"This book is a critical addition to scholarship in women's, Canadian, Native, and religious studies, and contributes to the growing Canadian and international literature on post-colonialism and gender." --Résumé de l'éditeur.

What does it mean when God is presented as male? What does it mean when - from our internal assumptions to our shared cultural imaginings - God is presented as white? These are the urgent questions Chine McDonald asks in a searing look at her experience of being a Black woman in the white-majority space that is the UK church - a church that is being abandoned by Black women no longer able to grin and bear its casual racism, colonialist narratives and lack of urgency on issues of racial justice. Part memoir, part social and theological commentary, God Is Not a White Man is a must-read for anyone troubled by a culture that insists everyone is equal in God's sight, yet fails to confront white supremacy; a lament about the state of race and faith, and a clarion call for us all to do better. 'This book is much-needed medicine for a sickness that we cannot ignore.' - The Most Rev. Michael B. Curry

Biblical Christianity is not just for white Westerners—it's good news for all of us. Theologian and community activist Antipas L. Harris responds to young Americans who struggle with the perception that Christianity is detached from matters of justice, identity, and culture, affirming that the Bible promotes equality for all people.

Between 1860 and 1940, Anglican missionaries were very active in northern British Columbia, Yukon, and the Northwest Territories. To date, histories of this mission work have largely focused on men, while the activities of women – either as missionary wives or as missionaries in their own right – have been seen as peripheral at best, if not completely overlooked. Based on diaries, letters, and mission correspondence, Women and the White Man’s God is the first comprehensive examination of women’s roles in northern domestic missions. The status of women in the Anglican Church, gender relations in the mission field, and encounters between Aboriginals and missionaries are carefully scrutinized. Arguing that the mission encounter challenged colonial hierarchies, Rutherdale expands our understanding of colonization at the intersection of gender, race, and religion. This book is a critical addition to scholarship in women’s, Canadian, Native, and religious studies, and complements a growing body of literature on gender and empire in Canada and elsewhere.

Mixed Blessings transforms our understanding of the relationship between Indigenous people and Christianity in what is now Canada. While acknowledging the harm of colonialism, including the trauma inflicted by church-run residential schools, this book challenges the portrayal of Indigenous people as passive victims of malevolent missionaries who experienced a uniformly dark history. Instead, it illuminates the diverse and multifaceted ways that Indigenous communities and individuals across Canada have interacted, and continue to interact, meaningfully with Christianity from the early 1600s to the present. Ranging widely across time and place, these insightful case studies explore how and why some Indigenous people – including Louis Riel and Edward Ahenakew – historically aligned themselves with Christianity while others did not. It also plumbs the processes and politics involved in combining spiritual traditions and reflects on the role of Christianity in Indigenous communities today.

How is it that in America the image of Jesus Christ has been used both to justify the atrocities of white supremacy and to inspire the righteousness of civil rights crusades? In The Color of Christ, Edward J. Blum and Paul Harvey weave a tapestry of American dreams and visions--from witch hunts to web pages, Harlem to Hollywood, slave cabins to South Park, Mormon revelations to Indian reservations--to show how Americans remade the Son of God visually time and again into a sacred symbol of their greatest aspirations, deepest terrors, and mightiest strivings for racial power and justice. The Color of Christ uncovers how, in a country founded by Puritans who destroyed depictions of Jesus, Americans came to believe in the whiteness of Christ. Some envisioned a white Christ who would sanctify the exploitation of Native Americans and African Americans and bless imperial expansion. Many others gazed at a messiah, not necessarily white, who was willing and able to confront white supremacy. The color of Christ still symbolizes America's most combustible divisions, revealing the power and malleability of race and religion from colonial times to the presidency of Barack Obama.