This book reconstructs the economic thought of Italian women who produced written sources, and of those whose “only” legacy was their actions. The conceptual tools of economic history and the history of economic thought alike are used to reveal the economic ideas of women overlooked by historiography in four fields, namely as entrepreneurs, workers, educators, and politicians. As for the entrepreneurs, the book examines the businesswoman Isabella De Mari Doria (eighteenth century) and other figures active in both the industrialized and the informal sectors in the nineteenth century. The important issues of female employment and wage discrimination based on gender are analyzed, taking into account the debates of the period. In turn, the role of women in economic education in the first half of the twentieth century is reconstructed through the figure of Aurelia Josz, an educational entrepreneur who trained female agricultural entrepreneurs, managers, and teachers, and by exploring the presence of women at universities, both as students of economics and as educators and researchers. Lastly, the book takes a closer look at women involved in politics who dealt with economic issues: the socialist Anna Kuliscioff, the fascist Margherita Grassini Sarfatti, and the 21 women who took part in the Italian Constituent Assembly in June 1946. Given its scope, the book appeals to scholars and students of the history of economic thought, economic history, and women’s studies.

In contrast to much current scholarship on women and material culture which focuses primarily on women as consumers, this essay collection provides case studies of women who produced material objects. The essays collected here make an original contribution to material culture studies by focusing on women's social practices in relation to material culture. The essays as a whole are concerned with women's complex and active engagement with material culture in the various stages of the material object's life cycle, from design and production to consumption, use, and redeployment. Also, theorized and described are the ways in which women engaged in meaning making, identity formation, and commemoration through their manipulation of materials and techniques, ranging from taxidermy and shell work to collecting autographs and making scrapbooks. This volume takes as its object of investigation the overlooked and often despised categories of women's decorative and craft activities as sites of important cultural and social work. This volume is interdisciplinary with essays by art historians, social historians, literary critics, rhetoricians, and museum curators. The scope of the volume is international with essays on eighteenth-century German silhouettes, Australian aboriginal ritual practices, Brittany mourning rites, and Soviet-era recipes that provide a comparative framework for the majority of essays which focus on British and North American women who lived and worked in the long nineteenth century. This volume will appeal to a broad range of students and scholars in women's history, art history, cultural studies, museum studies, anthropology, cultural and social history, literature, rhetoric, and material culture studies.

With the volume's global perspective and comparative framework, this collection contributes to the ongoing scholarly examination of consumption by taking the topic of women, material culture, and consumption into new arenas. The essays explore the connections between consumption and subjectivity; they build upon and complicate the idea that consumption, as a form of meaning making, is key to the construction of gendered, classed, and national identities. Providing a cross-cultural perspective on consumption, the essays are historically specific case studies. While some essays examine women's consumption in a range of Anglophone and Francophone locations, primarily in Britain, France, Australia, Canada, and the US, other essays on Chinese, Senegalese, Indian, and Mexican women's consumption, particularly as it relates to fashion and design, provide a comparative framework that will recalibrate ongoing discussions about consumption and domesticity, dress and identity, and desire and subjectivity. In addition to its focus on gender and consumption, this volume addresses gender and collecting, exploring the tensions between accumulation and systematic collecting. Also examined is the way in which the display of collected objects?in Impressionists' paintings, in mass-produced illustrations, in the glass cases of museums and department stores?participates in the construction of particular identities as well as serving as a kind of value-producing material practice.

Love, Honour, and Jealousy investigates the impact of the Italian economic miracle of the 1950s and 1960s on intimate life. Just as Italy was rapidly forged into an urban, industrial nation in these years, the ways in which Italians thought about family, love, and marriage were transformed by migration and modern consumer culture. At the core of this book lies the investigation of almost one hundred and fifty unpublished diaries and memoirs written by ordinary men and women who were coming of age during these years. These personal testimonies reveal unique insights into the experiences, thoughts, and feelings of those who came of age against the backdrop of a rapidly changing Italy. The personal stories are explored alongside the films, magazines, and music of the time, which were saturated with both new and old ideas of romance. Films and magazines encouraged young Italians to put romantic love and individual desire over family, contributing to changing expectations about marriage, and often resulting in family tensions. At the same time popular love stories were frequently laced with jealousy, hinting at the darker emotions that were linked in many minds, to love. This darker side was a significant part of the story of changing ideas about intimacy in post-war Italy, as was the growing desire to marry for love. Control and violence against women was closely linked to southern ideas about family honour but also to anxieties about Italy's changing society, which manifested itself in romantic jealousy. Through its exploration of courtship, marriage, honour crime, forced marriage, jealousy, and marriage breakdown, Love, Honour, and Jealousy traces the ways in which the lives both of individuals and of the nation itself, were shaped by changing understandings of romantic love and its darker companions, honour and jealousy.

In this delicious book, noted food scholar Carole M. Counihan presents a compelling and artfully told narrative about family and food in late 20th-century Florence. Based on solid research, Counihan examines how family, and especially gender have changed in Florence since the end of World War II to the present, giving us a portrait of the changing nature of modern life as exemplified through food and foodways.

The mentally ill have always been with us, but once confined in institutions their treatment has not always been of much interest or concern. This work makes a case for why it should be. Using published reports, studies, and personal narratives of doctors and patients, this book reveals how therapeutics have always been embedded in their particular social and historical moment, and how they have linked extant medical knowledge, practitioner skill and the expectations of patients who experienced their own disorders in different ways. Asylum therapeutics during three centuries are detailed in encyclopedic entries, including "awakening" patients with firecrackers, easing brain congestion by bleeding, extracting teeth and excising parts of the colon, dousing with water, raising or lowering body temperature, shocking with electricity or toxins, and penetrating the brain with ice picks.