A selection of documents, translated primarily from medieval Latin but occasionally from Old French, that shows how religious women and their patrons managed resources to make monastic communities - particularly a variety of Cistercian communities - work. The records help us reconstruct how nuns and abbesses of Cistercian communities in the thirteenth century organized and kept records, managed their properties, responded to attempts at usurpation, and balanced their lives between devotional practices, which were part of their cloistered world, and family and social responsibilities beyond the convent walls.

In this engaging work, Bruce L. Venarde uncovers a largely unknown story of women's religious lives and puts female monasticism back in the mainstream of medieval ecclesiastical history. To chart the expansion of nunneries in France and England during the central Middle Ages, he presents statistics and narratives to describe growth in broad historical contexts, with special attention to social and economic change. Venarde explains that in the years 1000–1300 the number of nunneries within Europe grew tenfold. In the eleventh and twelfth centuries, religious institutions for women developed in a variety of ways, mostly outside the self-conscious reform movements that have been the traditional focus of monastic history. Not reforming monks but wandering preachers, bishops, and the women and men of local petty aristocracies made possible the foundation of new nunneries. In times of increased agrarian wealth, decentralization of power, and a shortage of potential spouses, many women decided to become nuns and proved especially adept at combining spiritual search with practical acumen. This era of expansion came to an end in the thirteenth century when forces of regulation and new economic realities reduced radically the number of new nunneries. Venarde argues that the factors encouraging and inhibiting monastic foundations for men and women were much more similar than scholars have previously assumed.

There has long been a tendency among monastic historians to ignore or marginalize female participation in monastic life, but recent scholarship has begun to redress the balance, and the great contributions made by women to the religious life of the Middle Ages are now attracting increasing attention. This interdisciplinary volume draws together scholars from Spain, Italy, France, the Low Countries, Germany, Transylvania, Scandinavia, and the British Isles, and offers new insights into the history, art history, and material culture, and the religiosity and culture of medieval religious women. The different chapters within this book take a comparative approach to the emergence and spread of female monastic communities across different geographical, political, and economic settings, comparing and contrasting houses that ranged from rich, powerful royal abbeys to small, subsistence priories on the margins of society, and exploring the artistic achievements, the interaction with neighbours and secular and ecclesiastical authorities, and the spiritual lives that were led by their inhabitants. The contributors to this volume address issues as diverse as patronage and relationships with the outside world, organizational structures, the nature of Cistercian observance and identity among female houses, and the role of male authority, and in doing so, they seek to shed light on the divergences and commonalities upon which the female religious life was based.

In Gender and Christianity in Medieval Europe, six historians explore how medieval people professed Christianity, how they performed gender, and how the two coincided. Many of the daily religious decisions people made were influenced by gender roles, the authors contend. Women's pious donations, for instance, were limited by laws of inheritance and marriage customs; male clerics' behavior depended upon their understanding of masculinity as much as on the demands of liturgy. The job of religious practitioner, whether as a nun, monk, priest, bishop, or some less formal participant, involved not only professing a set of religious ideals but also professing gender in both ideal and practical terms. The authors also argue that medieval Europeans chose how to be women or men (or some complex combination of the two), just as they decided whether and how to be religious. In this sense, religious institutions freed men and women from some of the gendered limits otherwise imposed by society. Whereas previous scholarship has tended to focus exclusively either on masculinity or on aristocratic women, the authors define their topic to study gender in a fuller and more richly nuanced fashion. Likewise, their essays strive for a generous definition of religious history, which has too often been a history of its most visible participants and dominant discourses. In stepping back from received assumptions about religion, gender, and history and by considering what the terms "woman," "man," and "religious" truly mean for historians, the book ultimately enhances our understanding of the gendered implications of every pious thought and ritual gesture of medieval Christians. Contributors: Dyan Elliott is John Evans Professor of History at Northwestern University. Ruth Mazo Karras is professor of history at the University of Minnesota, and the general editor of The Middle Ages Series for the University of Pennsyvlania Press. Jacqueline Murray is dean of arts and professor of history at the University of Guelph. Jane Tibbetts Schulenberg is professor of history at the University of Wisconsin—Madison.

Publisher description

Crown and Veil offers a broad introduction to the history and visual culture of female monasticism in the Middle Ages, from the earliest communities of Late Antiquity to the Reformation. Scholars from numerous disciplines offer a wide range of perspectives not to be found in any other single book on the subject, placing the art, architecture, literature, liturgy, religious practices, and economic foundations of these communities within a wide historical and cultural context. Long considered marginal to mainstream history, nuns and canonesses in fact had a profound influence on medieval culture. Revered and admired as models of piety, they commanded considerable prestige and exercised a significant degree of political power. Whether acting as producers or patrons of art, nuns were widely celebrated for their imaginative accomplishments. Focusing on the visual culture of female monastic communities in the German Empire, Frankish Gaul, Langobard Italy, and Anglo-Saxon England, this volume underscores the richness of largely unfamiliar material and its role in shaping distinctive forms of religious life.

Hugh Lawrence's book ranges right across Europe and the Middle East as well as reconstructing the internal life, experience and aims of the medieval cloister, he also explores the many-sided relationships between the monasteries and the secular world from which they drew recruits. This Third Edition contains new thoughts and perspectives throughout.