder Woman has been a symbol of equality and female empowerment, her complex saga deeply rooted within the feminist movement. A staple of the comic book industry, she is arguably the best-known female superhero of all time. In Wonder Woman: Warrior, Disrupter, Feminist Icon, Regina Luttrell details this legendary superhero’s origins, history, and evolution, from an ambassador of peace and love to the fiercest warrior in the DC Universe. Luttrell reveals how Wonder Woman’s journeys are a reflection of each wave within the feminist movement and how her impact on culture and society continues to be felt today. Wonder Woman has become the epitome of technological sophistication, globalization, and modern-day feminism. She is truly a warrior, a disrupter, and a feminist icon. Luttrell’s fascinating history includes the perspectives of famed feminist Gloria Steinem in her essay “Wonder Woman,” as well as personal interviews with creator William Moulton Marson’s surviving family members. Featuring a captivating examination of the oft-overlooked contributions of Marston’s life partners and inspirations Elizabeth Holloway Marston and Olive Byrne, Wonder Woman is an incredible, in-depth exploration of this iconic feminist superhero.

From the flapper to The Feminine Mystique, a cultural history of single women in the city through the reclaimed life of glamorous guru Marjorie Hillis. You’ve met the extra woman: she’s sophisticated, she lives comfortably alone, she pursues her passions unabashedly, and—contrary to society’s suspicions—she really is happy. Despite multiple waves of feminist revolution, today’s single woman is still mired in judgment or, worse, pity. But for a brief, exclamatory period in the late 1930s, she was all the rage. A delicious cocktail of cultural history and literary biography, The Extra Woman transports us to the turbulent and transformative years between suffrage and the sixties, when, thanks to the glamorous grit of one Marjorie Hillis, single women boldly claimed and enjoyed their independence. Marjorie Hillis, pragmatic daughter of a Brooklyn preacher, was poised for reinvention when she moved to the big city to start a life of her own. Gone were the days of the flirty flapper; ladies of Depression-era New York embraced a new icon: the independent working woman. Hillis was already a success at Vogue when she published a radical self-help book in 1936: Live Alone and Like It: A Guide for the Extra Woman. With Dorothy Parker–esque wit, she urged spinsters, divorcées, and “old maids” to shed derogatory labels and take control of their lives, and her philosophy became a phenomenon. From the importance of a peignoir to the joy of breakfast in bed (alone), Hillis’s tips made single life desirable and chic. In a style as irresistible as Hillis’s own, Joanna Scutts, a leading cultural critic, explores the revolutionary years following the Live-Alone movement, when the status of these “brazen ladies” peaked and then collapsed. Other innovative lifestyle gurus set similar trends that celebrated guiltless female independence and pleasure: Dorothy Draper’s interior design smash, Decorating Is Fun! transformed apartments; Irma Rombauer’s warm and welcoming recipe book, The Joy of Cooking, reassured the nervous home chef that she, too, was capable of decadent culinary feats. By painting the wider picture, Scutts reveals just how influential Hillis’s career was, spanning decades and numerous best sellers. As she refashioned her message with every life experience, Hillis proved that guts, grace, and perseverance would always be in vogue. With this vibrant examination of a remarkable life and profound feminist philosophy, Joanna Scutts at last reclaims Marjorie Hillis as the original queen of a maligned sisterhood. Channeling Hillis’s charm, The Extra Woman is both a brilliant exposé of women who forged their independent paths before the domestic backlash of the 1950s trapped them behind picket fences, and an illuminating excursion into the joys of fashion, mixology, decorating, and other manifestations of shameless self-love.