Woman and Modernity provides what previous studies of Salomé have in large part neglected to offer—a sustained investigation of the literariness of Salomé's texts and of Salomé as a significant reader of modernity. Focusing on key encounters in Salomé's writings, such as her exchanges with Nietzsche, Ibsen, Rilke, Freud, and late nineteenth-century middle-class German feminists such as Dohm and Stucker, Martin approaches Salomé's life and work as a series of strategic negotiations concerning the place of women and the meaning of femininity.

Comprehensive view of Andreas-Salomé's fictional works, focusing on her depictions of women and questions of narrative and identity. The writer and intellectual Lou Andreas-Salomé (1861-1937) fascinates scholars of German literature because of her associations with Nietzsche, Rilke, and Freud and because she was active in the cultural and intellectual vanguardof late 19th- and early 20th-century Germany and Austria. Recent editions of her fictional works have garnered wider attention from scholars of literature and theory, particularly those interested in women's studies, identity politics, and narrative theory. This study analyzes how Andreas-Salomé depicted women in her fictional works just as feminism was emerging, revealing a complex engagement with questions of narrative and identity. More than mere thematic explorations of women's changing roles in society, her works investigate the concept of identity and its relationship to gender, sexuality, and narrative representation. She is as concerned with a cultural crisis of femininityand masculinity as with the identity crises of her individual women characters. This book offers the best account of Andreas-Salomé's literary works, de-emphasizing biographical and psychoanalytical perspectives but taking into account the sociopolitical, historical, and cultural contexts in which they were written. It also adds to contemporary theoretical discourses on gender, feminism, and identity. Muriel Cormican is Professor of German at the University of West Georgia, Carrollton, Georgia.

The daughter of an illustrious Russian general, Lou von Salome left her home in the heart of Tsarist Russia to conquer intellectual Europe at the tender age of 18. Eventually settling in Germany, she became a best-selling novelist, a groundbreaking essayist, and a well-known literary critic. In addition to all this, Salome was a real-life muse for some of the most brilliant men of her time. This biography tells the story of Salome's entire life and career, focusing on her young adulthood; celibate marriage with linguistics scholar Carl Friedrich Andreas; rumored affairs with Friedrich Nietzsche, Rainier Maria Rilke, and several other authors and poets; and her relationship with Sigmund Freud, which was marked most notably by their contrasting views of psychoanalysis.

The first English translation of a presciently modern portrayal of emerging feminist sensibilities in a nineteenth-century family, by one of Germany's leading pre-First World War writers.

Originally published as: Die erotik. Frankfurt am Main: Literarische anstalt R'utten & Loening, 1910.

Lou Andreas-Salome (1861-1937) was a writer and disciple of Freud who became a practicing analyst. For over two decades she and Freud kept up an intensive correspondence. Freud found in her a perceptive appreciater and amplifier of his ideas, and Frau Andreas found him a sympathetic critic of her own. Their exchanges on theoretical topics and clinical experiences, their admiring friendship, and the glimpses of their personalities make this collection invaluable for readers interested in the history of psychoanalysis. The book includes an introduction and notes by Ernst Pfeiffer, Lou Andreas-Salome's literary executor.

This book presents critical essays written by a woman contemporary of Ibsen's, detailing her thoughts on the depiction of women in Ibsen's plays and women's confined roles in society at the end of the nineteenth century.