Based on original research with Irish women both at home and in England, this book explores how questions of mobility and stasis are recast along gender, class, racial and generational lines.

"In Ireland, the Great Famine was a period of mass starvation, disease and emigration between 1845 and 1852. It is also known, mostly outside Ireland, as the Irish Potato Famine. In the Irish language it is called an Gorta Mór (IPA: [n t mo?], meaning "the Great Hunger") or an Drochshaol ([n dxhi?l], meaning "the bad life"). During the famine approximately 1 million people died and a million more emigrated from Ireland, causing the island's population to fall by between 20% and 25%."--Wikipedia.

Notions of diaspora are central to contemporary debates about 'race', ethnicity, identity and nationalism. Yet the Irish diaspora, one of the oldest and largest, is often excluded on the grounds of 'whiteness'. Outsiders Inside explores the themes of displacement and the meanings of home for these women and their descendants. Juxtaposing the visibility of Irish women in the United States with their marginalization in Britain, Bronwen Walter challenges linear notions of migration and assimilation by demonstrating that two forms of identification can be held simultaneously. In an age when the Northern Ireland peace process is rapidly changing global perceptions of Irishness, Outsiders Inside moves the empirical study of the Irish diaspora out of the 'ghetto' of Irish Studies and into the mainstream, challenging theorists and policy-makers to pay attention to the issue of white diversity.

How diaspora activism in the Irish land movement intersected with wider radical and reform causes The Irish Land War represented a turning point in modern Irish history, a social revolution that was part of a broader ideological moment when established ideas of property and land ownership were fundamentally challenged. The Land War was striking in its internationalism, and was spurred by links between different emigrant locations and an awareness of how the Land League’s demands to lower rents, end evictions, and abolish “landlordism” in Ireland connected with wider radical and reform causes. Changing Land offers a new and original study of Irish emigrants’ activism in the United States, Argentina, Scotland, and England and their multifaceted relationships with Ireland. Niall Whelehan brings unfamiliar figures to the surface and recovers the voices of women and men who have been on the margins of, or entirely missing from, existing accounts. Retracing their transnational lives reveals new layers of radical circuitry between Ireland and disparate international locations, and demonstrates how the land movement overlapped with different types of oppositional politics from moderate reform to feminism to revolutionary anarchism. By including Argentina, which was home to the largest Irish community outside the English-speaking world, this book addresses the neglect of developments in non-Anglophone places in studies of the “Irish world.” Changing Land presents a powerful addition to our understanding of the history of modern Ireland and the Irish diaspora, migration, and the history of transnational radicalism.

Art, Ireland and the Irish Diaspora reveals a labyrinth of social and cultural connections that conspired to create and sustain an image of Ireland for the nation and for the Irish diaspora between 1893 and 1939. This era saw an upsurge of interest among patrons and collectors in New York and Chicago in the 'Irishness' of Irish art, which was facilitated by gallery owners, émigrés, philanthropists, and art-world celebrities. Leading Irish art historian, Éimear O'Connor, explores the ongoing tensions between those in Ireland and the expatriate community in the US, split as they were between tradition and modernity, and between public expectation and political rhetoric, as Ireland sought to forge a post-Treaty international identity through its visual artists. Featuring a glittering cast of players including Jack. B. Yeats, George Russell (AE), Lady Gregory, and Seán Keating, and richly illustrated in colour with images from archives on both sides of the Atlantic, Art, Ireland and the Irish Diaspora presents a wealth of new research, and draws together, for the first time, a series of themes that bound the Dublin art scene with that in New York and Chicago through complex networks and contemporary publications at an extraordinary time in Ireland's history.

In the century between the Napoleonic Wars and the Irish Civil War, more than seven million Irish men and women left their homeland to begin new lives abroad. While the majority settled in the United States, Irish emigrants dispersed across the globe, many of them finding their way to another “New World,” Australia. Ireland’s New Worlds is the first book to compare Irish immigrants in the United States and Australia. In a profound challenge to the national histories that frame most accounts of the Irish diaspora, Malcolm Campbell highlights the ways that economic, social, and cultural conditions shaped distinct experiences for Irish immigrants in each country, and sometimes in different parts of the same country. From differences in the level of hostility that Irish immigrants faced to the contrasting economies of the United States and Australia, Campbell finds that there was much more to the experiences of Irish immigrants than their essential “Irishness.” America’s Irish, for example, were primarily drawn into the population of unskilled laborers congregating in cities, while Australia’s Irish, like their fellow colonialists, were more likely to engage in farming. Campbell shows how local conditions intersected with immigrants’ Irish backgrounds and traditions to create surprisingly varied experiences in Ireland’s new worlds. Outstanding Book, selected by the American Association of School Librarians, and Best Books for Special Interests, selected by the Public Library Association “Well conceived and thoroughly researched . . . . This clearly written, thought-provoking work fulfills the considerable ambitions of comparative migration studies.”—Choice