Despite sixteen years of civil war that left 150,000 dead, 425,000 injured, and nearly a million refugees within their own country, many Lebanese women successfully protected their national heritage and helped to restore order within their society. They formed schools and clinics, preserved historic ruins, and produced art that expressed the anguish and loss of their people. In this book, 42 Lebanese women from arts and literature, education, government, law, social work, the media, business and medicine discuss the effects of war on their careers and humanitarian efforts, their personal lives and families. Many of these women lost relatives and homes. In spite of such devastation, their stories confirm the power of endurance and also convey the significance of women's issues within Lebanon. These 42 poignant interviews with educated, successful women reveal their strength and the importance of culture and diversity within Lebanon.

Evelyn C. Shakir paints tales that are rich in history and background. She sets her stories in different eras, from the 1960s to the present, peopled with Lebanese women of different ages, sometimes writing letters, often reminiscing, looking back as far as the turn of the century. In different ways, these first and second-generation women struggle with feminist issues overshadowed by the demands of dual cultures. In Young Ali a teenager tries to listen to her beloved father’s time-honored tales of males in friendship and marriage. Aggie of House Calls is a deceased matriarch who returns to haunt her family with reminders of the customs she fought to uphold while alive. Shakir’s other heroines include a thrice-divorced thirty-year-old woman quibbling with a modern matchmaker, an elderly non-Lebanese woman who spies on Muslim neighbors in the wake of 9/11, and a traditional wife and mother who thinks she has found a route out of Old World womanly duties. Many of the authors’s women grapple with reclaiming or abandoning ancestral demands, and finessing age-old male-female relationships. In Oh, Lebanon a war-haunted Lebanese-born woman willfully departs from the mores of her upbringing, with surprising results. With agile humor and emotional truth, Shakir offers multiple perspectives on Lebanese women trying to change roles in a new landscape without surrendering cultural identity.

This book analyses the reasons for women’s participation in the various Lebanese and Palestinian militias involved in the Lebanese Civil War (1975-1990). Whilst most existing accounts of the Civil War in Lebanon either overlook the roles and experiences of women entirely or focus on women as victims or peacemakers only, ‘Women and the Lebanese Civil War’ highlights that women were involved as militants (and often also as fighters) in all of the militias partaking in the war. Analysing individual motivations, organisational characteristics, security-related aspects and societal factors, the book explains why women were included as fighters in some of the militias but not in others. Based on extensive fieldwork in Lebanon, the book is the first comprehensive study of female perpetrators and supporters of political violence during the Lebanese Civil War. Beyond the case of Lebanon, it questions widespread assumptions about the roles of women at times of violent conflict and war.

"This work is totally original; indeed, it pioneers a new field. . . . A remarkable account of a dimension of war that is much neglected. . . . It is deeply passionate yet non-judgmental. It raises profound questions about the pacific 'nature' of women as they find themselves in the painful circumstance of contradiction and crisis. This book truly becomes an historical record of these tragic years."--Richard A. Lobban, Jr., Rhode Island College These authors examine the impact on women of the 1975-90 civil war in Lebanon, the lengthiest and bloodiest in its recent history. While they describe war as a more potent oppressor of women than of men, they also credit it with offering women liberation from all forms of social strictures. The authors also refute the assumption that women are pacifists by nature, contending that women are as aggressive and militarily active as men, given the same conditions. I. Introduction 1. Introduction 2. History of the War 3. Women before the War II. The Public Sphere 4. Women in the Public Sphere, by Lamia Rustum Shehadeh III. Creative Women 5. Mapping Peace, by Miriam Cooke 6. A Panorama of Lebanese Women Writers, 1975-1995, by Mona Takieddine Amyuni 7. Lebanon Mythologized or Lebanon Deconstructed: Two Narratives of National Consciousness, by Elise Salem Manganaro 8. Art, the Chemistry of Life, by Lamia Rustum Shehadeh IV. Women at War 9. Women in the Lebanese Militias, by Lamia Rustum Shehadeh 10. Lebanese Shii Women and Islamism: A Response to War, by Maria Holt 11. Maman Aida--A Lebanese Godmother of the Combatants, by Kari H. Karame 12. From Gunpowder to Incense, by Jocelyn Khweiri V. Foreign Women 13. Profiles of Foreign Women in Lebanon during the Civil War, by Mary Bentley Abu Saba VI. Psychological Sequelae 14. War Trauma and Women, by Leila Farhood 15. Women and the Lebanon Wars: Depression and Post-Traumatic Stress Disorder, by Elie G. Karam 16. Gender Dual Diagnosis of Psychiatric Illness and Substance Abuse, by P. Yabroudi, E. G. Karam, A. Chami, A. Karam, M. Majdalani, and V. Zebouni VII. Conclusion A War of Survival, by E. G. Karam, N. Melhem and S. Saliba Lamia Rustum Shehadeh is associate professor of cultural studies at the American University of Beirut. She is the editor of several collections of writings of the Arab historian Asad J. Rustum and has published articles in International Journal of Middle Eastern Studies, Al-Raida, and Feminist Issues.

Combining insider and outsider perspectives, Women in Lebanon looks at Christian and Muslim women living together in a multicultural society and facing modernity. While the Arab Spring has begun to draw attention to issues of change, modernity, and women's subjectivity, this manuscript takes a unique approach to examining and describing the Lebanese "alternative modernities" thesis and how it has shaped thinking about the meaning of terms like evolution, progress, development, history, and politics in contemporary Arab thought. The author draws on extensive ethnographic research, as well as her own personal experience.

This book argues that women are caught between sect and nation in Lebanon due to the division between religious and civil law. Consequently, a dual struggle is necessary, the first for women's equal political and civil rights and the second for women's equal legal rights in relation to personal status law.

When women took to the streets during the mass protests of the Arab Spring, the subject of feminism in the Middle East and North Africa returned to the international spotlight. In the subsequent years, countless commentators treated the region’s gender inequality as a consequence of fundamentally cultural or religious problems. In so doing, they overlooked the specifically political nature of these women’s activism. Moving beyond such culturalist accounts, this book turns to the relations of power in regional and international politics to understand women’s struggles for their rights. Based on over a hundred extensive personal narratives from women of different generations in Egypt, Jordan, and Lebanon, Nicola Pratt traces women’s activism from national independence through to the Arab uprisings, arguing that activist women are critical geopolitical actors. Weaving together these personal accounts with the ongoing legacies of colonialism, Embodying Geopolitics demonstrates how the production and regulation of gender is integrally bound up with the exercise and organization of geopolitical power, with consequences for women’s activism and its effects.