Around the middle of the 19th century, woman emerges as a new sign disrupting the cultural economy of Bengal and reversing and realigning conventional notions and expectations of woman's agency and power. The colonial interface would have been important because a need for women's overall development was felt amongst the male intelligentsia of the period and some of the key texts that circulated at the beginning of the 19th century were Mary Wollstonecraft's Vindication of the Rights of Woman (1792), Thomas Paine's Rights of Man (1791), James Mill's History of British India (1817), Richard Carlile's Every Woman's Book (1826) and William Thompson's Appeal of One Half the Human Race, Women, against the Pretensions of the Other Half, Men (1825). The inaugural moment of this outstanding efflorescence of women's writing in polemics, travel writing, autobiography and journal articles could be said to begin with Kailashbasini Devi's Hindu Mahilaganer Heenabastha (The Woeful Plight of Hindu Women, 1863), in autobiographies like Rassundari Devi's Amar Jiban (My Life, 1876) and Binodini Dasi's Amar Katha (My Words, 1913) and in personalised travelogues like Krishnabhabini Das's Englande Banga Mahila (A Bengali Woman in England, 1885). As Kailashbasini, Rassundari, Krishnabhabini and Binodini write, the romance of the word, the romance of learning and self-realisation is enacted. A new dramatic script emerges as Bengali women become the scriptwriters of their own histories.

“Women of the Word will help all who read it to find their way deeper into the Word of God without having to be seminary educated, a genius, or even an especially good student.” —Kathy Keller We all know it’s important to study God’s Word. But sometimes it’s hard to know where to start. What’s more, a lack of time, emotionally driven approaches, and past frustrations can erode our resolve to keep growing in our knowledge of Scripture. How can we, as Christian women, keep our focus and sustain our passion when reading the Bible? With over 250,000 copies sold, Women of the Word has helped countless women with a clear and concise plan they can use every time they open their Bible. Featuring the same content as the first edition, and now with added study questions at the end of each chapter, this book equips you to engage God’s Word in a way that trains your mind and transforms your heart.

Disciple Matthew, a former tax collector, is invited to work with Peter, James, and John in Jerusalem. He dreams of preaching and performing miracles like his fellow apostles, but he finds his dreams postponed because of a request from Yeshua's mother. Well aware of the passing years, Mary asks Matthew to help her record the stories of Yeshua while the eyewitnesses are still alive. Reluctantly, he agrees, though the longer he and Mary work together, the more difficult their task becomes. Not only are they pressured by opposition from friends and foes alike, but Gaius Caesar, better known as Caligula, is determined to raise a statue of himself in the Holy Temple, even if it means killing every man in Israel. As Matthew works to save his people, Mary encourages him to come to terms with issues from his past. When they finally near the completion of their project, Matthew realizes that the job he reluctantly accepted might be his God-given destiny.

After a decade apart, childhood sweethearts reconnect by chance in New York Times bestselling author Christina Lauren’s touching, romantic novel Love and Other Words…how many words will it take for them to figure out where it all went wrong? The story of the heart can never be unwritten. Macy Sorensen is settling into an ambitious if emotionally tepid routine: work hard as a new pediatrics resident, plan her wedding to an older, financially secure man, keep her head down and heart tucked away. But when she runs into Elliot Petropoulos—the first and only love of her life—the careful bubble she’s constructed begins to dissolve. Once upon a time, Elliot was Macy’s entire world—growing from her gangly bookish friend into the man who coaxed her heart open again after the loss of her mother...only to break it on the very night he declared his love for her. Told in alternating timelines between Then and Now, teenage Elliot and Macy grow from friends to much more—spending weekends and lazy summers together in a house outside of San Francisco devouring books, sharing favorite words, and talking through their growing pains and triumphs. As adults, they have become strangers to one another until their chance reunion. Although their memories are obscured by the agony of what happened that night so many years ago, Elliot will come to understand the truth behind Macy’s decade-long silence, and will have to overcome the past and himself to revive her faith in the possibility of an all-consuming love.

Book #1 of The Devil's Duke Lady Constance Read is independent, beautiful, and in need of a husband—now. The last man on earth she wants is the rogue who broke her heart six years ago, never mind that his kisses are scorching hot . . . Evan Saint-André Sterling is rich, scarred, and finished with women—forever. He's not about to lose his head over the bewitching beauty who once turned his life upside down. But Constance needs a warrior, and Saint is the perfect man for the job. Only as a married woman can she penetrate Scotland's most notorious secret society and bring a diabolical duke to justice. When Constance and Saint become allies—and passionate lovers—he'll risk everything to protect the only woman he has ever loved.

Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.

This engaging book probes the meaning of salvation--peace, forgiveness, grace, reconciliation--spoken of in the New Testament as a "mystery". (back cover).