This book investigates the critical importance of women to the eighteenth-century debate on property as conducted in the fiction of the period. April London argues that contemporary novels advanced several, often conflicting, interpretations of the relation of women to property, ranging from straightforward assertions of equivalence between women and things to subtle explorations of the self-possession open to those denied a full civic identity. Two contemporary models for the defining of selfhood through reference to property structure the book, one historical (classical republicanism and bourgeois individualism), and the other literary (pastoral and georgic). These paradigms offer a cultural context for the analysis of both canonical and less well-known writers, from Samuel Richardson and Henry Mackenzie to Clara Reeve and Jane West. While this study focuses on fiction from 1740–1800, it also draws on the historiography, literary criticism and philosophy of the period, and on recent feminist and cultural studies.

In the early eighteenth century, the household accountant was traditionally female. Socio-linguistic acts of feminized accounting are examined alongside property, originality, and the development of the early novel.

Women, Property, and the Letters of the Law in Early Modern England turns to these points of departure for the study of women's legal status and property relationships in the early modern period.

This book analyzes why the most influential novelists of the long eighteenth century centered their narratives on the theory and practice of gift exchange. Throughout this period, fundamental shifts in economic theories regarding the sources of individual and national wealth along with transformations in the practices of personal and institutional charity profoundly altered cultural understandings of the gift's rationale, purpose, and function. Drawing on materials such as sermons, conduct books, works of political philosophy, and tracts on social reform, Zionkowski challenges the idea that capitalist discourse was the dominant influence on the development of prose fiction. Instead, by shifting attention to the gift system as it was imagined and enacted in the formative years of the novel, the volume offers an innovative understanding of how the economy of obligation shaped writers' portrayals of class and gender identity, property, and community. Through theoretically-informed readings of Richardson's Clarissa and Sir Charles Grandison, Burney's Cecilia and The Wanderer, and Austen's Mansfield Park and Emma, the book foregrounds the issues of donation, reciprocity, indebtedness, and gratitude as it investigates the conflicts between the market and moral economies and analyzes women's position at the center of these conflicts. As this study reveals, the exchanges that eighteenth-century fiction prescribed for women confirm the continuing power and importance of gift transactions in the midst of an increasingly commercial culture. The volume will be essential reading for scholars of the eighteenth-century novel, economic literary criticism, women and gender studies, and book history.

In A Woman's Kingdom, Michelle Lamarche Marrese explores the development of Russian noblewomen's unusual property rights. In contrast to women in Western Europe, who could not control their assets during marriage until the second half of the nineteenth century, married women in Russia enjoyed the right to alienate and manage their fortunes beginning in 1753. Marrese traces the extension of noblewomen's right to property and places this story in the broader context of the evolution of private property in Russia before the Great Reforms of the 1860s. Historians have often dismissed women's property rights as meaningless. In the patriarchal society of Imperial Russia, a married woman could neither work nor travel without her husband's permission, and divorce was all but unattainable. Yet, through a detailed analysis of women's property rights from the Petrine era through the abolition of serfdom in 1861, Marrese demonstrates the significance of noblewomen's proprietary power. She concludes that Russian noblewomen were unique not only for the range of property rights available to them, but also for the active exercise of their legal prerogatives.A remarkably broad source base provides a solid foundation for Marrese's conclusions. These sources comprise more than eight thousand transactions from notarial records documenting a variety of property transfers, property disputes brought to the Senate, noble family papers, and a vast memoir literature. A Woman's Kingdom stands as a masterful challenge to the existing, androcentric view of noble society in Russia before Emancipation.

A critical history of the laws governing married women's property in England. Analyzing the laws and the ideology underpinning them, Staves (English, Brandeis U.) shows that while the judges had some room to maneuver, they chose to act on (and act out) their own prejudices. Annotation copyrighted by Book News, Inc., Portland, OR

A clearly written account of the development of the novel over the course of the long eighteenth century.