Three-volume set investigating how iconic representations of women and death in German literature and culture came about and why they endure.

Only recently out of the Army and back in the USA after fighting the Japanese in the Far East, Hank Janson is in no mood to just sit back and take it when his old friend Lola gets caught in the crossfire of a bar-room shooting. He sets out to avenge her death, finding himself up against a vicious gangster - and three even more dangerous women ... With their erotic pin-up covers and hardboiled crime tales, the Hank Janson pulp paperbacks were a British publishing sensation in the 1940s and 1950s, selling millions of copies to readers craving escapism from post-war austerity. Prosecutions under Britain's then-harsh obscenity laws dealt them a severe blow, however, and today they are highly sought after by collectors. The tough, uncompromising This Woman is Death was the very first novel in the regular Hank Janson series, originally published in 1948. It is reissued by Telos Publishing complete with its original Reginald Heade cover.

Women and the Material Culture of Death is a book that is at once ambitious, compelling and poignant. The nineteen, cross-disciplinary, generously illustrated essays that comprise this collection reveal the hidden history of women's role in mourning the dead through a range of material practices from the early modern period to the present."--Publisher's description.

Dead women litter the visual landscape of the 2000s. In this book, Clarke Dillman explains the contextual environment from which these images have arisen, how the images relate to (and sometimes contradict) the narratives they help to constitute, and the cultural work that dead women perform in visual texts.

A millionaire is murdered and Inspector Felse, after sifting through the few shreds of evidence, finally arrests Kitty Norris, his teenaged son Dominic's first love. A young man's infatuation soon becomes something far more dangerous, though, as Dominic takes on Kitty's cause--in direct opposition to his father's investigation.

Female infanticide is a social practice often closely associated with Chinese culture. Journalists, social scientists, and historians alike emphasize that it is a result of the persistence of son preference, from China's ancient past to its modern present. Yet how is it that the killing of newborn daughters has come to be so intimately associated with Chinese culture? Between Birth and Death locates a significant historical shift in the representation of female infanticide during the nineteenth century. It was during these years that the practice transformed from a moral and deeply local issue affecting communities into an emblematic cultural marker of a backwards Chinese civilization, requiring the scientific, religious, and political attention of the West. Using a wide array of Chinese, French and English primary sources, the book takes readers on an unusual historical journey, presenting the varied perspectives of those concerned with the fate of an unwanted Chinese daughter: a late imperial Chinese mother in the immediate moments following birth, a male Chinese philanthropist dedicated to rectifying moral behavior in his community, Western Sinological experts preoccupied with determining the comparative prevalence of the practice, Catholic missionaries and schoolchildren intent on saving the souls of heathen Chinese children, and turn-of-the-century reformers grappling with the problem as a challenge for an emerging nation.

A “perfectly executed suspense tale very much in the mode of Daphne du Maurier’s Rebecca” (The Washington Post) from the #1 New York Times bestselling author of In a Dark, Dark Wood, The Woman in Cabin 10, The Lying Game, and The Turn of the Key. On a day that begins like any other, Hal receives a mysterious letter bequeathing her a substantial inheritance. She realizes very quickly that the letter was sent to the wrong person—but also that the cold-reading skills she’s honed as a tarot card reader might help her claim the money. Soon, Hal finds herself at the funeral of the deceased…where it dawns on her that there is something very, very wrong about this strange situation and the inheritance at the center of it. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, this is a “captivating and eerie page-turner” (The Wall Street Journal) from the Agatha Christie of our time.