As the first survey of the history of women in Russia to be published in any language, this book is itself an historic event -- the result of the collaboration of the leading Russian and American specialists on Russian women's history. The book is divided in to four chronological parts corresponding to eras of Russian history: (I) Kievan/Mongol (10th - 15th centuries); (II) Muscovite ( 16th - 17th centuries); (III) 18th century; and (IV) 19th - early 20th centuries. Each part gives coverage to four main topics: (1) The role of prominent women in public life, with biographical sketches of women who attained prominence in political or cultural life; (2) Women's daily life and family roles; (3) Women's status under the law; (4) Material culture and in particular women's dress as an expression of their place in society.

As the first survey of the history of women in Russia to be published in any language, this book is itself an historic event -- the result of the collaboration of the leading Russian and American specialists on Russian women's history. The book is divided in to four chronological parts corresponding to eras of Russian history: (I) Kievan/Mongol (10th - 15th centuries); (II) Muscovite ( 16th - 17th centuries); (III) 18th century; and (IV) 19th - early 20th centuries. Each part gives coverage to four main topics: (1) The role of prominent women in public life, with biographical sketches of women who attained prominence in political or cultural life; (2) Women's daily life and family roles; (3) Women's status under the law; (4) Material culture and in particular women's dress as an expression of their place in society.

"This collection of essays examines the lives of women across Russia--from wealthy noblewomen in St Petersburg to desperately poor peasants in Siberia--discussing their interaction with the Church and the law, and their rich contribution to music, art, literature and theatre. It shows how women struggled for greater autonomy and, both individually and collectively, developed a dynamic presence in Russia's culture and society"--Publisher's description.

If you were an independent, adventurous, liberated American woman in the 1920s or 1930s where might you have sought escape from the constraints and compromises of bourgeois living? Paris and the Left Bank quickly come to mind. But would you have ever thought of Russia and the wilds of Siberia? This choice was not as unusual as it seems now. As Julia L. Mickenberg uncovers in American Girls in Red Russia, there is a forgotten counterpoint to the story of the Lost Generation: beginning in the late nineteenth century, Russian revolutionary ideology attracted many women, including suffragists, reformers, educators, journalists, and artists, as well as curious travelers. Some were famous, like Isadora Duncan or Lillian Hellman; some were committed radicals, though more were just intrigued by the “Soviet experiment.” But all came to Russia in search of social arrangements that would be more equitable, just, and satisfying. And most in the end were disillusioned, some by the mundane realities, others by horrifying truths. Mickenberg reveals the complex motives that drew American women to Russia as they sought models for a revolutionary new era in which women would be not merely independent of men, but also equal builders of a new society. Soviet women, after all, earned the right to vote in 1917, and they also had abortion rights, property rights, the right to divorce, maternity benefits, and state-supported childcare. Even women from Soviet national minorities—many recently unveiled—became public figures, as African American and Jewish women noted. Yet as Mickenberg’s collective biography shows, Russia turned out to be as much a grim commune as a utopia of freedom, replete with economic, social, and sexual inequities. American Girls in Red Russia recounts the experiences of women who saved starving children from the Russian famine, worked on rural communes in Siberia, wrote for Moscow or New York newspapers, or performed on Soviet stages. Mickenberg finally tells these forgotten stories, full of hope and grave disappointments.

This volume charts the changing aspects of gender in Russia's cultural and social history from the late seventeenth century to the Stalinist era and the collapse of the Soviet Union. The works, while focusing on women as a primary subject, highlight in particular gender difference, the construction of both femininity and masculinity in a culture that has undergone major transformation and disruptions over the period of three centuries.

Soviet Women in Combat explores the unprecedented historical phenomenon of Soviet young women's en masse volunteering for World War II combat in 1941 and writes it into the twentieth-century history of women, war, and violence. The book narrates a story about a cohort of Soviet young women who came to think about themselves as "women soldiers" in Stalinist Russia in the 1930s and who shared modern combat, its machines, and commanding positions with men on the Eastern front between 1941 and 1945. The author asks how a largely patriarchal society with traditional gender values such as Stalinist Russia in the 1930s managed to merge notions of violence and womanhood into a first conceivable and then realizable agenda for the cohort of young female volunteers and for its armed forces. Pursuing the question, Krylova's approach and research reveals a more complex conception of gender identities.

Women have participated in war throughout history, but their experience in Russia during the First World War was truly exceptional. Between the war's beginning and the October Revolution of 1917, approximately 6,000 women answered their country's call as the army was faced with insubordination and desertion in the ranks while the provisional government prepared for a new offensive. These courageous women became media stars throughout Europe and America, but were brushed aside by Soviet chroniclers and until now have been largely neglected by history. Laurie Stoff draws on deep archival research into previously unplumbed material, including many first-person accounts, to examine the roots, motivations, and legacy of these women. She reveals that Russia was the only nation in World War I that systematically employed women in the military, marking the first time that a government run by men had organized women for combat. And although they were originally envisioned as propaganda—promoting patriotism and citizenship to inspire the thousands of males who had been deserting or refusing to fight—Russian women also proved themselves more than capable in combat. Describing the formation, provisioning, and training of the units, Stoff sheds light on their social and educational backgrounds, while recounting a number of amazing individual stories. She tells how Maria Bochkareva, commander of the First Russian Women's Battalion of Death, and her unit met its baptism of fire in combat and how Bochkareva later traveled to the U.S. and met President Wilson. Within these pages, we also meet Maria Bocharnikova, who served with the First Petrograd Women's Battalion that defended the Winter Palace during the Bolshevik Revolution and whose detailed account of her experience dispels much of the misinformation concerning that storied event. Stoff also chronicles the exploits of the Second Moscow Women's Battalion of Death, Third Kuban Women's Shock Battalion, and the First Women's Naval Detachment, all within the context of Russian society, the Revolution, and the war itself. Enhancing and informing this presentation are more than two dozen historic photos. Stoff's remarkable account rescues from oblivion an important but still little-known aspect of Russia's experience in World War I. It also provides new insights into gender roles during a pivotal period of Russia's development and, more broadly speaking, resonates with the current debates over the role of women in warfare.